Early 2000s Photography

Contemporary color photograph of the interior of an abandoned power station 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful crumbling interior of the Glendale Power Station in Yonkers, NY. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

'Jarvis Cocker Of Pulp In London' (silver gelatin print Limited Edition) Originally shot for Mojo Magazine under Watyerloo Bridge in London, 2001. A b...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Frida Kahlo is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2008. Original Digital Photograph. Hand-signed, dated, numbered by the artist ...

'Jarvis Cocker Of Pulp In London' (silver gelatin print Limited Edition) Originally shot for Mojo Magazine under Watyerloo Bridge in London, 2001. A b...

Nick Cave Nick Cave, Brighton, 2008 by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class mu...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Mike BRODIE (*1985, USA) #3102, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 7/7 About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

Boats Sailing At Sunset, Santa Cruz - Color Photograph Color photograph of sailboats at sunset in front of the Breakwater Lighthouse in Santa Cruz, California by John F. Hunter (American). The viewer looks out towards the ocean as multiple colorful sailboats sail...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscape - cityscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Big black stones on the shore in madeira, Portugal. Archival pigment ink print as part of a limited edition...

Chromogenic print Signed, titled, dated, and numbered (4/8) in pencil, verso This photograph is offered by ClampArt, located in New York City. Price includes framing. About the arti...

THE THEATER OF INSECTS Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...

Minimalist aerial landscape photograph of turquoise blue water and curved break wall Archival digital print, Edition of 25 (#094) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs turquoise blue water above Lake Michigan near Chicago, IL. When seen from above, the break wall that spirals into the blue water resembles an abstract line on a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Archival digital print, Edition of 25 (#013) Image size 23.5 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with ...

Listing includes framing with UV plexi, free shipping to US, and 14-day return policy. Corinne Vionnet Agra from the series "Photo Opportunities" 15 x 20 inch archival pigment prin...

Clam Shells (Still Life Photograph of Blue/White Shells with Drift Wood) by David Halliday 10 X 15 inches, 17 x 22.5 inches framed Color Work Series archival pigment print edition #2 of 25 In this series, Halliday captures the beauty of everyday life in still lifes of various objects and vegetation arranged against simple backgrounds. This seaside still life of deep blue and white clam shells beside a piece of drift wood is set on a concrete surface in front of a cream colored plaster wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

Minimalist aerial landscape photograph of trees in a snowy white field Archival digital print, Edition of 25 (#121) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs a barren orchard and popular trees in a snowy white field above Sodus, New York. The shadows from the trees cast a dramatic shadow against the white field while the brown colored paved road provides a striking contrast in composition. When seen from above, the aerial landscape photograph looks like a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'AILA', 2004 C–type print Sheet 101.6 × 101.6 cm (40 × 40 in.) Edition of 6 Signed by the artist Kawauchi burst on the intern...

Edition 14 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hig...

" Mannequins, yellow cabs and a big, shiny display window (combined) are one of the most quintessential scene of New York City. Shot in SoHo, I wanted the abstracted reflections of t...

Diane Arbus is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2010. Original Digital Photograph on paper. Hand-signed, dated and numbered on the back. The original mark of the photographer is also present. Edition of 5 unique specimens. The artwork is one of the photographs of the series "Gloomy Sunday" realized by the artist in the 2000s. The artwork represents a female nude figure in the foreground lying on the grass, near her body there is an old camera...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

THE THEATER OF INSECTS Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...

Compton Organ - The State, Grays, vintage interior photograph from Richard Heeps' Thurrock series, A Different Light. The series was commissioned to present Thurrock through Richard'...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

David Lynch Film director David Lynch, Cannes, 2001 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images o...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 101.6 × 101.6 cm (40 × 40 in.) Edition of 6 Signed by the artist Kawauchi burst...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 30,5 x 25,4 cm (12 x 10 in.) Edition of 6 Signed by the artist Kawauchi burst o...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the waxy texture of a solid hunk of salty parmesan cheese and its crumbles is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

Monica Denevan Found in the Sand Photography, Silver Gelatin Print, 2006 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burm...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright red tomato skins are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting. About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Archival digital print, edition of 25 23.5 x 29 inch image with 2 inch border, unframed *additional sizes available are listed in the detail section John Griebsch learned how to fly...

Hand printed by artist. Dry mounted on board. 8ply over mat Museum framing. Excellent Condition.

Tree by Ian Sanderson Signed limited edition archival pigment print, 2006 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315...

Pigmented ink print (Edition of 20) Signed, titled, dated, and numbered, recto This artwork is offered by ClampArt, located in New York City.

This color photograph by Slava Mogutin entitled "Anton (Helmet), Moscow)" is offered by CLAMP in New York City. Signed, titled, dated, and numbered, ver...

Céline - Signed limited edition archival pigment print - Edition of 5 Woman in black evening dress with bare back in a wild creek with rocks, grainy photograph. This image was cap...

Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Jerusalem from the series "Photo Opportunities" 15 x 20 inch archival pig...

Gordon James Ramsay; (born 8 November 1966) is a British celebrity chef, restaurateur, television presenter, and writer. His restaurant group, Gordon Ramsay Restaurants, was founded ...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Eric Kellerman created this sensual nude photograph of a young nude woman with a large zinc vessel under her arm. It is pencil signed, titled and numbered 1 from an edition of 20. The photographer has stamped a red monogram next to his signature. Eric Kellerman is a Briton who has lived near Nijmegen in the Netherlands for just over half his life. In 2008, he retired from academic life to spend more time on photography. Kellerman works almost entirely in the studio and uses digital equipment from camera to print, although image manipulation is limited to darkroom-like processes. Specializing in the nude, he has a regular team of female collaborators, most of whom have a serious interest in movement (dance, drama therapy, athletics, martial arts). Kellerman used to consider his work to be distant, abstract, melancholic, ‘unerotic’, despite its subject matter. Now he's not so sure. He emphasizes line, geometrical form, texture, implicit movement, and above all, chiaroscuro. He likes to create ambiguity in his photos, so that the viewer is sometimes unsure what part of the body is being looked at. In this way, he attempts to free the female body of its conventional associations. He has been influenced by surrealism...

Fallen Tree by Monica Denevan - Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma...

Fallen Tree by Monica Denevan Photography, Silver Gelatin Print, 2006 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burm...

Peter Wegner works in multiple media, ranging from paintings and photography to large-scale installations and wall works. His pieces are included in major public and private collecti...

Color landscape photograph of urban skyline and ferry in Double Bay in Sydney, Australia "Double Bay Ferry", by Keith Loutit, printed in 2008 in part of the artist's 'Small Worlds P...

Contemporary aerial photograph of industrial truck field Archival digital print, edition of 25 (#253) Image size 23.5 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches ...

David Lynch Film director David Lynch, Cannes, 2001 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images o...

Contemporary food still life photograph of bread with assorted vegetables on a wood table Archival pigment print, ed. of 25 Image size: 11 x 14 inches ...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...