Hassan Hajjaj

Simo Blue Legs

2013

Hassan Hajjaj Mali Kid Legs, 2014 Metallic Lambda print on 3mm dibond 40 3/10 x 31 inches (102.4 x 78.7 cm) Edition 2/5

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Pigment print on photo rag 310gr. with UV laminate mounted on aluminum Dibond in wooden frame upholstered in Uzbek cotton ikat Edition of 5 + 2 AP Alia Ali is a Yemeni-Bosnian-US mu...

Archival pigment print, mounted, UV laminated, frame upholstered by the artist Edition of 3 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-seven countries, lived in and between seven, and grown up among five languages. Her migrations have led her to process the world through interactive experiences and the belief that the damage of translation and interpretation of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding. As an artist who exists on the borders of identifying as West Asian, Eastern European, a United States citizen, queer, culturally Muslim yet spiritually independent, her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts conflicted notions of gender, politics, media, and citizenship. Working between photography, video, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile, in particular, has been a constant in Ali’s practice. Her strong belief that textile is significant to all of us, reminds us that we are born into it, we sleep in it, we eat on it, we define ourselves by it, we shield ourselves with it, and eventually, we die in it. While it unites us, it also divides us physically and symbolically. Her work broadens into immersive installations utilizing light, pattern, and textile to move past language and offer an expansive, experiential understanding of self, culture, and nation. Alia Ali’s work has been featured in the Financial Times, Le Monde, Vogue Arabia...

Little Surma Boy, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph of a child from the Surma tribe in the Omo Valley in Ethiopia, Africa. The photograph is printed ...

Pigment print on French produced Canson Baryta Photographique Baryta Matte Paper 310gr. UV laminate mounted on aluminum Dibond in Custom built wooden frame Hand upholstered by a...