Omer Ga ash

Forced Unbound (Black and white bodies intertwined in Body to Body Series)

2022

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. In the famous story of the great 19th century photographer Julia Margaret Cameron, it is said she was given her first camera by her daughter as a way to occupy her time while her husband was away. In my case, as with so many others, the beginning of the story was equally fortuitous: Knowing I was about to spend a year abroad as an exchange student, my mother gave me my first camera, saying I would probably want to take pictures while I was away. Neither of us realized how important that little Instamatic camera would turn out to be, and now, 47 years and over a hundred thousand images later, I present the different portfolios shown here as a reflection of the work I have made since back then in 1970. One by one, my favorite films and papers have been driven from the market by digital media, but I remain loyal to this day to analog photography, and the originals of all of these images were made with real film, either color slides...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. The photograph, Jay in a Ray of Light, in this size is in an edition of only 5. This impression is #1 Born in Moscow in 1986, Alex Avgud...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3. The photograph of Tanner were originally shot on a Polaroid Land 360 from my series ‘Diary Non Diary’. Sebastian Perinotti...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Eric Kellerman created this sensual nude photograph of a young nude woman with a large zinc vessel under her arm. It is pencil signed, titled and numbered 1 from an edition of 20. The photographer has stamped a red monogram next to his signature. Eric Kellerman is a Briton who has lived near Nijmegen in the Netherlands for just over half his life. In 2008, he retired from academic life to spend more time on photography. Kellerman works almost entirely in the studio and uses digital equipment from camera to print, although image manipulation is limited to darkroom-like processes. Specializing in the nude, he has a regular team of female collaborators, most of whom have a serious interest in movement (dance, drama therapy, athletics, martial arts). Kellerman used to consider his work to be distant, abstract, melancholic, ‘unerotic’, despite its subject matter. Now he's not so sure. He emphasizes line, geometrical form, texture, implicit movement, and above all, chiaroscuro. He likes to create ambiguity in his photos, so that the viewer is sometimes unsure what part of the body is being looked at. In this way, he attempts to free the female body of its conventional associations. He has been influenced by surrealism...