Plant Photography

An iconic photograph taken by the photographer in 1962 and printed from the original negative as a digital pigment print in 2011, Bert Stern's Marilyn with Red Roses is twice hand-si...

Wonderland Orange Poppy (Clear) 2022 Signed and numbered on label, verso Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs) 16 x 12 x 1.5 inches Th...

Chalk Streams 4, 2023 - Contemporary Environment Photography Natural Landscape by Ellie Davies Chalk Streams 4 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availab...

2004 Signed and numbered, verso Archival pigment print (Edition of 5) 24 x 20 inches This work is offered by CLAMP in New York City.

Untitled (Oilfields) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1221 Not mo...

Image size itself is 7.75 x 8.26 inches . The photo comes with a white border bringing its size to 16.53 x 11.81 inches. Belgian photographer Isabelle Menin creates portraits of fl...

'Four ocean pearls' Photographed using large format 4x5 film camera, that provides increadible detail and light dynamics of Agrostemma flowers. From limited edition of 20. The pho...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Lilies - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Lilies is a beauti...

Edition 1/10 + 2AP Capture Date: 1979 Print Date: 2025 Silver Gelatin Photographic Print Lisa McCord is a fine art and documentary photographer from the Arkansas Delta, who lives an...

Palm Springs Palm Trees VI - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #22163 Not mounted. Stefa...

Caitlin with white Sun glasses (Back in the 80's) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #194...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #025, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

Indian Summer VI (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artis...

Back Alley (Stay) 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5111 Not mounted. Stefanie Schneid...

St. Luke's Episcopal Church and Rectory, the saltbox replica that was installed recently, Gardiner Mill, The Rev. Thomas James historical marker- first pastor of the town church, (16...

Gibbiflora (Mexico, 2008) by Juan Carlos Martínez Jiménez is a large-format photographic work that captures the artist’s refined sensitivity to form, color, and texture. Executed as ...

Pink Storm #2 Digital C-Print 3 sizes: 39.3' x 39.3", edition of 6 + AP 27.5" x 27.5", edition of 3 + AP 15,7" x 15.7", edition of 6 + AP This floral photog...

Performing Geishas in a garden is an hand-inked Albumen print with aniline applied on hardcover. Very good conditions. Cardboard cm 26 x 34; Print cm 22x 27 Yokohama School print (...

"Borup #2" Digital C-Print Year: 2019 Available Sizes: 99" x 65" - Edition of 6 + 2 AP 71" x 47" - Edition of 6 + 2 AP 43.3" x 28.7" - Edition of 6 + 2 AP Provenance: From the collection of the artist. Artist Bio: Jacob Gils...

This work is offered by CLAMP in New York City.

Indian Summer V (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist...

Andreas Feininger (American, 1906-1999), Untitled, nature subject Morning dew silver gelatin prints Hand signed in pencil "Andreas Feininger" numbered "2/100" Dimensions: 12.25"h ...

Archival pigment print Signed and numbered, verso 30 x 30 inches 40 x 40 inches 48 x 48 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 18549. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Blue Sky Palm Trees (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. 20x...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

Signed on mount recto; titled with artist stamp on mount verso. Edition of 15. Price subject to change without notice.

Torrent is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available i...

Rebecca Skinner’s “Incapacitated” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of an antique car...

Rebecca Skinner’s “Life Finds a Way” is a 16 x 24 inch metal print and is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The color photo of moss...

The Pacific Northwest is home to an endless array of idyllic scenes A waterfall cascading into a calm pool of water in Columbia River Gorge, Oregon Explore the National Parks and t...

Wonder Valley (Sidewinder) - 2005 20x57cm, Edition of 10, plus 2 Artist Proofs. Archival Print based on the Super-8 footage. Certificate and signature label. Artist Inventory No ...

River is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available in ...

S is a limited-edition photograph by contemporary artist Xavier Dumoulin, from the series 'Incandescences'. This photograph is sold unframed as a print only. It is available in 2 di...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Black Parrot Tulips Edition of 25 signed and numbered by the artist The most well-known meaning of tulips is perfect and deep love. As the tulip is a classic flower that has been lo...

Red Note Edition of 25 signed and numbered by the artist This still-life picture of a Music Note consists of an olive, mint leaf and a toothpick. It was shot on Polaroid Polachrome ...

Rebecca Skinner’s “Stacked” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. Green ferns grow out of a spilled pile...

Beautiful female lion at rest in the tall grass of her home in the Maasai Mara A lion rests in the tall grass of the Maasai Mara, home to an incredible population of big cats Excep...

Young Prisoners 2 2009 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New York City.

Untitled (Alan Running), Rye, NY 1974 Vintage copper toned gelatin silver print (Edition of 2) Signed, dated, and numbered in pencil, verso 11 ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his home in Palm Desert. Archival...

Rebecca Skinner’s “At Rest” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 12 x 18 inch color photo is of an antique Ford...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

'Gloriosa’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back an...

Garden Way (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #211. Not mo...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features Alice Topping and Minnie Cushing (left) relaxing with friends in Acapulco, Mexico. This is...

Work : Original limited Edition Print, Edition of 40. The work is not framed. * * Frame is for illustrative purposes only. Artwork will shipped carefully rolled and packaged in a tu...

Available Sizes: 16” x 20” Edition of 25 with 3 Artist Proofs 20” x 24” Edition of 10 with 3 Artist Proofs 30” x 40” Edition of 7 with 3 Artist Proofs Artist Poem on "The Mirrors of the Garden": River, Where will we find candles for all the graves, Angels to spend the night over wounds, Heavenly ears to listen to the moaning, To the last gasps of the dead in our breath? In the smoke camouflaging dawn, Casting it over faces like a sheet of flame, In the splinters of a child dreaming on the threshold. And in dreams buried in ashes, Strewn on burning banks...

Archival pigment print Signed and numbered, verso 16 x 24 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 45 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. While working as a Guggenheim fellow to document Vietnamese war amputees in 2012, Pipo Nguyen...

Evening Light Portal - 2021 40x30cm, Edition of 10. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not mounted). Signed on back with Certifi...

'Tree form’ London, United Kingdom 2021. It is a still life black and white photograph, made using 35mm film camera. The photograph is signed front and back and comes with a Cert...

Artful, ephemeral capture of snow on trees which will disappear with the sun These trees appear to be painted in thick stripes with the first snowfall of the season in Grand Teton N...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

'Black Hellebore’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and ...