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Rebecca Skinner"Silk Mill", Industrial, Abandoned Textile Mill Interior, Color Photo, Print2016
2016
$875
£661.11
€757.99
CA$1,221.16
A$1,328.72
CHF 703.54
MX$15,985.39
NOK 8,933.39
SEK 8,173.43
DKK 5,663.27
About the Item
Rebecca Skinner’s “Silk Mill” was photographed at an abandoned textile mill and is part of a series documenting the loss of industry in America. The mill interior has long rows of rusted spinning frames, peeling paint and a green-tinted ceiling with an atmosphere of industrial decay. The 20 x 30 inch acid-free, archival, color print is represented on 24 x 34 inch Hahnemuhle Photo Rag Baryta Paper featuring a 100% cotton base with a very finely textured gloss surface. The print is protected with a lacquer based varnish. A certificate of authenticity, signed by the artist, is included with purchase. With breathtaking depth, true vibrant color and amazing detail “Silk Mill” makes an excellent addition to your home or office. Edition of 6.
Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work. Skinner is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Rebecca Skinner (1974, American)
- Creation Year:2016
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Franklin, MA
- Reference Number:Seller: Skinner_Silk Mill1stDibs: LU50039622732
Rebecca Skinner
Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter ranges from large, cavernous spaces to minute details such as peeling paint and rust. Her locations are often dangerous to photograph in, whether because of rotten floors, falling plaster or asbestos (requiring a respirator), so she never goes alone. Skinner brings to her work a strong ethic of leaving a location exactly as found. She does not stage her photographs—there is a story there to be told and she does not alter it. She uses natural light and a tripod for the images. Texture, color and light all play important parts in her image making. Skinner is a core artist member of Fountain Street Gallery in Boston and a graduate of Rhode Island School of Design. Artscope and Upworthy are among the publications that have featured her work.
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