Oversized Portrait Photography

Brigitte Bauer photographed in Tahiti wearing Estée Lauder makeup and hair styled by Kenneth. American Vogue, 1 May 1965. Brigitte Bauer in Tahiti. American Vogue, May 1965 C print ...

A young man of the Nuer culture with distinctive scarification on his forehead. The photograph was taken in Ethiopia but like many of the Nuer he had been displaced from his home in...

A beautiful Meghwal girl from the edges of the white desert, the Rann of Kutch, an arid area bordering Pakistan in the far West of India. John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to capture a remarkable level of detail. His subjects calm demeanor belies the reality of harsh arid winds, extreme temperatures and dust. John Kenny’s black and white photographic portraits are taken on location in some of the remotest corners of Africa and India. All shot with natural light and with the subjects in their day to day attire they reveal the pride and strength inherent in tradional ways of life. The C-type prints are mounted with an acrylic face mount...

Markets are the lifeblood of social interaction in the Omo valley as they bring together widely scattered groups for a few hours each week. For the remainder of their time, many fam...

"CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature and metamorphosis is also identifiable in the rebellious way she reshapes the dresses of well-known fashion designer Claes ...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda. ...

Supermodel III C Print On Fuji Paper Collection: Dutch Masters One size: 44.5 x 34.5 Edition of 7 + 3 Artist Proofs, 8 left DUTCH MASTERPIECE These Self-portraits remind us of hist...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

Billy Name Films of Andy Warhol, Whitney Museum of American Art (Hand Signed by Billy Name), 1988 Offset Lithograph Very rare vintage poster - hand signed by Billy Name on the front. Frame Included Very rare vintage poster - when hand signed by Warhol...

Fun Loving Criminals By B A T I K Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dogg...

Twiggy – at David Steen’s Home, Surrey, Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultu...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a man wearing diving equipment talking with a girl in a wicker chair on the beach, Bahamas...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sitting at the edge of a swimming pool in Kenya, December 1958. This is an estate...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977 C-print 60 x 60 inches Posthumous estate stamped and numbered edition of 50 with certificate of authenticity Terry O'Neill CBE ...

Capuchin 3 - Signed limited edition archival pigment print - Edition of 10 A series of three portrait images of a Capuchin monkey in a stylised painterly style. This portraits are inspired by my fascination with animal intelligence. The Capuchin monkey is instantly recognised due to its distinctive two tone colouring which of course also led to the Italian word Cappuccino. The word itself originally derives from the Order of Friars Minor Capuchin, an offshoot from the Franciscans, who wear brown robes with large hoods. Considered the most intelligent monkeys, the Capuchin has learnt to use stones...

The entrance to the Carlton Hotel, Cannes, France, 1958. Slim Aarons Carlton Hotel Lambda Print 4 sizes available Slim Aarons Estate Edition 60 x 60 inches $5100 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slim Aarons photographed the Carlton Hotel, in Cannes, in 1958. The hotel was built in 1911, located at 58 La Croisette in Cannes on the French Riviera. It was designed by architects Charles Dalmas and Marcellin Mayère and built for Henry Ruhl, a Swiss hotelier. It is famous for hosting movie stars from around the world during the annual Film Festival. Famously, the hotel was a central location for the Alfred Hitchcock film To Catch a Thief starring Grace Kelly and Cary Grant. In 1970 it featured in the Peter Sellers/Goldie Hawn comedy There's a Girl in My Soup and exterior scenes were filmed at the entrance to the hotel and on the hotel beach. The hotel lobby scene and interior scenes were done on a film set. While staying at the Hotel Carlton during the 1955 Cannes Film Festival, Academy Award winning movie star Grace Kelly had an arranged meeting and photo shoot with Prince Rainier III of Monaco; they married in 1956. In the summer of 1983 the hotel and its private beach featured prominently in the music video for the Elton John song I'm Still Standing. (The video also appears in the 2019 film Rocketman.) During the shooting of the video the Carlton was the scene of a drunken party involving John and the band Duran Duran that has since become something of a legend at the hotel. Significant damages to the rooms in John's suite resulted.[2] Both exterior and interior shots appear in New Order's 1993 music video for the single, "World (The Price of Love)", and exterior shots of the front of the hotel and the jetty leading out of the beach appear in Steps´ 1999 music video for their single "Love's Got a Hold on My Heart". The Carlton Cannes has been the target of several high-profile jewelry...

Rod Stewart – Beverly Hills, Los Angeles 1976 by Dvid Steen Born in London in 1945, rock musician Rod Stewart always dreamt of being a professional football player, until he began touring with various R&B, folk and blues bands. Consequently, he played with such artists as Mick Fleetwood and Jeff Beck until he joined The Faces, with good friend guitarist Ronnie Wood. They released three albums, with A Nod’s as Good as a Wink… To a Blind Horse reaching UK Number Two and US Number Six, and Ooh La La UK Number One and US Number Twenty-One. However, at the same time, Stewart was enjoying even greater success as a solo artist with hits like ‘Lady Day’ and ‘Maggie May’ and the group finally split. Rod Stewart remains one of the world’s biggest stars, although he’s equally famous for his succession of beautiful blonde girlfriends as he is for his music Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 44 x 31 " / 111 x 78 cm Limited to 20 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: rod stewart, beverley hills, los angeles, america, 1976, 70s, the seventies, roderick david stewart, british, rock, singer, songwriter, english, scottish, best-selling, music, artist, songs, I don’t want to talk about it, Maggie, have you ver seen the rain, have I told you lately, da ya think I’m sexy, what a wonderful world...

May Pang's intimate and truthful portraits of John Lennon during their time together are of significant importance. A full length Documentary on John and May's relationship Titled "The lost weekend...

September 1978: Peggy Guggenheim (1898 - 1979) in the Palazzo Venier Dei Leoni, Venice. The palace houses her private art collection, including Picasso's 'On the Beach', pictured to ...

Sean Connery – County Wicklow, Ireland, 1973 David Steen recalls: “Sean looked like a killer that day, all dressed in black, the sort of bad boy you’d see in an old western movie, you could just imagine him on the back of a horse being chased by others. I lit this photograph with a torch, I had someone stand on a chair and point it down onto his face, I needed to maintain the mood of the snooker hall, so flash was out of the question.” Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 44 x 31 " / 111 x 78 cm Limited to 20 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: sir thomas sean connery, 007, james bond, scottish, actor, producer, 1973, 70s, 1970s, the seventies, film star, legend, famous, fame, movies, hollywood, sex symbol, the untouchables, marnie, the name of the rose...

Rod Stewart – Beverly Hills, Los Angeles, 1976 Born in London in 1945, rock musician Rod Stewart always dreamt of being a professional football player, until he began touring with various R&B, folk and blues bands. Consequently, he played with such artists as Mick Fleetwood and Jeff Beck until he joined The Faces, with good friend guitarist Ronnie Wood. They released three albums, with A Nod’s as Good as a Wink… To a Blind Horse reaching UK Number Two and US Number Six, and Ooh La La UK Number One and US Number Twenty-One. However, at the same time, Stewart was enjoying even greater success as a solo artist with hits like ‘Lady Day’ and ‘Maggie May’ and the group finally split. Rod Stewart remains one of the world’s biggest stars, although he’s equally famous for his succession of beautiful blonde girlfriends as he is for his music Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 44 x 31 " / 111 x 78 cm Limited to 20 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: rod stewart, beverley hills, los angeles, america, 1976, 70s, the seventies, roderick david stewart, british, rock, singer, songwriter, english, scottish, best-selling, music, artist, songs, I don’t want to talk about it, Maggie, have you ver seen the rain, have I told you lately, da ya think I’m sexy, what a...

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, edition of 25, $5,000 14 x 14 inch...

Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces, draped arms and cupped hands, which appear to be disintegrating and re...

In Dubious Battle (Haley and the Birds) - triptych - 2013 40x125cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 3 original Polaroids. Certificate and Sign...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 36 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

Pool On Amalfi Coast A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. 40 x 60" inches / 101 x 152 cm paper size Estate Stamped Collection Edi...

Norman Parkinson captures Katherine Pastrie on the beach in Tahiti, 1960 Katherine Pastrie, Tahiti, 1960 Silver gelatin print Estate stamped and numbered edition of 21 on verso with...

The Farmer's Wife's Dream (American Depression), diptych - 2004 featuring Radha Mitchell 58x57cm each, 58x122cm installed including an 8cm gap in between both pieces. Edition of 1...

Fun Loving Criminals By B A T I K Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dogg...

Pop And Society From left to right; singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of the Rolling Stones) sit on a sofa u...

Alice (Stranger than Paradise) - 2004 38x37cm each, installed with gaps 38x210cm, Edition of 2/7, 5 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, base...

The Dance (Wastelands), Edition 1/5, 128x125 cm, 2003. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, mounted on Aluminum with matte...

Deborah Harris is photographed on location in Malaysia wearing a custom-designed mermaid’s tail by Bob Mackie for Town & Country in February of 1990. This story was photographer Norm...

"Kate Moss. Boyfriends Underpants" Photography 50x40 in Ed. of 20 by Kate Garner Signed & numbered by the artist Hahnemuhle fine art archival paper Not framed. Ships rolled in tube. Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. We have included in this listing an image from some of the world-wide Social Media Buzz on Candice CMC This large one of a kind photo arrangement on canvas titled "Large Captain Jack...

The Very End of the Night by Abi Polinsky Print on Hahnemüle Photo Rag paper, mounted on foam board. 2022 W 86" x H 58" — Framed. Signed limited edition of 5. — Please contact...

Nicholsons Cafe Nicholson in New York, 1959. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 p...

O'Brians Catch American actor Hugh O’Brian returns to the beach with a fish after a snorkelling expedition, Antigua in the West Indies, 1961. Paper size 50 x 50 / 127 x 127 cm E...

Porto Ercole A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, August 1973. Paper size 60 x 40"...

Albert WATSON (*1942, Scotland) Mike Tyson, Catskills, N.Y., 1986 (back of head) Archival pigment print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5 ...

Régine Debrise photographed at the Carlyle Hotel in New York wearing a taffeta Balenciaga gown. American Vogue, 15 October 1950 Régine Debrise wearing Balenciaga. American Vogue, Oc...

'Hotel du Cap Eden-Roc' Slim Aarons - Limited Edition Estate Stamped Print Guests standing by a white Rolls-Royce convertible courtesy car at the Hotel du Cap Eden-Roc, Antibes, Fra...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Oberon's Lunch Film star Merle Oberon (1911 – 1979) and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. Pape...

Pop And Society From left to right; singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of the Rolling Stones) sit on a sofa under a large gilt framed painting...

Bianca Volpato sunning herself at Capri in a lilac coloured bikini. Sun Worship 1958 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from th...

This 1980s portrait photograph, captured by society photographer Slim Aarons, features Catherine Wilke joining the topless sunbathers at the Hotel Punta Tragara on the island of Capr...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Paper size 60 x 40" inches ...

'Stay On Target!' By BATIK Archival pigment pop art print of a Star Wars TIE fighter chasing actor Cary Grant from the infamous scene in Hitchcock’s North By North West BATIK is a London based fine artist and image maker. Certificate of authenticity supplied Paper size 60x40 inches / 152 x 101 cm unframed signed and numbered on front edition of 3 only this size OTHER Sizes available (in inches): Edition sizes vary with the chosen paper size Classical 12x16 (Edition of 50) Luxe 20x16 (Edition of 35) Longe 30x20 (Edition of 25) Grande XL 40x30 (Edition of 10) Giant 60x40 (Edition of 3) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Black and white, running, blur, motion, shadow, texture, grain, Star Wars, TIE fighter, chasing, man, males, photography, pop art andy warhol hitchcock

1954: Two young women going snorkelling. Slim Aarons Snorkelling Chromogenic Lambda print Slim Aarons Estate Edition Printed later Complimentary dealer shipping to your framer. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Slim Aarons, Snorkelling, Vintage sport, Beach Photography, Vintage Ocean photography, Vintage snorkelling...

Dream girl (Stranger than Paradise) - 2000 Edition of 10 3 x 58x56 x 0.1 cm, 58 x 188 cm installed. 3 Analog C-Prints, hand-printed by the artist. based on the 3 Polaroids. Signat...

Luxury Dining Diners in a grand ballroom during a fashion show, circa 1955. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...

Pool At Las Brisas Guests in the pool at the Las Brisas Hotel, Acapulco, Mexico, February 1972. 40 x 60" inches / 101 x 152 cm paper size Esta...

Squaw Valley Snow Snow covers the deserted cafe in Squaw Valley, California, January 1961. 40 x 60" inches / 101 x 152 cm paper size Estate Stamped Collection Edition to 150 P...

Family Snapper 1959 Babe Paley (Mrs William Paley) by the pool. Her husband, William Paley is snapping the photographer at their cottage, Round Hill...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

Model Rachel Fitzgerald for Vogue’s ‘Export Book’ story featuring BBC, June 1953. Rachel Fitzgerald on BBC, 1953 Silver gelatin print Estate stamped and numbered edition of 21 on ve...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...