City Photography

Birds Eye Monte Carlo 1981 by Slim Aarons Slim Aarons Limited Estate Edition An aerial view of the beach at Monte Carlo, with skyscrapers rising behind, August 1981. unframed c t...

Hotel Du Cap-Eden-Roc 1976 by Slim Aarons Slim Aarons Limited Estate Edition Guests standing by a white Rolls-Royce convertible courtesy car at the Hotel du Cap-Eden-Roc, Antibes,...

Saint-Tropez 1970 by Slim Aarons Slim Aarons Limited Estate Edition Cars and pedestrians on the busy seafront at Saint-Tropez, in southeastern France, September 1970. unframed c ...

Biarritz Seafront The beach and seafront at Biarritz, France, 1960. 20 x 24" - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Lim...

Hotel Excelsior 1957 by Slim Aarons Slim Aarons Limited Estate Edition The beach front of the luxurious Excelsior Hotel on the Venice Lido, 1957. unframed c type print printed...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Young Velvets, Young Prices photoshoot, 1949 Limited Edition Print by Norman Parkinson Three velvet-capped women huddle in gossip as another looks on during an October 1949 Vogue ...

'Portal' 2019, Edition 1/10 plus 2 Artist Proof, 20x20cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature label and certificate. Lisa T...

"Cary In Rain" by Express British-born American actor Cary Grant (1904 - 1986) sheltering in a hotel porch as he waits for the rain to stop. Unframed Paper Size: 40" x 40'' (inche...

Rome in the Early 20th Century is a Historical Photo in black and white. It belongs to historical album including photo of historical events and places, all meticulously captured, an...

My own private Travel Diary - Bishop, CA - Autumn - 2001, 20x95cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

My own private Travel Diary - Bishop, CA - Fellini and Trouble - 2001, 20x85cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature labe...

City Sky (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back wi...

Untitled #21 (Dogs St. Paul's) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. A...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Palm Beach Street by Slim Aarons Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. How typically 'Slim style' this photograph is. Beautiful and iconic 1950's c...

Edition 5 in format 54x85 cm + 5 cm white margin, Photograph on Hahnemuhle Paper ; Digigraphie technology, Signed on the front Marcin Ryczek is Polish photographer specializing in ...

Coronation of Tsar Nicholas II is an original photographic albumen print applied on cardboard. Large size print realized by aggrandisment of glass ne...

Hand printed photograph by artist. Numbered 1/40, signed and dated on verso. Signed in pencil on recto. Mint Condition. Framed in brushed warm walnut brown metal frame with plexiglass.

The photo will be sent unframed. The photo is signed on the front. Marcin Ryczek, Limited edition 5 in format - 49x75 cm + 5 cm white margin, Photograph...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

a Piece of how long is now II (Pieces of Berlin), 2017, 3/10, Lambda C-Print, 30x30cm signed Certificate, mounted on Aluminium Florian Reischauer's project 'Pieces of Berlin' Berli...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Driving - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory Pl2017-356. Not mo...

'Financial Planning?' circa 1965: Financier David Rockefeller wears a hard hat as he stands surrounded by girders in the excavation for the Chase Manhattan Plaza in the Wall Street...

Classic Lincoln cars, parked outside the famous mid-century building, the La Concha Motel in Las Vegas. The cinematic scene of now Lost Vegas, evokes image...

"Cotton Club Marquee In NY" by George Karger Taxis line up out side of the Cotton Club at Broadway and 48th Street circa 1938 in New York City, New York...

This photograph by Bill Costa is offered by CLAMP in New York City.

a Piece of Wild West (Pieces of Berlin), 2018, 1/10, Lambda C-Print, 30x30cm signed Certificate, mounted on Aluminium INSTANTDREAMS Gallery presents Florian Reischauer's project 'Pi...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 6 ...

Untitled #3 (Man's Raincoat) from the series New York by Giacomo Brunelli is a Silver Gelatin print in a limited edition of 10 in this size. Prints increase in price as the edition ...

"Gerde's Folk City" by John Kobal Foundation Gerde's Folk City. Unframed Paper Size: 20" x 24'' (inches) Printed 2022 Silver Gelatin Fibre Print

"Parliament By Night" by Peter King Westminster Bridge and the Houses of Parliament by night, 31st January 1973. Unframed Paper Size: 30" x 40'' (inches) Printed 2022 Silver Gelat...

Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. This artwork is a limited edition of 25, gloss photograph...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Soho Waiters' Race (1955) - Silver Gelatin Fibre Print - Limited Estate Stamped (Photo by Slim Aarons/Getty Images) Waiters carrying half bottles of champagne set off on the annual...

Sunday Morning by Alain Le Garsmeur Two Churchgoers walk through the streets of Harlem, New York City, USA, April 1978. Paper size 20 x 24 inches / 50 x 60 cm Printed in 2022 - prod...

'Carlton Hotel' The entrance to the Carlton Hotel, Cannes, France, 1958. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

'Tullio Abbate' Tullio Abbate, of Abbate Boats, at the back of yacht as it is moored at a property on the shores of Lake Como, Italy, in June 1983. 40 x 30" inches / 101 x 76 cm ...

Black and White Fine Art Landscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

'Megachess' A giant game of chess in Saint Lucia, in the Lesser Antilles, February 1993. 30 x 20" inches / 76 x 51 cm paper size Estate Stamped Collection Edition to 150 Pho...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Madison Square Garden (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Madison Square Garden marquee night, west 49th street, Manhattan, New York, USA, circa 1953 Additional Information: Unframed Paper Size: 40x60'' Printed Later Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Framing included in listing price ($1,500 value), free art transport to the continental U.S., and a 14 day return policy. Please note there is some repaired damage to the frame noted in the images. San Francisco from Thierry Cohen...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1955, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Snow Covered Central Park Study 7, New York City, USA - no. 11920 Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition ...

Lubeck 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who arriv...

Brooklyn is an Archival Inkjet Print by contemporary photography Morgan Silk. Brooklyn by Morgan Silk is available in this size of 22" x 44" in an Edition of 10. Morgan Silk has be...

"Beverly Hills Hotel" by Slim Aarons Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. (Photo by Slim Aarons) Slim Aarons (born George Allen Aar...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editi...

Brooklyn Bridge Tug Boat (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts) Downtown skyline manhattan seen through cables of Brooklyn Bridge tug boat i...

Hong Kong Apartments I is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. The ...

a Piece of Markthalle (Pieces of Berlin), 2019, 1/10, Lambda C-Print, 30x30cm, unmounted signed Certificate Florian Reischauer's project 'Pieces of Berlin' Berlin – for most younge...

Paris Street Market from the Paris In Colour Series 1956-61 By Peter Cornelius 20 x 30 inches / 50 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

a Piece of Bitte Lebn (Pieces of Berlin), 2012, 31/50, Lambda C-Print, 30x30cm signed Certificate, mounted on Alu-Dibond Florian Reischauer's project 'Pieces of Berlin' Berlin – fo...