Ink Photography

Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing ...

David Bailey Paul McCartney [Mirror], 1967 Silver Gelatin Print Signed by the artist, on verso Image: 43.1 x 43.1 cm Sheet: 50.8 x 60.9 cm Edition of 25

Falling Stars - 2020 Edition 1/10 plus 2 Artist Proof, 20x25cm Digital Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mounte...

Large scale photograph of elegant interior view of the French revolutionary hidden door in the Villa Napoleone in Elba, Tuscany. Napoleon Bonaparte I - not at home ( ELBA ) by Frank...

Streetlights on Manhattans' Sixth Avenure transform into a starburst of kaleidoscope color through an act of creativity from Photographer Mitchell Funk. The emanating light is a m...

Persephone V by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & numbered...

Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 Any framed photographs purchased during the show will be available after May 8th. If the exhibitio...

Rebecca Skinner’s “The Palace” is a 16 x 24 inch contemporary color photograph of an abandoned theater in Gary, Indiana. A shredded curtain hangs on the stage in the vast space litte...

"Kate Moss Nr. 10" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

Black and white, fashion, model, street, mercer st, NYC, New York, New York City Photography, woman, model, fashion photography, B&W, black and white photography, Todd Burris, Listing is for UNFRAMED print. Inquire within for framing. Edition of 2 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Frank Sinatra performs live at The Sands Hotel, Las Vegas, NV. Taken during the Share Benefit Concert in 1960. Frank Sinatra Enterprises Archival digital print. Printed on 100% Co...

Large scale photograph of elegant interior view of the French revolutionary hidden door in the Villa Napoleone in Elba, Tuscany. Napoleon Bonaparte I - not at home ( ELBA ) by Frank...

Camel Graffiti is an archival inkjet print by contemporary photographer Morgan Silk. Camel Graffiti by Morgan Silk is available in this size of 17" x 24" in a limited edition of 25...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Morning G...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

Live at The Sands – Frank Sinatra circa mid 1950s. Performing at the Copa Room, Sands Hotel. Las Vegas, NV. Giclee 300gsm smooth archival rag paper and arch...

Wave - Signed limited edition archival pigment print, Edition of 5 Breaking wave on the Spanish coast Can be paired with " Wave 2 " by Ian Sanderson. This is an Archival Pigment pr...

Frank Sinatra recording at Capitol Records. Sinatra was recording his classic album "Songs for Swingin' Lovers!" at KHJ Studios in Hollywood, CA. "Songs for Swingin' Lovers!" was Sin...

Late 1950's early 60's - Nice N' Easy cover. All the songs, with the notable exception of the title song, are sung as ballads and were arranged and conducted by Nelson Riddle. The al...

Driving Home – Frank Sinatra circa 1950 driving his Cadillac. Hollywood, CA. From Sinatra Family Archive Giclee 300gsm smooth archival rag paper and archival ink Each fine print i...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Bethesda Fountain, Central Park, 2011 by Roberta Fineberg is a 20 x 16 in. archival pigment print (color photograph) of 19th-century sculptor Emma Stebbins’s Angel of the Waters. Ins...

Heading Home – Frank Sinatra circa 1953 getting into his Cadillac. Hollywood, CA. Giclee 300gsm smooth archival rag paper and archival ink Each fine print is numbered and embossed ...

Sitting at Desk – circa 1945. Frank Sinatra at home in Toluca Lake. Note the portrait of FDR on the wall. Sinatra said after meeting him “He’s the greatest man alive today and here’s...

George McLeod Untitled #7, Tree Huggers from the Future, 2021 Archival Pigment Print, Mounted Dibond in custom frame; with Black Stained Oak and antire...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call ...

The Providence images present speculative, temporal environments where time, space, and light remain elusive. These constructed landscapes, drawn from various locations, invite refle...

Aeroglyph XT1876 (2019) by Reuben Wu, a large format original photograph from an ongoing photography series, capturing large temporary geometries traced by light carrying drones in e...

David Bailey Dizzy Gillespie, 1981 Archival Inkjet on paper Signed by the artist, on verso Image: 36.83 x 46.78 cm Sheet: 42 x 59.4 cm Edition of 15

'Exhalation' Limited Edition 30 x 24" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales gracefull...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 12 times and this is the AP Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

St. Peter's Square, Rome, Italy, 1958 by Leonard Freed is a black and white documentary photograph of two figures (priests) on a snowy afternoon dressed in black in contrast to the f...

Born in the Highlands of Scotland in 1971, Allan Forsyth is a photographic artist whose practice bridges the boundaries between nature, abstraction, and modernism. Deeply inspired by...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

No. 48354 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. Print can be mounted to ...

Heather Hollis Autumn Afternoon Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached vers...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

PHOBIAS Pezdek’s PHOBIAS expose the absurdist, fearful tendencies from which we all suffer. Concurrently, there is a powerfully implicit optimism running through each work which is...

PHOBIAS Pezdek’s PHOBIAS expose the absurdist, fearful tendencies from which we all suffer. Concurrently, there is a powerfully implicit optimism running through each work which is...

PHOBIAS Pezdek’s PHOBIAS expose the absurdist, fearful tendencies from which we all suffer. Concurrently, there is a powerfully implicit optimism running through each work which is...

"Chrysler Building" Abstract, Expressionist, Photography, Giclee Print, Ltd.Ed. Creator: Hatice Besun Creation year: 2025 Dimension: 42x28" External Dimension( with white border) He...

Tigran Tsitoghdzyan is especially interested in how people interact in this era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hand...

"Brooke (Blue Waves)" Nude Photography 40" x 30" in Ed. 3/3 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finis...

Little Surma Boy, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph of a child from the Surma tribe in the Omo Valley in Ethiopia, Africa. The photograph is printed ...

fashion, nude, female, portrait, woman, sepia, Brooklyn, New York, urban, city, figurative, timeless, brown tone, black & white, fashion, women, brooklyn, figurative, woman, portrait...

a highly detailed still life photograph of the king of pop's iconic sequin and rhinestone crystal glove Black Glove (Michael Jackson) by Tom Schierlitz...

On the edge of nothingness / n1 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 24 x 36” - External Dimension( with white border) : Height: 25.6 in.( 65.02 cm) Wid...

"Queen of Spades" - 2016 - C Print on Fuji Pearl, 50x38x2 inches Edition 1 of 7 Custom white box frame Kathleen Wilke blurs the lines of poetry and fiction through her underwater photography...

“No Focus, No Object” L1 Creator: Hatice Besun Creation year: 2021 Dimension: 40 x 40” External Dimension( with white border) : 40.8 x 40.8” Condition: New Certified In Edition of ...

An Uncomfortable Bride - 2020 70x57cm, Edition 1/5. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not mounted). Signed on back with Certifi...

Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 48 x 72 i...

Washington Square / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2022 Dimension: 40 x 50" External Dimension( with white border) : Height...

"Kate Moss Nr. 8" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on verso Come with COA issued by the artist High Quality Print on Hahnemuhle paper using archival ink...

large scale still life photograph of the original iconic droid robot from the classic Star Wars movies 60 x 48 inches (152 x 122cm) signed edition of 7 40 x 32 inches (102 x 81cm...

Digital Photograph from Film Original ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...

"One Eye" Black White Photography 32" x 32" in Edition of 7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot with a 35mm ana...

large scale abstract photograph of muted color monochromatic water surface and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 70 x 56 inche...