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Valda BaileySunflower Pigment Print on Museum Glass, Hand Gild with White Gold and Silver2017
2017
$1,369.39
$3,423.4860% Off
£1,000
£2,50060% Off
€1,172.19
€2,930.4960% Off
CA$1,885.76
CA$4,714.4160% Off
A$2,052.61
A$5,131.5260% Off
CHF 1,087.60
CHF 2,719.0160% Off
MX$24,685.70
MX$61,714.2560% Off
NOK 13,828.59
NOK 34,571.4860% Off
SEK 12,672.37
SEK 31,680.9460% Off
DKK 8,756.22
DKK 21,890.5560% Off
About the Item
END OF DAY, 2017
Printed on museum glass, hand finished with White Gold and Silver leaf, Framed
52 x 43 cm (framed), 36 x 27 cm (glass image size)
Edition 1/5. Although the prints are editioned each one is unique due to the final stage of gold application by hand
Series: The Sun Beyond The Shadow
"My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey
Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style.
The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print.
Exhibition frame: Jelutong wood; colour: Ebony, Stain finish, Spoon profile.
Valda Bailey (b.1958) has been featured in national and international publications. She has exhibited widely in the UK, and in 2015 was the first woman to be invited to join six other photographers to exhibit at the biennial Masters of Vision at Southwell Minster.
Her work is greatly informed by her background in painting and influences come as much from artists as photographers. Her objective is less about portraying a literal representation, but rather conveying feelings evoked by the landscape and she achieves this using multiple exposures, and intentional camera movement.
Bailey incorporates precious metals such as gold and silver as well as copper leaf into the finished print to encapsulate some of the elements she wants to express. Its application is done by hand with all its attendant imperfections and mistakes, giving each print its own unique style. Her artistic direction leans towards the Japanese concept of Wabi-sabi, which celebrates the beauty of imperfection. It is therefore, particularly relevant that the prints from this collection are reproduced in a slightly less predictable and unblemished manner. All works are small edition, mostly printed onto museum glass in bespoke frames.
The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print.
Valda Bailey's work is held in numerous private photography and art collections.
Overseas shipping: the work will be crated for artwork safety ie. glass print
- Creator:Valda Bailey (1958, British)
- Creation Year:2017
- Dimensions:Height: 20.48 in (52 cm)Width: 16.93 in (43 cm)Depth: 1.97 in (5 cm)
- Medium:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1967214877752
Valda Bailey (b.1958) is a British artist and photographer. Her work is greatly informed by her background in painting and influences come as much from artists as photographers. Her intention is less about portraying a literal representation but rather conveying feelings evoked by the landscape and she achieves this using various techniques to blur detail and abstract shapes. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye. (...) I have been influenced by many great talents; some of my inspirations include Jay Maisel. Also Raphael Shevelev, Chris Friel, Rob Hudson, Paul Kenny, Dough Chinnery, Fay Godwin, Ernst Haas, Aaron Siskind, Andre Kertesz, Vivian Maier, Sarah Moon, Arnold Newman, Klavdij Sluban, Alexey Titarenko, Charlie Waite to name just a few. Painers whose work I particularly admire include Bonnard, Cezanne, Chagall, Diebenkorn, Kandinsky, Klee, Matisse, Rothko, Picasso, Van Gogh, Frankenthaler and many others." - Valda Bailey Valda's Southern Song series is part of a larger project that attempts to explore the Japanese concept of Wabi Sabi. One of many dictionary definitions defines it, as "a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay." This doesn't even begin to unravel its complexities; indeed, so intangible are its philosophies that many Japanese scholars will only attempt to illuminate its mysteries through the medium of poetry. All works are small edition, printed onto museum glass. Each work is individually hand finished by the artist with gold, silver or copper leaf giving the piece its own unique style. Valda Bailey's work has been featured in national and international publications. She has exhibited widely in the UK and in 2015 was the first woman to be invited to join six other photographers to exhibit at the biennial Masters of Vision at Southwell Minster. She has been awarded a direct Fellowship by the Royal Photographic Society in January 2020. Her work is held in numerous private art and photography collections.
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