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The Big Smoke (1971) - Silver Gelatin Fibre Print

1971 (Printed Later)

Parliament By Night (1973) - Silver Gelatin Fibre Print (Photo by Peter King/Fox Photos/Hulton Archive/Getty Images) Westminster Bridge and the Houses of Parliament by night, 31st ...

Big Ben From The South Bank (1955) - Silver Gelatin Fibre Print (Photo by Nat Norman/Frederic Lewis/Archive Photos/Getty Images) A woman looking across the Thames towards the Palac...

Standing Proud (1939) - Silver Gelatin Fibre Print (Photo by Herbert Mason/Daily Mail/Getty Images) St Paul's cathedral standing above the surrounding burning buildings during the London blitz...

Stockings (1946) - Silver Gelatin Fibre Print (Photo by Moore/Evening Standard/Getty Images) 12th May 1980: Model Lynne reflected in corocraft sunglasses. Additional Information:...

Industrial city  is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including historical mom...

"Ratcliffe Power Station, Study 59, Nottinghamshire, England. 1993" is a limited edition, silver gelatin print and comes matted to 20x16 in. Michael Kenna is a master of contemporar...

Edition 11 of 50 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hi...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium museum plexi. A graduate of New York’s School of Visual Arts, Tom Baril spent over fifteen years as Robert Mapplethorpe’s master printer. His subjects include urban architecture, seascapes and meticulously detailed botanical and nature photographs. Baril’s work demonstrates a command of technique that results from his extensive experience as a master printer. Baril developed a unique toning process that enriches the color and opulence of his photographs. Tom Baril is inspired by the nature studies of modernist photographers such as Edward Weston, Imogen Cunningham and Karl Blossfeldt. A similar attentiveness to the clarity of line, form, pattern and texture characterizes Baril’s still lifes. In composing the seascapes, Baril employs the traditional box camera obscura, better known as the pinhole camera...