18th Century and Earlier Photography

Anthony FRIEDKIN (*1949, America) Breaking Wave, Venice Beach, California, U.S.A., 1978 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25 Print only Born 1949 in Los Angeles, USA, Friedkin currently lives and works in Los Angeles. Anthony Friedkin uses his camera as a means of personal discovery. His full frame black & white photographs explore the many mysteries of moments in time. He creates his own distinctive exhibition prints in his darkroom. He says of his work, “I believe in extraordinary photographs that draw you in and cannot be easily defined-celebrating perception and its many hidden layers of reality”. Informed by the works of Atget, Kertesz, and Josef Koudelka...

‘Careless Whispers’ by Arthur Steel Paper size: 40 x 32 inches / 102 x 80 cm Framing options available. Dog’s Names: ‘Buster’ on the left and ‘Dumpli...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

Lola Falana boxing in the gym photographed by Frank Dandridge, 1969. A photo shooting of Lola Falana during and between the Movie „The Liberation of L.B. J...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Old days Photo - Landscape is a black and white vintage photo, realized in the late 19th century. Good conditions and aged. It belongs to a historical and Nostalgic album including...

Anthony FRIEDKIN (*1949, America) Clockwork Malibu, Rick Dano on P.C.H., Malibu, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25...

Portrait and Patriotic Epitaph written by Garibaldi is a CDV albumen print, datable around 1870 circa. The portrait contains a patriotic dedication on the front and a long epitaph hand-written on the back. Very good condition, slight signs of wear on the edges, typical of an object touched and revered and in any case written in pen on almost its surface. Cm 9,5 x 5,5 In the picture a reproduction of an unpublished painting by Garibaldi, which can be placed for its physiognomy and clothing in the years after the "Expedition of the Thousand" (1860). The photographic print also dates around 1860/1870. On the front low margin there is written a powerfull patriottic slogan: "Venite a morire con me" (come die with me), on the back, in same ink and same handwriting there is a long epitaph, readable for almost all of its entirety, reminiscent of a young and strong man who fell for Italy. Unfortunately this long and poetic text, written on the small surface of the CDV, presents some illegible words written on the iedges, which certainly contained the signature, the date and probably the name to which it is dedicated. in the text there are no coretions, but the punctuation and the stylistic form, with some repetitions, suggests that it was written in one go. The handwriting, compared to other autographs by Garibaldi seems the same, especially in the use and in the form of capital letters, used as on other similar writings by Garibaldi to emphasize the words closest to the idea of death for the homeland. It is reasonable to think that this portrait was given to the loved ones of an important fallen soldier, by Giuseppe Garibaldi as his habit. There are other similar documents, in which the hero dedicates poetic verses to famous or friends, in this case, however, the expressive power refers to images of the period of the first Italian battles...

Authorization for the Fiera of S. Giustino in Chieti realized in 1789. Written in the Italian language. Good conditions.

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Anthony FRIEDKIN (*1949, America) Old Surfboard, Topanga Beach, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) E...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

Signed and dated in ink on recto

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...