Pop Art Portrait Photography

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

Andy Warhol Baroness de Waldner, ca. 1975 Unique Acetate positive This piece comes with a signed letter of provenance from the representative of Chromacomp, Warhol's printer. Frame i...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Only Elvis by B A T I K signed limited edition print pop art print of the infamous mock arrest mugshot of Elvis Presley. Archival pigment print paper size 20x16 inches / 51 x ...

Warhol superstar Candy Darling photographed as 'Donna Bella Beads' in the hit play "Vain Victory: the Vicissitudes of the Damned" in 1971. One of Mitchell'...

11 x 14" vintage silver gelatin photograph of composer and diarist Ned Rorem with his close friend designer Gloria Vanderbilt, photographed in Jack Mitchell'...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Neo Classical by BATIK Pop artwork featuring Neo from the Matrix films stopping an onslaught of assorted colourful pills. signed & limited edition. BATIK is an increasingly collec...

11 x 14" vintage silver gelatin photograph of Conductor, Pianist & Composer Michael Tilson Thomas in 1971. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mi...

Richard Corman Keith Haring 1 - NYC, 1985 (hand signed twice), 2022 Photographic print on Hahnemühle Photo Rag Ultrasmooth paper mounted on Dibond aluminum board. (Hand signed and nu...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number and initialed Tim...

This work is unique taken at the direction of Andy Warhol at a performance of "Gotta Get Wet." Others in attendance were Jon Gould, Christopher Makos & Peter Wise. Warhol gazes very ...

Artist: Bert Stern Title: Marilyn Monroe -The Last Sitting Year: 1962 (printed 2009) Medium: Color Photograph, signed and numbered in red crayon Edition: 12...

Pink Bardot Triptych - Hand Signed Limited Edition Archival Pigment Print A beautifully crafted pop art composite of the French sex symbol and French Cinema icon that is Brigitte ...

Debbie Harry Photograph: NYC, 1976: Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was captured...

This is a unique work. Work comes with a Certificate of Authenticity issued by The Andy Warhol Foundation for the Visual Arts (pictured). The work is stamped on the verso by the Es...

Artist: Paul Saltzman (1943) Title: John Lennon, Paul McCartney, George Harrison and Ringo Starr, Rishikesh India (Beatles), suite of four Year: 1966 Medium: Chromogenic prints on photographic paper Edition: 1/50, 3/50, 3/50, 3/50; editions of 50 Size: 24.75 x 24.75 inches, each Inscription: each signed, titled, and numbered by the photographer Notes: Photographed by Paul Saltzman, Rishikesh, 1966; printed by Paul Saltzman, Toronto. Captured when the photographer was twenty-three years old, and studying meditation under the Maharishi Mahesh Yogi, these images were created at the time when the Beatles, Donovan and others were also pursuing their studies in meditation there. These photographs are rare and may never have been fully editioned. PAUL SALTZMAN (1943) is a Canadian film and television producer, photographer, and director. A two-time Emmy Award-recipient, he has been credited on more than 300 films, both dramas and documentaries. In 1968, at the age of 23, he traveled to India for the first time as sound engineer on the National Film Board of Canada's Juggernaut documentary. He studied meditation to recover after his girlfriend had broken up with him, by mail. He learned meditation at the Maharishi Mahesh Yogi's ashram in the holy city of Rishikesh, India, The Beatles were coincidentally also visiting the ashram. He saw them sitting at a table and asked to join them. Paul McCartney drew up a chair. While there, he spent time with and photographed the Beatles, Donovan, Mia and Prudence Farrow and Mike Love. His photos have been judged "some of the best intimate shots" ever taken of John Lennon, Paul McCartney, George Harrison and Ringo Starr, and have been seen in galleries worldwide. A permanent exhibition of his The Beatles in India photographs...

11 x 14" vintage silver gelatin photograph of Conductor, Pianist & Composer Michael Tilson Thomas, and his partner/manager (now husband) Joshua Mark Robis...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Cooler than cool... Debbie Harry, New York, 1978, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (directo...

Fun Loving Criminals II By BATIK- Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dog, ...

Only Elvis by B A T I K signed limited edition print pop art print of the infamous mock arrest mugshot of Elvis Presley. Archival pi...

Limited edition of 10 About the series: Carla Bruni - Interview Philippe Robert I've worked extensively with Carla Bruni since she was 17, on over 40 photo shoots. These photos, ...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

11 x 14" vintage silver gelatin photograph of composer Benjamin Britten and tenor Peter Pears - 1969. Signed by Jack Mitchell on the print recto. Come...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

11 x 14" vintage silver gelatin photograph of composer and diarist Ned Rorem in 1992. Comes directly from the Jack Mitchell Archives with a certificate of a...

11 x 14" vintage silver gelatin photograph of composer and musician Ravi Shankar, performing at the Cathedral of St. John the Divine in 1976. Signed by Ja...

Kate Moss Street Art Photo: A rare Mr. Brainwash Kate Moss mural photographed in New York's famed Soho area in 2014 by celebrated downtown photographer Fernando Natalici. Digital C...

Richard Corman Jean-Michel Basquiat VI: A Portrait, 1984, 2018 Gelatin silver print Signed, titled, dated and numbered 4/30 by Richard Corman in marker on the reverse 20 × 16 inches...

This is a unique photographic work by Andy Warhol of Grace Jones with Arnold Schwarzenegger at his wedding to Maria Shriver in Hyannis Port, Maine in Apr...

11 x 14" vintage silver gelatin photograph of Andy Warhol Superstar Holly Woodlawn a sensation in Warhol's 'Trash' photographed in 1970, in a turkey feather cape. Signed by Jack Mitc...

11 x 14" vintage silver gelatin photograph of British singer/songwriter Cat Stevens (Yusuf Islam), photographed in 1971. Signed by Jack Mitchell on the pri...

11 x 14" vintage silver gelatin photograph of Dancer/Choreographer Trisha Brown in 1976, signed by Jack Mitchell on the print recto. Comes directly from t...

Principal cast members of Gerald Arpino's Joffrey Ballet masterpiece "The Clowns" photographed in 1968. Vintage silver gelatin exhibition photograph mad...

11 x 14" vintage silver gelatin photograph of Metropolitan Opera conductor Sarah Caldwell, 1975. Signed by Jack Mitchell on the print recto. Comes direc...

16 x 20" vintage silver gelatin photograph of Composer/conductor Leonard Bernstein, photographed in 1977. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes...

8 x 10" vintage silver gelatin photograph ofRudolf Nureyev photographed at Monique van Vooren's apartment in 1970. This is a print that was published by Af...

11 x 14" vintage silver gelatin photograph of composer Aaron Copland, 1970. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitc...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

11 x 14" vintage silver gelatin photograph of Musicians and friends Itzak Perlman and Pinchas Zukerman photographed at Perlman's apartment in ...

16 x 20" vintage silver gelatin photograph of Pulitzer prize-winning playwright Tennessee Williams, photographed in 1966, numbered 5/12. It is signed by Jack Mitchell in pencil on th...

16 x 20" vintage silver gelatin photograph of Composer/conductor Leonard Bernstein, photographed in 1977. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

This is a unique work. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also written on verso in pencil Proven...

Debbie Harry photograph by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 16 x 20 inches. Signed, titled & numbered from an edition of 20. Obtained directly from the artist. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were most recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Related Categories Deborah Harry...

This is a unique photographic work taken by Andy Warhol. Photograph of Grace Jones with Maria Shriver at her wedding to Arnold Schwarzenegger in Hyannis...

BERT STERN – "MARILYN MONROE (GOLD/CHAMPAGNE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed AN ICONIC IMAGE FROM "THE LAST SITTING" SERIES This original photo silkscreen by Be...

Ektachrome vintage . 1953 . 20x15cm Marilyn Monroe .

Cherry Kate By BATIK- Signed Limited Edition Artwork of the supermodel Kate Moss Made and signed by London based pop artist BATIK. Produced from the o...

11 x 14" vintage silver gelatin photograph of composer and conductor Leonard Bernstein, 1977. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Archiv...

Fernando Natalici: John Waters, Baltimore, 1985 John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

Kate Moss Supreme New York: In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasda...

This is a unique photographic work taken by Andy Warhol. Martha Graham was an influential modern dancer, choreographer, and the founder of the Martha Gra...

This is a unique photograph taken by Andy Warhol. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation invento...

This is a unique work created under the direction of Andy Warhol. In the early days, before he toted around a camera, he would have clients portraits taken at local photo booths. Image dimensions: 10 x 2 in Framed dimensions: 15 3/8 x 8 1/4 in Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts inventory number written on verso. Work comes with a Certificate of Authenticity from The Andy Warhol Foundation for the Visual Arts. Provenance: Estate of the Artist to The Andy Warhol Foundation for the Visual Arts to current owner. Exhibition history -Fotografiska Berlin / Andy Warhol “After the Party...

Rare 1979 Photograph of Jean Michel Basquiat This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches Hand signed and numbered in the margins from an edition of 5 A/P's. Good overall vintage condition, with the exception of some minor signs of handling; surface marks to lower right; minor surface waves commensurate with medium. Provenance: Obtained directly from artist Lot 180 is an authorized dealer rep of Nicholas Taylor Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...