Metal Photography

Dye Sublimation Print (metal) Black & White Dress forms Mannequins 16x24 on metal - 20x30 on metal - About the artist: A computer programmer and Webmaster by trade, Paul describe...

16x24 on metal - 20x30 on metal - Dye Sublimation Print on metal Architects: Roger Ferris + Partners The Clubhouse at the BRIDGE Not so at the Bridge, a golf club principally owned...

Rebecca Skinner’s “Sink III” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a blue wall with peeling paint. Th...

Rebecca Skinner’s “Sink V” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a pink wall with peeling paint. The ...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount.

Each series are printed in different sizes for maximum impact and collectibility. The images are processed using dye sublimation on polished aluminum sheets. Each piece is signed and...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

This listing is for the unframed photograph. Please inquire about framing. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring g...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Rebecca Skinner’s “Sorrow” is a 24 x 16 inch contemporary black and white photograph of a weathered cowboy boot resting on a fence in the beautiful North Dakota landscape. The framel...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the petals wither and crisp and the flowerhead bends slowly down. Early autumn bac...

"Trap Door" 12 x 41 inches Unique Photo transparency with resin, paint and silver or gold leaf, on a wood panel. Eric Zener (b. 1966) is a self-taught photorealist artist recogni...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...

the 12" x 24" on metal - - Edition of 5 Colorful dusk photograph printed on metal About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine a...

Rebecca Skinner’s “Passage” was photographed in rural Pennsylvania. The yellow peeling paint in the abandoned hallway reflect the passing of time. The 18 x 12 inch color photo with s...

"All about the light. The rich golden light at sunset on a beach in Sri Lanka. Palm trees are everywhere and they have many identities. They can sway gracefully in the breeze, or the...

Rebecca Skinner’s “Break” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo with satin...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

Rebecca Skinner’s “Iron” is a 18 x 12 inch metal print of a wrought iron fence. The color photograph has a satin finish and is infused directly into...

"Tender is the Night" by Valda Bailey Archival Pigment Print on Museum Glass, hand gilded with Rich Rose 23.4 ct Gold leaf, Framed 69 x 55.5 cm, in bespoke frame "Taken on Hikkaduw...

Darkening clouds gather over the bay as Autumn approaches. Shot outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backin...

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

Rebecca Skinner’s “Dream” is a 18 x 12 inch color photograph of an abandoned room with peeling paint on the walls and ceiling and a stacked mattress bed under a vintage chandelier, s...

The Song You Would Hear by Marcy Palmer presents a bouquet of wildflowers, illuminated in a background of gold. This photograph is made of 24k gold leaf o...

Rebecca Skinner’s “Inward” is a 12 x 18 inch color photograph of vines growing through a window into the interior of an abandoned building. Layers of peeling paint in green, pink and...

Sabi Sand Game Reserve is my favorite game reserve in Africa. Very famous with their big cats, especially the leopards. Very difficult to find in other game parks, I was able to see...

Black & White portrait, shot in an abandoned building in a nature preserve, Long Island, NY. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options av...

The Sweet Blasts! Portfolio represents my own apprehension with our intersections of technology with natural systems. The series is not meant to be anti- or pro- anything. In my mind, it encompasses everything from genetic manipulations to cyber connectivity. Our impact on processes and evolutions that have been tested and processed over millennia are now being altered at a violent pace. And, our solutions to the problems that we are solving immediately will ultimately have an impact that will be felt far into the future. Yet, violent change is not new and is a part of the galactic system...

The Sweet Blasts! Portfolio represents my own apprehension with our intersections of technology with natural systems. The series is not meant to be anti- or pro- anything. In my mi...

Cosmos III, Moon and Pink Gold leaf on glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/ 12.2 x 12.2 in. Framed E...

The side of a ship docked in the autumn light at Pier 6, Brooklyn, NY. Printed on high quality fine art paper mounted on dibond aluminum, with a float mount backing. Available in a...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

Ed. of 15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Albert's Square is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is filled with Gold, White and Brown colors. It is $2,500. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Autumn Pond reflection outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety of custom s...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 194...

Rebecca Skinner’s “Circumstance” was photographed in an abandoned hospital. The 16 x 24 inch color photograph is of a piano in a state of decay in a domestic setting with warm tones ...

Impressionistic photo of an autumn sunset reflected in tidal flats at low tide. Shot in Glen Cove, Long Island. Printed on archival fine art paper, mounted on dibond aluminum with ...

Summer rapidly fades, making way for autumn. Shot outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in...

Rebecca Skinner’s “Home” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage living room with yellows and whites at an abandoned...

The beach at dusk in Tulum is an endlessly changing palette of pastels. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon request.

Rebecca Skinner’s “Workspace” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. A desk and chair sit in a vast space....

Eric Rhein “Bayou” 2010 Signed, verso Gelatin silver print, sterling silver, bronze, and found objects 25 x 21 x 4 inches (63.5 x 53.3 x 10.2 cm), framed This work is offered by...

Rebecca Skinner’s “Disorderly” is a 17 x 11 inch metal print of a graffiti covered chalkboard in a classroom at an abandoned school. The color photograph is mostly earth toned with a...

Rebecca Skinner’s “Simple Chair” was photographed at an abandoned state hospital and is part of her “Forgotten” series raising mental health awareness. Bl...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Platinum-palladium print. Signed and numbered '2/6' in pencil. Limited edition of 6 + AP. Printed 2018. On japanese Gampi.

Rebecca Skinner’s “Worn 2” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of yellow wallpaper in a state...

Rebecca Skinner’s “Crumbling” is a 20 x 30 inch abstract metal print. The color photograph is part of her “Transient” series. The peeling paint with colors of green, blue and peach h...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

Rebecca Skinner’s “Spools” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch close-up color photograph ...

Rebecca Skinner’s “Wheels” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white close-up o...

Cosmos I, Pink and White Gold leaf on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded with Pink Gold and White Gold leaf 31 x 31 cm/ 12.2 x 12.2 in (Framed) From Edi...

Rebecca Skinner’s “Finished Business” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. T...

Rebecca Skinner’s “Waning” is a 20 x 30 inch metal print and is part of her “Transient” series. This color photograph is of an electrical outlet in a...