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Stefanie SchneiderDaisy and Austen in front of Trailer (Till Death do Us Part) - 5/5, 4 pieces2005
2005
$25,000
£19,037.48
€21,739.59
CA$35,128.09
A$38,542.20
CHF 20,302.18
MX$458,500.17
NOK 260,068.51
SEK 237,478.06
DKK 162,415.67
About the Item
Daisy and Austen in front of Trailer (Till Death do Us Part) - 2005
Edition 5/5,
125x123cm each. 125x520cm installed.
4 Analog C-Prints, hand-printed by the artist on Fuji Cristal Archive Paper, matte surface,
based on the 4 Polaroids.
Artist inventory 9250.05.
Signature label and certificate.
Not mounted.
The Art of Building a World: Stefanie Schneider’s Enduring Vision
Stefanie Schneider’s career is more than a collection of images—it’s a universe unto itself. Spanning decades, her work is an immersive experience, a delicate blend of nostalgia, imperfection, and raw emotional storytelling. She embraced Polaroid film just as it was disappearing, not as a fleeting experiment, but as a defining element of her vision. Where others sought digital perfection, she found beauty in unpredictability, turning chemical mutations into a language of their own.
Recognition has followed naturally—not through compromise, but through conviction. From exhibitions across Europe and the U.S. to a special mention in Arles, her work has shaped the conversation around contemporary photography. But Stefanie’s art isn’t confined to galleries. It spills into books, into film (The Girl Behind the White Picket Fence), and even into the rhythm of her everyday life on a farm where chickens roam like living installations in a desert landscape.
Stefanie’s career is proof that true artistry is not about following trends but creating worlds. She doesn’t manipulate her Polaroids, nor does she bend her artistic principles to fit commercial molds. Instead, she cultivates a deeply personal, evolving narrative that resonates with those who see beyond the surface. Her work isn't just collected—it’s lived with, dreamed into, and remembered.
This is what it means to be an artist—not just a creator of images, but a maker of mythologies, a curator of emotion, and a weaver of imperfect, unforgettable dreams.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 49.22 in (125 cm)Width: 204.73 in (520 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315970882
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
About the Seller
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View AllDaisy and Austen in front of Trailer III (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
Daisy and Austen in front of Trailer II (Till Death Do Us Part) - 2005
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Austen and Daisy in front of Trailer II (Till Death do us Part) - analog
By Stefanie Schneider
Located in Morongo Valley, CA
'Austen and Daisy in front of Trailer II' (Till Death do Us part), 2005 -
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Certific...
Category
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Austen and Daisy in front of Trailer IV (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
Austen and Daisy in front of Trailer IV (Till Death Do Us Part) - 2005
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Edition 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate ...
Category
Early 2000s Contemporary Color Photography
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Archival Paper, Photographic Paper, C Print, Color, Polaroid
Austen in front of Trailer (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
Austen in front of Trailer (Till Death Do Us Part) - 2005
80x79cm,
Edition 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Daisy front of Trailer (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
Daisy in front of Trailer (Till Death Do Us Part) - 2005
80x79cm,
Edition 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature ...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Daisy in Trailer (Till Death do us Part) with Daisy McCrackin - Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Daisy in Trailer (Till Death do Us part), 2005,
40x40cm, Edition 1/10,
digital C-Print, based on an original Polaroid,
Certificate and Signature label,
artist Inventory No 9517.01,
not mounted
On offer is a piece from the movie: Till Death do Us part
'Till death do us part' an episode of the '29 Palms, CA' project. A film shot on Polaroid stills combined with Super 8 film sequences.
'Till Death Do Us Part' is the story of two young lovers, lonely souls escaping the abuse of reality into each other. Imagine a stranger suddenly in your path, you can just be silent with, and you feel you have known her forever. This is the experience of Cristal and Margarita, that begins when Cristal picks her up hitchhiking on a lonely dessert road. A runaway from a cruel older brother and a broken family, Margarita is searching on the edge of the shadows for a home. Cristal was also a lonely child and already dangerously close to vanishing when she finds Margarita. For her it is the begging of life. When she finds Margarita, she finds herself, she feels for the first time and discovers that she is not invisible after all.
The childlike, roadside life they make together is a dream that they truly believe will last forever, and with the naive joy of beginners, they dive in, never sensing danger. When two lost souls become one and share everything, do they loose themselves further or do they become whole at last? When a girl has no home, no anchor, can she combine thrive with another? Once a human heart wakes up from isolation for the first time, enchanted by a reflection in love's mirror, can the dreamer fall asleep again, or must she wander searching to find it again forever?
An artistic triumph for Schneider, this piece floats deeper into her exploration of the colors of the human psyche, separation, relationship, androgyny and the fringes of social reality.
The Californian desert light and the vintage colors of Polaroid create a unforgettable atmosphere in the abandoned trailer park.
Austen Tate gives Margarita her voice in poetry and Daisy McCrackin...
Category
Early 2000s Contemporary Portrait Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
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