Square Portrait Photography

Leisure and Fashion, Colony Hotel, 1961 - Palm Trees and Glamour in Palm Beach by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 1...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Don't give up on us, Baby (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature...

Last Season I - so I walked away from my Valley (Wastelands), diptych - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Randy and I (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1170. Signature label and Cer...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...

Caitlin in pink Tennis Skirt (Back in the 80's) - 2016 - 50x50cm, Edition 2/10, digital C-Print, based on a Polaroid. Certificate and Signature label, ...

Last Season II - so I walked away from my Valley (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist invento...

Blue Mountains (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1160. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

1960, Prince and Princess Massimo with five of their six children in their residence, Palazzo Massimo all Colonne, Rome, Italy. Slim Aarons Estate Ed...

Reinventing oneself, I - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory ...

Play among the Stars (Till Death Do Us Part) - 2005 80x30cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certific...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Polly Trott Hornburg in front of her father's typical Bermudian house. She is wearing her ...

VOGUE – HANOVER SQUARE – 1961 This photograph by Duffy was taken in 1961. The bare trees reveal a very different W1 Hanover Square to how it is 50 years later. To the left, you can see the statue of William Pitt (The Younger) which still remains today. Once a highly desirable and exclusive Mayfair address, the square now comprises mostly of offices. The models, wearing various evening dresses are stood opposite the Vogue head office at 1 Hanover Square. The offices were completed in 1958 and have been the publications UK headquarters since. The image was used for a feature titled “Getting home with the milk” for British Vogue in June 1961. AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ARCHIVE TIMELINE 2008 The Duffy Archive was established by Chris Duffy. 2009 BBC Documentary “The Man Who Shot The Sixties” One hour documentary on Duffy’s life and work. First exhibition at Chris Beetles Gallery Mayfair, London (now Beetles & Huxley)* See Exhibits page for full list of exhibition since 2009
 2010 Duffy passed away 31st May 2010 2011 Publication of first monograph “Duffy Photographer” Published by ACC Editions features over 160 iconic images from the 1950s, 1960s and 1970s and in 2011 the V&A Museum London requested Duffy prints for their permanent collection.
 2012 Solo Exhibitions and contributions in Italy, Paris, Amsterdam, Spain, San Francisco, Los Angeles, New York, London and Australia. See Exhibitions section for more exhibits. 2013 David Bowie Is launched at the V&A Museum with Aladdin Sane as the lead image. Also named as one of one hundred ‘most influential photographers of all time’ by the British Journal of Photography. See Exhibitions section for more exhibits. 2014 Publication of Duffy / Bowie – “Five Sessions” Published by ACC Editions. Publication of French Elle – “In The Eyes of Brian Duffy” – Published in French by Glenat. David Bowie Is V&A Exhibition goes on tour to: Sao Paulo, Berlin and Chicago. See Exhibitions section for more exhibits. 2015 David Bowie 'Is' continues to tour Paris, Australia and the Netherlands.
 See Exhibitions section for more exhibits. 2016 David Bowie 'Is' continues to tour Italy and Japan. See Exhibitions section for more exhibits. 2017 David Bowie 'Is' reaches Barcelona. The Archive also contributed to Holden Luntz Gallery...

Play among the Stars (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory No. 8846. Not mounted. MARGARITA (OFF) "I must go. I can feel his breath on the trail el Diablo...

Above Water (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signa...

Gravity (The Girl behind the White Picket Fence) - 2013 80x80cm, Edition 2/5. Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on the Polaroid. Mou...

Edition of 25 signed and numbered by the artist A women looks in to a plastic of a cow. This photo was taken in a Museum in Berlin. JJK is a pseudonym for one of the world's most s...

Ok Fine (Beachshoot) - 2005 featuring Radha Mitchell 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artis...

Who's That (Beachshoot) - 2005 featuring Radha Mitchell 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. A...

Truly Genuine (Beachshoot) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #906. ...

Route Nationale 98 (2019) Edition of 10 - 40 x 40 cm. Archival C-Print based on the Polaroid. Signed on back and certificate. Not mounted. Route Nationale 98- Shot 2019 on 600...

"Cut in Stone" Kenya 2019 Edition No. 9/12 Print size 37 x 28 cm signed and numbered Framed with mat and anti-reflex glass A white Rhino is standing in the morning mist. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are among the most sought-after and best-selling works in this genre worldwide and earned him an ever-growing following amongst art collectors. Born in 1958, has made a name for himself in various branches of photography. As an advertising photographer, the Munich native started working for international companies in the 1980s, and he was a pioneer in analogue compositing with his use of multiple exposures. But photography can be so much more than technical skill and a joy in experimentation. Building on his intense interest in his subject matter, his deeply personal view of the world, and his special way of seeing and self-expression, he has developed an equally unique and compelling visual language. This particularly characterizes the independent artistic work he has been creating since 2009 in places such as Ghana, Tanzania, and Kenya. With his iconic wildlife portraits, Joachim Schmeisser has gained widespread acclaim, receiving the prestigious Hasselblad Masters Award for his work in 2012. Several books of his photography have been issued by renowned publishing houses. His photographic work stands out from other artists in this genre and his unique visual language is often tried to be copied but never achieved. THE ETERNAL SUBLIME His deep interest in and his unique view of the world are what contribute to the profound impact of Joachim Schmeisser’s work. His photographs are always difficult to describe because they transcend the familiar and depict that which was once hidden, making it tangible. Joachim Schmeisser is world famous for his iconic images of Africa...

The Red Room (2019) Edition of 10 - 40x40cm. Archival C-Print based on the Polaroid, Signed on back and certificate. Not mounted. The Red Room- Shot 2019 on 600 film In part i...

The Letter (Till Death Do Us Part) - 2005 100x100cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroids. Certificate and...

Girls (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 958. Not m...

Another Monday Morning (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory nu...

Room With A View (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory n...

'Penelope' from the movie Immaculate Springs - 1998 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist...

A Strange Occurrence at the Dingle (shot 2018 on SX70 film) Influenced mostly by Old Hammer, Twin Peaks, the Supernatural and Pulp Horror a young bride appears mysteriously nobody ...

Untitled - Cricket on the Nose Scene - (29 Palms, CA) - 2009 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signatu...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Socialite Alice Topping by a swimming pool in Palm Beach, Florida. This is an estate stam...

Lucky, 2023 is a recent archival pigment ink print by Maggie Taylor. All prints are signed and numbered by Maggie Taylor. Maggie Taylor's digital creations are emblematic, afterima...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

An exceptional opportunity to own an edition of one of the most celebrated photographs in Hollywood history. Captured by legendary British photographer Terry O’Neill on the morning o...

Evangelines Dream (Shot 2018 on 600 film) Influenced by the phenomena of out-of-body experiences. The protagonist views herself from a world outside of her body after an unexplained...

Purple Max (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label Artist Inventory #793. Not...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella and May - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef S...

Madrugada Shot 2019 on 600 film Is about the time and hours between Midnight and Sunrise. It is the companion piece to the Red Room. Edition of 10 - 40 x 40 cm - Archival C-Print ...

Trickle (Stage of Consciousness) - 2007 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist In...

An iconic image by the photographer Peter Ruck. Roger Moore, downs a Martini, July 17th, 1968. Moore had recently been awarded his second Bravo Otto award for most popular television...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the ...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Polly Trott Hornburg in front of her father's typical Bermudian house. She is wearing her ...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features actress Dee Hartford, wife of film producer Howard Hawks, sipping a Pussyfoot - a mixture ...

Second Thoughts (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" featuring Heather Megan Christie 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-...

This dynamic black-and-white photograph, taken by Klaus Redenbacher in 1952, captures a male dancer mid-leap in a moment of sheer power, grace, and precision. Suspended in the air wi...

Like No One is Watching, limited edition color print, signed and numbered Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettabl...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

The Prince (The Princess and her Lover), 2007, part of the 29 Palms, CA project, Edition of of 10, 20x20cm, digital C-Print based on a Polaroid, Signature label and Certificate, a...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Charter Ketch, 1964 - Sailboat in Turquoise Waters off Island in Bahamas by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Pr...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, ...

Golfing Pals (1977) - Limited Edition Estate Stamped Print (Photo By Slim Aarons) At the 16th hole on Pebble Beach golf course, singer and film star Bi...

This is a 39" x 39" black and white archival giclée print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. It is an exp...

Play among the Stars (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

Trickle II (Stage of Consciousness) - 2007 20x20cm, Edition of 5, Archival C-Print print, based on a Polaroid Certificate and Signature label artist Inventory No. 6579.05 Not moun...