Murray Garrett

Frames Of Frank (1955) - Silver Gelatin Fibre Print

1955 (Printed Later)

Sabrina (1953) - Silver Gelatin Fibre Print (Photo by Hulton Archive/Getty Images) October 1953: Belgian-born actor Audrey Hepburn (1929-1993) leans out of a car window on the set ...

"Satchmo Blows In" by Haywood Magee A series of images showing American jazz trumpeter and singer Louis Armstrong (1900 - 1971) backstage and in perform...

Programmer (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st November 1964. A technician programming mainframe computer at control room conso...

North By North West (1959) Silver Gelatin Fibre Print - Oversized (Photo by Pictorial Press / Alamy Archives) 1959, Cary Grant in the film North...

Before digital when cameras used only film, a roll of 36 would be processed to produce a strip of negatives. The long roll of negatives was then cut into strips of six, usually with ...

Before digital when cameras used only film, a roll of 36 would be processed to produce a strip of negatives. The long roll of negatives was then cut into strips of six, usually with ...

Tibor De Nagy - October 11 1960 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Lifting Hand (Scot) Chez Moi A surrealist image of a hand with a light study Hand signed, titled and dated 1986-1988 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman who shot many luminaries including, Allen Ginsberg, Denise Levertov, Anaïs Nin and more. In 1978 Cratsley contributed the photo sequences for the musical The Class, performed by The New Ballet School at the New York City Center. In 1980, Cratsley showed his work, Atlantic City, 1977, an August beach scene, at the 11th Anniversary show at the Witkin Gallery. In 1989 Cratsley was awarded with the Guggenheim Fellowship for Photography, US Canada. Cratsley documented gay life in NYC including his life with David Waine, who died in 1991. "I'd been photographing David since long before he became sick [...] at some point I realized that this was an extraordinary thing that was happening, and that I had an intimate relationship to it. I photographed David just a few hours before he died, not knowing what was about to happen [...] David was very spiritual [...] My pictures are a poetic, spiritualized look at AIDS". In 1995 Cratsley was included together with Barbara Norfleet, Olivia Parker and John Sturges in the list of bestselling photographer at Robert Klein Gallery...