George Barris

Marilyn Monroe by George Barris, Sitting Pretty. Black and White Portrait.

1962

Hip Hop by Earlie Hudnall, Jr. is a portrait of a young shirtless boy posed against a wall, wearing baggy pants and a silver chain. Gelatin Silver Print 14 x 11 in. Signed, titled and dated in pencil on verso Growing up in Hattiesburg, Mississippi, Earlie Hudnall, Jr. learned the importance of community and culture and photography. His father was an amateur photographer, and his grandmother kept the family albums filled with valuable snapshots. After returning from his tour-of-duty in Vietnam, Earlie Hudnall moved to Houston to study at Texas Southern University. There, he continued his interest in photography. While studying art, he met one of his most significant mentors, John Biggers, the painter and muralist that depicted African American life in the South. He had impressed Earlie to make art that was drawn from his own experiences. His images capture communities much like the one in his home- town of Hattiesburg. Earlie’s strongest work was made in Houston. Earlie Hudnall’s images have been widely published. And his photographs are included in many major museum collections in the United States and Europe, including the Amon Carter Museum of American Art in Fort Worth, The Museum of Fine Arts, Houston, The Art Institute Chicago and the National Gallery in Washington, DC. Artists have been influenced by Hudnall’s work, including James Laxton, the Cinematographer of the 2017 Academy Award winner for Best Picture, Moonlight. Also, Tyler Mitchell...

"The Glimmer Twins - Mick Jagger" Photography 40x30 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and num...

A Babalao or priest of the Santeria religion The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have ...

A girl at one with the rhythm of her guitar in Holguín, Cuba. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the...

'Slots' was taken in the classic vintage Vegas Casino at the Flamingo Hotel, Las Vegas, which opened in 1946 and is the oldest in operation today. This c...

'Wendy Resting', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vegas....

lifetime edition silver gelatin fine art archival print 72 x 48 in. (paper size) edition 10 of 50 signed and numbered Notes: Dean Martin prepares to go on...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Michael Caine contact sheet print by Brian Duffy - London 1964 This session with Michael Caine was shot by Duffy in 1964, the same year that the film Zulu was released which was hi...

In London, 1993 Lifetime Edition Gelatin Silver Print Co-Signed This photograph will be printed once payment has been received and will ship directly from the printer the artist wor...