Tree Photography

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

Autumn colours as silver birch prepare to shed their leaves – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost i...

The colours of Autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

The colours of Autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

Fallen Tree by Monica Denevan Photography, Archival Giclee Print, Burma 2006. Edition of 8 Monica Denevan studied photography at San Francisco State University. She has travelle...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes. Whether standing in a state of intent tranquility in the foreground of a forest, or captured mid‐action during diving or archery, John imparts a sense of security through his physique and determined mien. Also conveyed is an air of intrigue stemming from his body, which is often concealed by shadow or wreathed in haze. Examples of masterful composition, Churilla's black‐and‐white images fully demonstrate the pacifying effect of nature on the male figure. The invitational piece, Silence represents Churilla's overall vision for this exhibition, featuring John facing away from the camera while standing in the shallows in a mist covered lake. Staring into the distance with his body in graceful repose, he appears lost in and enveloped by his surroundings, eliciting the romantic feeling of limitlessness and a sense of peace. The style in which Churilla captures John is reminiscent of the figurative nudes produced by photographers like Jock Sturges or Sally Mann. This exhibition is composed of eleven large-format pieces which range from 30" x 40" to 60" x 40". Eight photographs centered on John are accompanied by three abstract landscape pieces that capture the Adirondacks in all its otherworldly beauty. In one of these, White Mist, one stumbles into a world of beautifully muted color tones­, in which a nearly impenetrable mist surrounds a lake. This photograph serves to highlight stillness of water, which Churilla herself regards as healing and thought inducing. Churilla first gained her appreciation of the Adirondacks while working as an assistant to the legendary photographer Bruce Weber in his 1990 series Bear Pond. Since studying as Weber's protégé for nearly a decade, Churilla's own work has been acclaimed by such publications as American Photo and Harper's Bazaar, in which she has been lauded as a promising female photographer. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

"Baïkal 5", colour photograph of a snowy landscape with a tree alone, by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in...

"Baïkal 1", photography by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in Paris for 20 years. Most of Mikael Lafontan's work covers and explores northern landscapes: Scandinavia, Scotland, Canada or Iceland. French by his father, Swedish by his mother and living in France, Nordic countries...

"Baïkal 6", Colour photograph of a snowy landscape (Iceland) by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in Paris fo...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson is a lifelong photographer whose first contact with the medium was in his father's darkroom before he could read. Gibson received a B.A. from Centenary College in Shreveport, Louisiana, and an M.A. at Trinity University in San Antonio, Texas. His early work in theater lighting...

Listing includes free shipping for unframed prints and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 16 x 24 inch fujiflex print Edition of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition of 25 (#153) Image size 19.3 x 29 inches with 2 inch border 27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass Also available in the following sizes (unframed): Image 19.3 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 Image size 40 x 60 inches with 2 inch border $6800 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...

This shot by photographer Viet Chu in 2016, it features a Yellow Acacia, with emphasis on green for the grass and leaves, with contrast to the dramatic blue sky. Viet Chu is a world...

Black and White Fine Art Landscape Photography. Lonely tree on small hill in highlands of Ireland. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by art...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

Black and white fine art panorama landscape photography. Archival pigment ink print, limited edition of 7. Cherry trees in a row at the edge of the field at sunset, Austria. All Gera...

Kline Kill Road archival pigment print on watercolor paper 16 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 This Black and White Sepia-toned print of a barn in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a pond reflecting the nearby willow tree and barn. The sunlight breaks through the clouds, casting a heavenly glow to the idyllic country setting. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

Washington Square Arch pigment print on watercolor paper 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 15, $6,500 ...

Scarecrows are often unusual, and this is no exception. The homeowner decided to mount a metal sculpture by Polish/American artist Marian Owczarski in the garden to scare off variou...

Hand printed by artist who is known for his craft. Stunning in person. Printed 2025

Excellent Condition Purchased From Artist One of Roman's most famous images. 16x20 is signed and numbered. Excellent Condition FRAMED (see pics)

The colours of autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

Archival pigment print

Hand printed by the artist. Considered one of the best platinum printers of the 21st C. Printed 2006 Gum over Platinum

Traditional C-Print, edition 1/10

“Unified Front” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with C...

Platinum/Palladium (there was no pull down for this) Print Date 2014 Hand printed by artist Edition 1/15 Corner Mounted Outer Dimensions 28x32"

Slim Aarons Lounging in Gstaad 1961 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Holidayma...

"Rio - Forêt de Tijuca", photograph of a Brasilian landscape by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes...

Signed, titled, dated in ink on photographer's label. Archival pigments on tea infused Japanese Kozo paper Image: 17 1/2" x 11 3/4", Frame: 21" x 15" Edition 2 of 7

Two women stand in the foreground of a snowy landscape with a helicopter on the slopes of Snowmass Village, in Pitkin County, Colorado, in March 1968. Slim Aarons Snowmass Village 1...

Holidaymakers in sun loungers on the slopes at Gstaad, Switzerland, March 1961. Slim Aarons Lounging In Gstaad 1961 C print (Printed later) Estate signature stamped and hand number...

A group of women going down the the steps to the pool at Warren Avis' villa, 'La Barranca' at Las Brisas, Acapulco, Mexico, April 1979. Slim Aarons Down To The Pool 1979 C print (P...

The former Pauline Haywood sunbathing on a lilo in a swimming pool designed by English artist Oliver Messel, Barbados, April 1976. Her family owned Haywood's Plantation. Slim Aaron...

Il Pellicano Tennis 1955 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. An Aston Martin DB6 sports car dr...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

“ETH #12 (Columna)” (2000) by acclaimed Spanish artist Javier Vallhonrat (b. 1953, Madrid) is a monumental color photograph, part of a limited edition of just 3 copies (this work: ed...

Percy's Perspective, Okhotsk, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this print are ...

Photography on paper

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

"Baïkal 3" Colour photograph of a snowy landscape with a tree by Mikael Lafontan. Mikael Lafontan is a French-Swedish artist, born in 1968. He has been living and working in Paris f...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

This is an original gouache painting layered on an original inkjet print using alternative process photography. Image measures 8" x 8" on 11" x 8.5" paper. Ava Blitz...

L'été (The Summer), 1989 Signed, title, dated, numbered on verso Gelatin Silver Print Paper Dimensions: 11 x 14 inches Edition 5 of 20

"My work is about respecting the beauty that remains and the poetry that is found." David H. Gibson is a lifelong photographer whose first contact with the medium was in his fathe...

Charlie by Nancy Baron is a 15 x 22 inch archival pigment print, and is available in an edition of 10. This photograph features a black and white poodle st...

Portrait of Painter Leo Guida is a Vintage Photo photograph realized in the 1970s. Good conditions and aged.

Nick Vedros Road to Paradise Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x15in Edition: 15 Signed, dated and numbered by ha...

Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. Slim Aarons Leonard Dalsemer 1974 C print (Printed later) Estate signature stamped a...

Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman's parents in Palm Beach, Florida, 1985. Slim Aarons Neo-Classi...

Former mayor Frank Bogert leads an early-morning ride through Andreas Canyon in Palm Springs, southern California, January 1970. Slim Aarons Early Riders 1970 C print (Printed lat...

Slim Aarons Skiing In Vail 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of skiers...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Signed, dated and numbered in pencil on mount recto. Signed, titled, dated and numbered in pencil on mount verso with artist's copyright stamp Gelatin silver print Image 8" x 8", Mat...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Your Nearest Exit May Be Behind You, a reference to the traditional pre-flight instructions of airline hostesses, is fine art photographer Micheal McLaughlin's collection of the sights found universally in the act of travelling between countries and continents. From dark Hong Kong skylines...