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Lillian BassmanTouch of Dew: Lisa Fonssagrives, New York1961
1961
$8,250
£6,248.61
€7,176.31
CA$11,560.95
A$12,569.08
CHF 6,664.14
MX$150,671.42
NOK 84,697.82
SEK 77,594.72
DKK 53,633.84
About the Item
Gelatin silver print
Signed in pencil, verso
16 x 20 inches, sheet size
14 x 18.25 inches, image size
This artwork is offered by ClampArt, located in New York City.
Lillian Bassman was born in 1917 to an immigrant family from Russia who settled in Brooklyn, New York. They were open-minded intellectuals, and their daughter was raised free to live her life as an independent woman.
Bassman originally worked as a textile designer and fashion illustrator before joining the esteemed Alexey Brodovitch at Harper’s Bazaar. She soon moved into photography and her work appeared regularly in the magazine throughout the 1940s, 50s, and 60s.
Bassman’s fashion photography is unique, and she achieved the effect seen in her prints through a variety of darkroom techniques including the bleaching of images.
- Creator:Lillian Bassman (1917-2012, American)
- Creation Year:1961
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232910381
Lillian Bassman
Born 1917, Brooklyn, New York; died 2012, Manhattan, New York. Lillian Bassman became one of the most influential fashion photographers of the 1940s and 50s while working under the tutelage of the legendary art director Alexey Brodovitch at Harper’s Bazaar. Her sense of artistry and movement redefined fashion photography and gave sophistication to what had been a fairly staid medium. In the 1970s she abandoned commercial work but continued to practice photography for the rest of her life. Bassman developed a unique style through her high-contrast black and white images and her dark room techniques in which she would blur and bleach the images, giving them a mysterious, dreamlike quality. In the 1990s she was asked to photograph the Haute Couture collection for The New York Times Magazine, marking her return to fashion photography and the renewed commercial interest in her style. Her art has enjoyed a revival that has placed her squarely at the forefront of the history of fashion art photography. Bassman’s work is held in the permanent collections of the Metropolitan Museum of Art, New York; the Fashion Institute of Technology, New York; the Museum of Fine Arts, Boston; and the Center for Photography, Woodstock, New York, among others.
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