Rick Chapman

Tumbleweed, California

2001

Gelatin silver print Signed, titled, dated, and numbered (2/25), verso 20 x 16 inches, sheet This photograph is offered by ClampArt, located in New York City.

Gelatin silver print mounted to archival board Signed and dated, verso 9 x 9 inches (Edition of 15) 15 x 15 inches (Edition of 15) This artwork is offered by ClampArt, located in ...

Cyanotype on albumen-coated watercolor paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. “Ghost Ship” is a series of unique, large-scale c...

Digital C-print (Edition of 11) Signed, dated, and numbered, verso From the series, "Rune Lagu" This photograph is offered by ClampArt, located in New York City. Please note that pr...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

Black and White, Trees, Botanical, Nature, Ecology, Forest, Still Life, leaves, trees, nature, B&W, Black and White photography, Jose Picayo, tree detail. Listing is for UNFRAMED pr...

William A. Garnett (1916–2006) was an American photographer known for his stunning aerial landscapes. After serving in the U.S. Army, he learned to fly and began capturing breathtaki...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...