Benjamin Fredrickson

Alex

2008

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph. From the series "Voyeurism " realized by Newton for Playboy magazine.

Lisa - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1994. This print that is being offered is a high-quality Archival Pigment ...

Collaboration between artists John Mazlish and Elsa Marie Keefe. Shot during the height of the pandemic in June 2020. At that time more than ever, nat...

Male Nude (29 Palms, CA) - 1999 58x56cm, Edition of 10, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, matte surface, based on a Polaroid. Signature la...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Miranda‘ who was captured on film in 198...

Mixed media collaboration between photographer John Mazlish & artist John Wright.

Collaboration between artists Elsa Marie Keefe John Mazlish. Shot during the height of the pandemic in June 2020. At that time more than ever, n...

Photo printed on highest quality, archival Hahnemühle Photo Rag Baryta Paper. Customs size, frame and print medium options available upon request.

Sophie & Carl - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1998. The negative was scanned creating a digital file which was t...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 This work was sourced directly from the artist. I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...