Plastic Photography

Bleed # 202305 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

Bleed # 202198 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Plexiglas mounted

Edition of 10 Unframed

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Breathe # 202202 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available...

Medium: Archival pigment print under museum acrylic glass. Dimensions: 18 x 15 x 15 in. each Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 97.5 in. Ar...

After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Intern...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Bleed # 202129 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition 1/3...

Breathe # 202206 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available...

Bleed # 202198 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition 1/3...

Bleed # 202172 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

Bleed # 202129 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition 1/3...

Bleed # 202052 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hang...

NY # 40.78N_73.96W (Abstract photography) Chromogenic Print Face-mounted 3mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Artwork made with 2 elements ( 80 x 250 ...

BLEED # 202042 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Intersect # 201801 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Bleed # 202025 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Mute # 201706 (Abstract Photography) This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system ...

Intersect # 201702 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Bleed # 202009 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Intersect # 201704 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Mute # 201801 (Abstract Photography) This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system ...

Dissolve # 201801 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas- Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3. ...

Mute # 201705 (Abstract Photography) This work is framed 8mm face and 65mm depth. Available on request 5-6 week turnaround. Chromogenic print face-mounted 8 mm plexiglass. Backed ...

Intersect # 201605 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Bleed # 202051 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/...

Bleed # 202042 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Masterprint with NFT and Certificate of Authenticity Archival photo print under acrylic glass. Edition of 3 Masterprint + NFT Dimensions: 2x 60x40 in. Depth: 1/8 in. About the Mas...

Trace # 201901 (Abstract photography) Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on ...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 1/3. ...

Intersect # 202101 (Abstract photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Bleed # 202041 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Chromogenic Print Face-mounted 3mm Plexiglas - Unframed. Artwork made with 2 elements ( 80 x 250 cm/31.5 x 98.4" each). Available on request 5-6 week turnaround. Backed with Dibond ...

Archival photo print under acrylic glass. Three prints, 3 x 48x48" (each) Signed & Numbered by the artist Edition of 3 Artist and photographer Paul-Émile Rioux lives in Montréal, C...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Beach Break Bliss Limited edition of 19 30 x 45 in. Pigment print face mounted to plexi Acquired from artists studio Nantucket island photography ...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 3...

Archival photo print under acrylic glass. Edition of 5. Dimensions: 3x 48x48 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cuttin...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, concrete, acrylic, enamel and pigments (5...

Archival photo print under acrylic glass. Dimensions: 24 x 72 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, concrete, acrylic, enamel and pigments (5...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request - 4 week turnaround Edition o...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on request 5-6 week turnaround. Edition: 1/3. ...

This work is framed 8mm face and 65mm depth. Chromogenic print face-mounted 8 mm plexiglass. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3. Paul...

Edition of 5 + 2AP After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...