C Print Portrait Photography

This Roadside Giant is called 'Poor Richard', ironic really considering the artists' name, and the sad state of his broken off head. Poor Richard refers t...

Casa de papel, 2020 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL202...

The Village (Shot 2018 on 600 Film) Shot in Port Merion, the set for the 1960s series The Prisoner and inspired by Peter Weir’s Picnic at Hanging Rock, I ha...

Pool Side (29 Palms, CA) - 1999 Edition 6/10, 58x56cm. Analog C-Print, hand-printed by the artist, on Crystal Fuji Archive Paper. based on the Polaroid Artist inventory Number 619....

Supermodel II C Print On Fuji Paper Collection: Dutch Masters One size: 44.5 x 34.5 Edition of 7 + 3 Artist Proofs DUTCH MASTERPIECE These Self-portraits remind us of historic fema...

The Pendant (Shot 2018 on SX70 film) The Pendent was shot on location whist making a series of short films. It was influenced by mysticism and the art of ...

Sleep Anxiety, 2013, Edition 1/10. 25x30cm. Digital C-Print based on a Polaroid ID-UV. Mounted. The additional photos show this piece mounted at the Bombay Beach Biennale Polaroid M...

Self-Portrait, 2012, Edition 1/10. 25x25cm. Digital C-Print based on an Impossible Project SX-70. Mounted. The additional photos show this piece mounted at the Bombay Beach Biennale ...

Untitled - 2017, 20x20cm, Edition of 1/10. Digital C-Print based a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certifi...

'Call of nature' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL219-69...

Window Dream - 2016, Edition of 7 plus 2 Artist Proofs. Digital C-print, based on Polaroid. Signed on the back and with certificate. Artist inventory LPL2017-115. Not mounted. ...

Nambuele illustrates the hair craft of the Mumuhuila of southern Angola, whose women take an obsessive pride in their hairstyle. Although it may change as a girl enters different st...

'Smoker's reflect' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-...

'Distract' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-691. Ki...

I met this young Himba girl near to a place called Etengwa in the far north of Namibia. We trekked a few kilometres in the midday heat, over a rocky hill to a small village within wh...

'Mother' 2015, Edition 1/10 plus 2 Artist Proofs. 36 × 25 × 0.8 cm. Digital Print based on reclaimed Fuji FP-100C negative, mounted under Plexi. Signed on verso with Certificate. Ur...

'Terasa' 2016, Edition 1/10 plus 2 Artist Proofs. 27 × 36 × 0.8 cm. Digital Print based on peel-apart Polaroid, mounted under Plexi. Signed on verso with Certificate. Urizen Freaza ...

'Le Regard', 2016, Edition 2/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-182 Kirsten Th...

Ron Brouillette, Mulholland Drive 1966/2001 Signed, titled, dated, and numbered, recto Cibachrome print (Edition of 50) 24 x 20 inches, sheet 18 x ...

Mago National Park in southern Ethiopia is home to the Mursi, one of the most well known tribes of the Omo valley. The area is inhospitable to outsiders, because of the heat, humidi...

Like Tears in the Rain (Beachshoot) - 2005 80x80cm, Edition 3/5, analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on a Polaroid. Certif...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. In this print, photographer J...

A stunning and dynamic Archival Pigment Print by contemporary British photographer Giles Revell. This print may also be available in a larger size. Please contact the gallery for more information. Giles Revell creates imagery that is driven by analytical and forensic ideas that question the boundaries of science and art. There is a distilled graphic style to his work which has a recurring curiosity for observing familiar themes with an alternative viewpoint. He is a master of lighting but also inspired by the potential of using new technologies to reveal innovative ways of expressing ideas. This series of abstract dance images was made in collaboration with The Royal Ballet...

Maa Saraswati 2013 Signed and numbered in black ink, verso Digital C-print (Edition of 500) 7 x 5 inches $100 This work is offered by CLAMP in New York City.

A long afternoon lunch at Acapulco. Among the guest are (from left to right) film star Douglas Fairbanks Junior (1909 - 2000), couturiers Oscar de la Renta, and standing behind him E...

Poolside Social, 1970 - Social by Swimming Pool of Kaufmann House Palm Springs by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "...

A Turkana elder photographed by John Kenny in Kenya. John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allo...

Luke and Leia (Mark Hamill and Carrie Fisher), Star Wars, 1977 Chromogenic print 60 x 60 inches Edition of 50 Posthumous print, digital signature and number on front, stamp of author...

In the far north of Namibia as you head towards the border with Angola at Epupa Falls, barely visible tracks radiate off the main dirt road into bush and disappear across sandy, dry river beds. Arid conditions and past hunting have left few animals and the barren terrain create few obvious landmarks, but the Himba are able to navigate easily. Himba villages have a circular boundary around the kraal (village) staked out by tall, tightly packed branches and a single route in and out. The outer wall surrounds a number of huts, each inhabited by one of the man’s wives and her children. Sometimes there are 6, 7 or more wives in the Himba kraal, and a lot of children! When they are young, Himba children of both sexes dress and look remarkably similar. Often the only way to differentiate is by the number of thick hair strands...

New release July 2022. The Protector in black and white. Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated c...

16" x 20", signed limited edition print of David Bowie, titled "Starman" by Masayoshi Sukita. This print is also available as a 30x40" signed limited edition print. “It’s very ha...

Chromogenic print Signed, dated, and numbered, verso 20 x 24 inches (Edition of 9) 30 x 40 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. ...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Converse, Cut is a dynamic C-Type Print, sold in this size in an Edition of...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Converse, Blue is a dynamic C-Type print, sold in this size in an Edition o...

Afghan Nomad Girl 1990 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 60 x 40 inches Signed and numbered edition of 10 with certificate of authenticity Steve McCurry...

The small settlement of Otjitando in Namibia’s Kaokoland doesn’t seem far off the main gravel road on the map. In reality it is a hellish journey that requires regular running in fro...

Stoya by Markus Klinko, from a stunning collection of contemporary nudes from the celebrated photographer featuring amongst others, Dita Von Teese and Aubrey O’Day This print is ava...

All prints are produced to order. Lead times between 5-10 days. Due to currency fluctuations prices may change. Please contact the gallery for more information about this print. ...

'Richard Ashcroft Of The Verve' at recording studios Limited Edition originally shot for Q Magazine, London 2002. Beautiful Large 20x24" inches C type pr...

“Stones Into Camera” by Michael Joesph from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968. Featuring Mi...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This artwork is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...

One bright sunny morning in northern Benin my guide and I set off on a moped across remote dirt roads in the hope of finding wandering Fulani that might take us to visit their villag...

Bettina Graziani (1964) Limited Edition Estate Stamped C Type Print (Photo By Slim Aarons) French fashion model Bettina Graziani (Simone Micheline Bodin) (1925 – 2015) adjusting t...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Like the Maasai, Rendille women and their children keep their hair very short. This mother, however, leaves a tuft of hair remaining on the front of her child which has been bleached...

New release August 2022. Beyoncé, GOLD, New York, 2009 by Markus Klinko This print is available in the following sizes, signed and numbered by Markus Klinko 24" x 24" - Edition 50 4...

Like the Maasai, Rendille women and their children keep their hair very short. This mother, however, leaves a tuft of hair remaining on the front of her child which has been bleached...

This mid-1970s photograph, captured by society photographer Slim Aarons, features guests relaxing in the shade at the Tres Vidas private members club, Acapulco, Mexico, February 1975...

Assile was photographed at a weekly market in Key Afar in the Omo valley. Key Afar is on a hillside near the mountains, and attracts hundreds of Hamer, Banna and Tsemai in an immensely colourful gathering of people. The market is divided between livestock with men trading goats and cattle and a separate section with women selling grain, nuts, containers, head stools...

Norman Parkinson Audrey Hepburn with Flowers 1955 60 x 40 inches Estate stamped and numbered edition of 21 on verso Posthumous Later Print Norman Parkinson, born in 1913 and passin...

I met this young Himba girl near to a place called Etengwa in the far north of Namibia. We trekked a few kilometres in the midday heat, over a rocky hill to a small village within wh...

Nambuele illustrates the hair craft of the Mumuhuila of southern Angola, whose women take an obsessive pride in their hairstyle. Although it may change as a girl enters different st...

A young Turkana girl John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to capture a remarkable l...

Young Mumuhuile woman from the Huile region of southern Angola. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with na...

For the Mumuhuila hair indicates social status. Hairstyles, like necklaces, change throughout a lady’s adolescent and adult life. For an adult like Mynga, the number of dreadlock str...

This young Fula shepherd, much younger than is perhaps suggested in this photograph, was walking through a small village with his animals in the searing midday heat of Niger. He was ...

I met Emon in a small Turkana village called ‘Sarima’ in the North of Kenya. It’s a wild place that seems to sit in a wind tunnel that takes its power from the enormous water mass of...

A portrait of a young Wodaabe man from a town called Bororo in Niger. Bororo is often regarded as the ‘capital city’ of his people. The name Bororo is also commonly used to describe ...

A young Rendille girl A return to Kenya. On this trip John took a different approach to lighting. Building makeshift studios from locally acquired white sheets held up by four war...

John Kenny met this Gabbra woman on the road to Kolal in Northern Kenya in 2019. John uses simple natural light and builds primitive makeshift studios from locally acquired white sh...