Tree Photography

Poolside In Sotogrande 1960 - Slim Aarons Estate Stamped Afternoon tea round the pool on a cool day at the home of interior decorator James Pendleton in Beverly Hills. 40 x 60" in...

Nice Pool 1955 - Slim Aarons Estate Stamped American writer C.Z. Guest (Mrs F.C. Winston Guest, 1920 – 2003) and her son Alexander Michael Douglas Dudley Guest in front of their Gre...

Neo-Classical Pool 1985 - Slim Aarons Estate Stamped Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents ...

Cecily Godfrey 1979 - Slim Aarons Estate Stamped Cecily Godfrey relaxes by the pool at her home in Hong Kong, 1979. Her husband Gerald is Vice-President of the Court of Appeal in Ho...

Skiing In Seefeld 1985 - Slim Aarons Estate Stamped A group of men and women go cross-country skiing in Seefeld, Austria, 1985. 40 x 60" inches / 101 x 152 cm paper size Estate S...

Dining In Gstaad 1961 - Slim Aarons Estate Stamped Holidaymakers at a ski lodge at Gstaad, Switzerland, March 1961. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Colle...

Volvo Sky is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. A vintage turquoise Volve s...

Lillian Crawford 1970 - Slim Aarons Estate Stamped Lillian Crawford, the wife of actor Lee Kinsolving, in Palm Beach, May 1970. 20 x 30" inches / 51 x 61 cm paper size Estate Sta...

Sunset (Oxana’s 30th Birthday) - 2007 featuring Radha Mitchell including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by Snap ...

Saint Kitts and Nevis 1984 - Slim Aarons Estate Stamped Horseback riding at the Rawlins Plantation inn, Saint Kitts and Nevis, West Indies, March 1984 16 x 20" inches / 41 x 51 cm ...

Abaco Holiday 1986 - Slim Aarons Estate Stamped College student Jan Woods relaxes in a hammock at the Abaco Inn on Elbow Cay, one of the Abaco Islands in the Bahamas, March 1986 30...

Beverly Hills Hotel 1957 - Slim Aarons Estate Stamped The sign on the side of the Beverly Hills Hotel on Sunset Boulevard in California, 1957 16 x 16" inches / 41 x 41 cm paper siz...

Eden Roc Hotel 1976 - Slim Aarons Estate Stamped The luxurious Hotel du Cap Eden Roc at Cap d’Antibes on the French Riviera, August 1976. 30 x 40" inches / 76 x 101 cm paper size ...

Marbella House Party 1967 - Slim Aarons Estate Stamped Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, August 1967. 24 x 20" inches / 61 x 51 cm paper size ...

Tropical Mustique 1989 - Slim Aarons Estate Stamped Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines, February 1989 20 x 24" inches / 51 x 61...

Vermont Winter 1960 - Slim Aarons Estate Stamped Students from Stowe Preparatory School track through deep snow near Mount Mansfield and Spruce Peak, Vermont, circa 1960 20 x 20" i...

Bermuda Style 1957 - Slim Aarons Estate Stamped A swimming pool in the grounds of a house in Bermuda, 1957. 16 x 16" inches / 41 x 41 cm paper size Estate Stamped Collection Edit...

Young Society 1964- Slim Aarons Estate Stamped Young matrons of Palm Beach, Florida. Most of them are wearing a gaily coloured Lilly Pulitzer shift, April 1964. 16 x 16" inches / 4...

Ardizzone’s House 1985 - Slim Aarons Estate Edition Overlooking Ardizzone’s House, on the water’s edge in Portofino, Italy, July 1985. 60 x 40" inches / 152 x 101 cm paper size ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

'Dolomites' 2022 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in the...

Ethereal rays of light filtering through a grove of Redwood trees in California A surreal vignette of light shining through a grove of Redwood trees Explore the National Parks and ...

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

'Sunset' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, prese...

CZ’s House 1955 by Slim Aarons Slim Aarons Limited Estate Edition 1955: Mrs F C Winston Guest (1920 – 2003) (aka Cee Zee Guest) reclines on a garden chair in front of the Grecian ...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165cm x 112cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

'Ray of Light', part of Richard Heeps Vietnam series 'This is Not America', this unusual photograph of trees has a spiritual quality. This artwork is a limited edition of 25 gloss ...

Salton Sea Palm Tree (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #19400 Not ...

Gaia 57 - Black and White Diptych of Spanish Cork Trees with Birds Flying by Jaume Llorens Bach Gaia 57 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper by A...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

Donna Fabrizia Lanza, 1984 - Villa Tasca Sicily Portrait Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Donna Fabri...

El Capitan's scale is hard to comprehend; in this angle you can feel its majesty A view of El Capitan with the sun hitting its face with a ravine flowing in the foreground Through ...

Phone Call (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

North Shore Motel, photography by Richard Heeps captured in the Salton Sea, California. A classic American faded roadside Motel, the mid-century architecture stands against with blue...

"Tulle no. 52" is a color photograph, limited edition, signed and numbered by Thomas Jackson. Thomas Jackson's Emergent Behavior is inspired by the instinctual self-organizing syste...

Leisure and Fashion, Colony Hotel, 1961 - Palm Trees and Glamour in Palm Beach by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 1...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

Beautiful Hand Printed Photograph. Mint Condition. Signed in pencil on recto and verso.

Untitled (Fairytales) - 2006 98x96cm, Edition 3/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the Polaroid. Certificate an...

Reed Bed, square format nature photograph by Richard Heeps taken when documenting Wicken Fen. Richard has a love for the unique Fenland landscape around his Cambridgeshire home captu...

Sunbathing In Barbados 1976 - Slim Aarons Estate Stamped The former Pauline Haywood sunbathing on a lilo in a swimming pool designed by English artist Oliver Messel, Barbados, April...

Set of four framed ready to hang landscape nature photographs by Richard Heeps. Featuring. Three Palms, Clacton-on-Sea, 2021 (UK) Industrial Jungle, Lambra...

A very beautiful and sexy heinie is looking out of a wonderful bush of flowers. These stunning photographs of Sieff’s subjects in Paris, in their homes, on the shores of Normandy, a...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Archival digital print, edition of 25 (#161) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches wi...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

Blue Day (Wastelands) - 2003 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist inventory Number 837. Signature label and c...

Untitled (Fairytales) - 2006, 49x48cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

'Last Light' Limited Edition Archival Photograph. Hand signed and numbered. Unframed. _________________ Dusk throws on her spotlights, casting deep silhouettes and revealing rich la...

30"x40" photograph, signed on reverse by the artist, edition of 5 Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Working both solo and with his sometime collaborator Jessica Sucher, Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney...

Last Season II - so I walked away from my Valley (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist invento...

Orchestral is a limited-edition photograph by contemporary artist Gina Soden. It is part of the “Reclamation” series. This photograph is sold unframed as a print only. It is availab...

Fall (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inv...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Nepenthes Ramispina is from Beth Moon's series The Savage Garden. Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of...

Palm Trees Dive by (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. A...

Cortina D'Ampezzo No.2, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and pri...

'Tofana di Rozes' 2022 It is a colour film photograph of Cortina d'Ampezzo, Dolomite mountain area in Italy, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the p...

Strata XVII is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2...