Square Portrait Photography

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features the race driver Gordon C. MacKenzie in Franconia, New Hampshire. This is an estate stampe...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features the race driver Gordon C. MacKenzie in Franconia, New Hampshire. This is an estate stampe...

Patsy Pulitzer (nee Patsy Bartlett) leaning against a seaplane belonging to the Everglades Flying Service, at Palm Beach, Florida. Slim Aarons Seaplane At Palm Beach...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. The images in this series are an attempt to capture human stories in everyday life, those ...

Spanish actress and singer Carmen Sevilla. (Photo by Slim Aarons/Getty Images) Slim Aarons Carmen Sevilla Chromogenic Lambda print 1957, Printed Later Slim Aarons Estate Edition Com...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

Riders gather in the courtyard of Richard Collins' House for the stirrup cup libation, before the start of the Pebble Beach Hunt of English and American foxhounds, November 1976. The...

Gondolas moored in Venice, 1957. In the background is the Church of San Giorgio Maggiore, on San Giorgio Maggiore island. Captured with the exquisite clarity and charm that epitomiz...

1957: John Albert Edward Spencer Churchill, the 10th Duke of Marlborough (1897 - 1972) and his wife Mary relax on a bench in the grounds of Blenheim Palace, the family seat in Oxford...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Slim Aarons Joan Collins Relaxes, Estate Edition Chromogenic Lambda print 1955, Printed Later Slim Aarons Estate...

Departure (Bombay all Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Slim Aarons Joan Collins Relaxes, Estate Edition Chromogenic Lambda print 1955, Printed Later Slim Aarons Estate...

Riders gather in the courtyard of Richard Collins' House for the stirrup cup libation, before the start of the Pebble Beach Hunt of English and American foxhounds, November 1976. The...

Diana with Yulia (Sentenced for Theft): Prison for Women with Children Ukraine 2010 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is off...

2010 Signed and numbered, verso On the 10 year anniversary of Marina Abramović’s landmark performance The Artist is Present (2010), Marco Anelli ...

Signed and numbered, verso Edition of 30 This work is offered by ClampArt in New York City.

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, e...

Windmills of your Mind (29 Palms, CA) - 2013 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 16640. Not mounted. In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...

Lonely Longing (29 palms, CA) - 2013 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 16639. Not mounted. In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...

Cinderella (29 Palms, CA) - 2008 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5721. No...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features guests at the La Jolla Beach and Tennis Club, La Jolla, San Diego. This is an estate stamp...

Tiger Morse sits in her shop, 'A la Carte' in New York, 1964. Andy Warhol star and fashion designer Joan "Tiger" Morse is pictured here with her signature black lace and a feathered mask, with a cigarette and long holder. She was a regular at Max's Kansas City, a society girl turned radical designer and creative dropout. She frequently lied about her past, and her biography remains a bit mysterious. She has been called “La Passionaria of the dropout subculture.” She would say, “I work all day and I swing all night." Her celebrity clients ran the gamut from Jackie Kennedy to Frank Zappa. She was known for only using manmade materials, including vinyl, Mylar, sequins, and electric lights. Her pop designs include the Love / Hate dress, which said "Love" on the front and "Hate" on the back. Tiger was in two Andy Warhol factory films, Tiger Morse, 1967 and **** (Four Stars). She was the subject of Tiger Morse, while **** also featured Tiger, Edie Sedgwick, Nico, and Ultra Violet. Her designs can be seen on the cover of the "We're Only In It For The Money" album, which parodies The Beatles Sargent...

Lena and Katya; Juvenile Prison for Girls Ukraine 2009 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New York City.

Edition number #3/10 Heal brings us through a world of stillness and sensual nature, which subverts your perception with her unique photography style. They are reminiscent of class...

Untitled (Sandcastles Series #3) 1963 Signed, verso Vintage print 3.5 x 3.5 inches (8.9 x 8.9 cm), image $5,000 This work is offered by ClampArt in New York City.

Starlight (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #...

I'd really love to stay the Person, who's sure about her Inner Voice (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10 plus 2 Artist Proof. Archival C-Print, ...

Farewell (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...

This early 1970s portrait photograph, captured by society photographer Slim Aarons, features Dame Marguerite Pindling, Lady Pindling with her children Obafemi, Leslie, Monique and Mi...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features American model Jean Patchett wearing an outfit by Saks Fifth Avenue, circa 1955. Patchett was one of the first to join Eileen Ford...

Patsy Pulitzer (nee Patsy Bartlett) leaning against a seaplane belonging to the Everglades Flying Service, at Palm Beach, Florida. Slim Aarons Seaplane At Palm Beach...

Randy (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1180. Signature label and certi...

1957: John Albert Edward Spencer Churchill, the 10th Duke of Marlborough (1897 - 1972) and his wife Mary relax on a bench in the grounds of Blenheim Palace, the family seat in Oxford...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Spanish artist Salvador Dali enjoys a cup of coffee on the terrace of the Ritz Hotel, Madri...

Sergey (Sentenced for Sexual Violence against Women): Juvenile Prison for Boys Russia 2009 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work...

Nastya (Wouldn’t reveal her Crime): Women’s Prison Ukraine 2010 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New...

This late 1940s portrait photograph, captured by society photographer Slim Aarons, features a crowd gathering to watch the actors Joan Fontaine and Joseph Cotten on the set of Willia...

Skis leaning against the wall of a hut marked 'Ski Instructors Only' in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aarons Estate Edition Numbered and s...

Traces of Time II (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13371. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Traces of Time III (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13372. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Traces of Time (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13370. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

This late 1970s portrait photograph, captured by society photographer Slim Aarons, features philanthropist and entertainment mogul Sir Run Run Shaw surrounded by the stars of Hong Ko...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features the race driver Gordon C. MacKenzie in Franconia, New Hampshire. This is an estate stamped...

Lucille Brown takes control of the Vespa scooter as her husband Louis Armstrong (1898 - 1971) displays his musical appreciation of the ancient Colosseum in Rome. Slim Aarons Jazz S...

Anatoly Ukraine 2017 Signed and numbered, verso Archival pigment print 37 x 37 inches (Edition of 5 + 2 APs) $7,500 17 x 17 inches (Edition of 10 + 2 APs) $4000 Please note that...

Let's Dance (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory...

Edition of 25 signed and numbered by the artist A women looks in to a plastic of a cow. This photo was taken in a Museum in Berlin. JJK is a pseudonym for one of the world's most s...

Edition of 25 signed and numbered by the artist A women looks in to a plastic of a cow. This photo was taken in a Museum in Berlin. JJK is a pseudonym for one of the world's most s...

2010 Signed and numbered, verso On the 10 year anniversary of Marina Abramović’s landmark performance The Artist is Present (2010), Marco Anelli ...

Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida. Slim Aarons Pulitzer On The Beach Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim...

Available (Oxana's 30th Birthday) -2007, from the 29 Palms, CA project - 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and s...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Lucille Brown takes control of the Vespa scooter as her husband Louis Armstrong (1898 - 1971) displays his musical appreciation of the ancient Colosseum in Rome. Slim Aarons The Ki...

Lackadaisical (The Last Picture Show) - 2000, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

1960, Prince and Princess Massimo with five of their six children in their residence, Palazzo Massimo all Colonne, Rome, Italy. Slim Aarons Estate Ed...

Spanish actress and singer Carmen Sevilla. (Photo by Slim Aarons/Getty Images) Slim Aarons Carmen Sevilla Chromogenic Lambda print 1957, Printed Later Slim Aarons Estate Edition Com...