Hassan Hajjaj

Kick Start

2006

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Hassan Hajjaj Simo Legs in Blue, 2013 Metallic Lambda print on 3mm dibond 36 3/4 x 27 inches (93.3 x 68.6 cm) Edition 2/5

Hassan Hajjaj Love Maroc, 2010/1431 C-type on Fuji Crystal 39 x 52.25 inches (99 x 132.7 cm) Edition 3/7, 3

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Maya, 2024 UV pigment print on 410gsm Somerset Tub Sized Radiant White paper with 4 metallic silkscreen glitter and shimmer layers, a CMYK silkscreen central panel and matte varnish ...

Mickalene Thomas Maya & Interior 2024 UV pigment print on 410gsm Somerset Tub Sized Radiant White paper with 4 metallic silkscreen glitter and shimmer layers, a CMYK silkscreen centr...

Archival pigment print, mounted, UV laminated, frame upholstered by the artist Edition of 3 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-seven countries, lived in and between seven, and grown up among five languages. Her migrations have led her to process the world through interactive experiences and the belief that the damage of translation and interpretation of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding. As an artist who exists on the borders of identifying as West Asian, Eastern European, a United States citizen, queer, culturally Muslim yet spiritually independent, her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts conflicted notions of gender, politics, media, and citizenship. Working between photography, video, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile, in particular, has been a constant in Ali’s practice. Her strong belief that textile is significant to all of us, reminds us that we are born into it, we sleep in it, we eat on it, we define ourselves by it, we shield ourselves with it, and eventually, we die in it. While it unites us, it also divides us physically and symbolically. Her work broadens into immersive installations utilizing light, pattern, and textile to move past language and offer an expansive, experiential understanding of self, culture, and nation. Alia Ali’s work has been featured in the Financial Times, Le Monde, Vogue Arabia...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...