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Christine SoGreen Elderflower II (12 x 12 inch monotype)2024
2024
$180
£136.33
€156.56
CA$252.26
A$274.36
CHF 145.40
MX$3,287.38
NOK 1,847.95
SEK 1,692.98
DKK 1,170.19
About the Item
Though these pale mint green botanical monotypes resemble woodcuts or linocuts they are actually cyanotypes, a form of kind of photography dating back to the 1800s, but the artist altered the ratio of photo chemicals in the mixture to alter the dark blue color.
Like other traditional blue cyanotypes by Christine So, all her botanical cyanotypes are one-of-a kind monotypes made from freshly cut plants. There is no etched metal plate nor carved wooden block to make a second identical print. The flowers or branches typically wilt after one printing.
On heavy cotton Arches watercolor paper. Signed on the back by the artist.
Can be hung horizontally, vertically or diagonally.
Unframed. Similar color as the larger pale green cyanotype 'Three Celadon Agapanthus' which is 12 x 18 ."
- Creator:Christine So (1970, American)
- Creation Year:2024
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215919582
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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