Unknown

Hillary Clinton with Land-O-Lakes Cap

1990s

Ghislain Dussart ( 1924 - 1996 ) BB " Sa Marguerite ". Don de BRIGITTE BARDOT photo originale : 31 x 21 cm encadrement : 49 x 39 cm . Ghislain Dussart a travaillé comme photog...

Dinosaur , Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframed , Other sizes available Printed on Hahnemühle Fine Art paper

Late 19th century portrait of a young boy by Arnold Genthe (German, 1869-1942). Signed "Arnold Genthe" lower left. "Billie 11 mo." on verso in the artist...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

"Sidewalk Club of the Motherlode" a Lithobrome photograh by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Sidewalk Club of the Motherlode" on verso. Image size, 11.25"H x 13.25"W. Between 1923 and 1932, his pictures were accepted at photographic salons in Amsterdam, Toronto, Rochester, Seattle, and Los Angeles. In 1927, a one-person exhibition of his bromoil prints traveled to camera clubs in Chicago, Akron, Cincinnati, and New York. In addition to bromoil, a process that yields pointillistic images, Blumann utilized such unusual processes as kallitype (Vandyke brown), lithobrome, and pastelograph (the latter two probably his own inventions) to create original photographs using chemical processes he invented. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Peter Beard Portraits of classical concert pianist Concert Pianist Chau-Giang Thi Nguyen in artists frame, 2006 Four (4) separate Chromogenic prints (c-print) in artist's frame. Hand...

Circa 1890 Hand-tinted albumen print, 10 1/2 x 8 inches (266 x 203 mm), small handwritten number '285' in negative, lower left. Unmounted; housed in an archival mat with clear mounting corners. [Nagasaki University Library, Catalog Number : 1889] A woman wearing a towel over her head Anesama kaburi style picks up shells. The background is the sea. There are boats with sails on the beach. It is probably a dramatized photo. Ogawa Katsumasa (1860 – 1936) was a pivotal figure in early Japanese photography. He adapted cutting-edge Western technology in photo-printing processes to produce numerous half-tone and collotype publications which transformed the market which had previously concentrated on the more expensive souvenir albums. Ogawa's publications were also instrumental in introducing Japanese art and culture to a mass international audience. He built one of the most successful photographic businesses in late-Meiji Japan. He opened his first portrait studio in Tomioka, Gumma Prefecture, in 1877. [Bennett, Terry. Old Japanese Photographs...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

Original Photograph / Photographer unattributed Yokohama, Japan: c 1885. Hand-tinted albumen print, 7 3/4 x 10 1/4 inches (197 x 260 mm), numbered B 86 and captioned caption on lowe...

circa 1890. Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (200 x 260 mm), numbered B 289 and captioned in negative at lower right. Unmounted; housed in an archival mat with clear...