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Christine SoMoonlight Magnolia III (24 x 18 inch hand-printed cyanotype)2024
2024
$240
$30020% Off
£181.78
£227.2220% Off
€208.77
€260.9620% Off
CA$336.32
CA$420.4020% Off
A$365.65
A$457.0620% Off
CHF 193.87
CHF 242.3320% Off
MX$4,383.17
MX$5,478.9620% Off
NOK 2,463.94
NOK 3,079.9220% Off
SEK 2,257.30
SEK 2,821.6320% Off
DKK 1,560.26
DKK 1,950.3220% Off
About the Item
This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magnolia tree. What was a morning sky has become a deep midnight blue and the dark leaves are turned pale as if illuminated by moonlight. Smaller hand-printed sizes are also available.
The paper is a pure cotton acid-free watercolor paper. Slight variations of shades of blue exist from edition to edition as each print was hand-painted with photo chemicals in darkness and printed in natural sunlight with variations in the weather and intensity of light causing some prints to be darker than others.
Signed on the back.
Free shipping to the United States.
- Creator:Christine So (1970, American)
- Creation Year:2024
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- More Editions Sizes:8.5 x 11", edition of 10Price: $140
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215916622
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
About the Seller
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