Panel Photography

In “Backyard Oasis”, during her trip to the American West Coast, French painter and photographer Ayline Olukman brings us along with her on an adventure. Between truth and fantasy, t...

Roots Go Deep by Sherry Karver is a 16x20 one of a kind artwork created with photo images, jigsaw puzzle pieces, oil, resin on Wood Panel. It is part of the Missing Pieces of the Pu...

Collaboration between artists John Mazlish and Elsa Marie Keefe. Shot during the height of the pandemic in June 2020. At that time more than ever, nat...

Shawn Ehlers is a former Ford/Elite model who lived and worked in Milan, Paris and New York before getting behind the lens. Photographed by well-known photographers such as Helmut Ne...

Delicate movements of shadow trying to catch the light like a butterfly tries to catch the wind. Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Fr...

"Unforgotten Series No 5" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork fe...

Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Frame. 24x36” print, 29x41” in the custom frame. Series of 10. Custom size and framing options avai...

Delicate movements of shadow trying to catch the light like a butterfly tries to catch the wind. Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Fr...

"Unforgotten Series No 2" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork. ...

"Unforgotten Series No 3" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract landscape piece. Spanish...

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

"Sand Storm" Fine Art Photography 42" x 56" in Ed 4/7 by Viktorija Pashuta 2016 Signed and numbered by the artist Digital print on wood panel. Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

Laminated Giclée print on aluminum composite panel with Hirst's printed signature and numbered from an edition of 2573 on the justification label on verso. With the original packaging.

Delicate movements of shadow trying to catch the light like a butterfly tries to catch the wind. Giclée Fine Art Archival Fiber Print, Resin Encapsulated, Custom Double Shadow Box Fr...

'Beach Umbrellas/ Rimini' by DJ Leon captures an Italian beach scene with deep blue skies and ocean, yellow sand, and a white sailboat. Digital C-print with epoxy r...

"Ode to the Sun", Summer beauty. Encaustic wax & polaroid on wood board.

Mixed Media on wood featuring the famed Mick Jagger. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media artist,...

Greg Miller Sun'n'Sand Oil, Paper, Resin on Panel Year: 2008 Size: 45 x 70 x 2 inches Signed: On Verso COA provided Drawing from the rich cultural and geographic influences of his ...

Two gelatin silver prints with applied varnish on book cover Signed in black ink, recto This artwork is offered by ClampArt, located in New York City.