Abstract Prints

Hand signed, numbered and titled by the artist. Edition of 35 specimens. Image Dimensions: 40x40 cm. Good condition.

Luis Feito (Spain, 1929-2021) 'Guadarrama V', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-063 Hand-signed by author

A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes a...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

This exquisite lithograph by Henri Matisse (1869–1954), titled Icarus, from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the 1945 issue published by Editio...

Soleil rouge (Red Sun) Etching and embossing, c. 1974 Signed and editioned in pencil by the artist (see photos) Condition: Paper has yellowed. There is a white square at top of shee...

Joan Miró (Spain, 1893-1983) 'Sala Gaspar, Metras and Belarte Gallery (avant la lettre)', 1964 Lithograph on Paper (Cahiers d'Art magazine Nº4-5) Original lithograph without signing ...

Richard Anuszkiewicz Soft Lime, 1976 8 Color silkscreen on Lenox 100% Cotton paper 38 × 46 inches Pencil signed and numbered 41/75 on the front; bears printers blind stamp from NYIT (New York Institute of Technology) Unframed We have not seen another example of this gorgeous mid century silkscreen...

This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this composition embodies Chillida’s exploration of form, balance, and spatial tension. In Sans titre, the artist distills his sculptural sensibility into a two-dimensional plane, using the language of gesture and contrast to evoke mass, gravity, and void. The work exemplifies Chillida’s poetic approach to abstraction, where line and density coexist in perfect equilibrium. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is signed in the plate and unnumbered, consistent with the authorized publication format. The edition captures Chillida’s mastery of minimal means to achieve monumental expression, extending the spatial dialogue that defines his sculpture into the medium of print. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Eduardo Chillida lithograph, Chillida Derriere le Miroir, Chillida Maeght...

Artist: Stanley Hayter, British (1901 - 1988) Title: Allegro from the Peace Portfolio Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition Size: 175 Image Size: 17.2...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...

'The Orange Point', color serigraph, edition 54, c. 1940. Signed, titled, and annotated 'Ed/54' in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet wi...

Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print. Some minor foxing on edges.

Pablo Picasso (after) "Buste de Petite Fille" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 144/500 lower left From the estate of Pa...

A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...

ICARUS 2 is an original hand drawn lithograph created in 1986 by the French American artist Marius Sznajderman, printed using traditional lithography techniques on archival Arches pa...

Lithograph, 1976 Edition : 3/100 60.00 cm. x 45.50 cm. 23.62 in. x 17.91 in. (paper) bears a stamp of Venice to the centaur Handsigned by the artist in pencil Ref : LCD2455

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

Raoul DUFY (1877-1953) Orchestra : Intermission Lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) Excellent condition

Litografía de Joan Miró (1893-1983) - edición de 200 ejemplares numerada a lápiz. Medidas 72x50 cm. Firmada en plancha, numerada a lápiz (la numeración puede variar respecto a la f...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnages et oiseaux (Figures and Birds), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editio...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Published by Aimé Maeght, Éditeu...

PABLO PICASSO (1881-1973) Pichet Visage (A.R. 611), 09.01.1969 Ed. 280/500 pcs Earthenware clay, decoration in engobes engraved by knife under partial brushed glaze Stamped, annotate...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #106 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Dan Christensen, American (1942 - 2007) - Latuka, Year: 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 131/140, Image Size: 20 x 38 inches, Size: 29....

The Moth is a wonderful colored lithograph on paper, realized in 1973 by the Italian artist Giuseppe Zigaina, and published by La Nuova Foglio, the publishing house of Macerata. Ha...

Artist: Joan Miro Medium: Original lithograph Title: Jardin au Clair de Lune Portfolio: Hommage A Teriade Year: 1973 Edition: Unnumbered Framed Size: 20 1/4" x 16 3/4" Sheet Size: 13...

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Edition Size: only 20 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...

Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 180, signed in blue pencil, and numbered 80/180. 26 3/8 x 33 1/4 inches, 669...

Silkscreen realized by Alberto Burri in 1986. Artist proof out of an edition of 50. Image dimension 60x60 cm. Hand signed and dedicated. Excellent condition.

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant I" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edit...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 8 (Plate No. 8), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph I, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, Ne...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Piet MONDRIAN (after) Composition II in Red, Blue and Yellow Lithograph (8 colors) Printed signature in the plate Justified HC (Hors commerce) Blind stamp of the editor in the marg...

A very good impression of this offset color lithograph poster on heavy white wove paper.

Joan MIRO The Surrealist Animal, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE...

Poster of 4 festival Music Mtodziezowej is original lithography print realized in 1973. Signed on the plate along the right margin: Khuczykouski 73. Good conditions with aged lower...

**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on C...

Robert Indiana Decade: Autoportrait, 1969 (Sheehan, 78), 1973 Color lithograph on off white wove paper Signed and numbered 84/125 in pencil on the front Frame included: This work is...

Ethereal figurative abstract print of two figures merging by Deborah Rumer (American, 20th Century). Titled "Like a breeze passing...", numbered (Ed100), signed, and dated (© Deborah...

Joan Miro (1893-1983) Cat, Small Bird and Black Hand, 1970 Original lithograph Printed signature in the plate On vellum 83 x 60 cm (c. 33 x 24 in) Excellent condition

Future Garden is an original manifesto realized by Leo Guida in 1976. Edition 6/50. Dated, numbered and signed. Leo Guida (1992 - 2017). Sensitive to current issues, artistic mov...

Roy Lichtenstein at Modern Art Pavilion, Seattle Art Museum Limited Edition poster, 1976 Offset lithograph Limited Edition of 1000 22 1/2 × 28 inches Unframed, unsigned Publisher Se...

Union III Yaacov Agam, Israeli (1928) Date: 1976 Screenprint, signed in pen lower right Image Size: 27 x 22.75 inches Size: 33 x 28.75 in. (83.82 x 73.03 cm)

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Color lithograph, Edition 25. Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes 'personal diaries' of her life as an ...

Artist/Designer; Manufacturer: Frank Stella (American, 1936-2024) Marking(s); notes: signed, FS76-332, printer's inkstamp; ed. 4/10; 1979 Materials: screenprint hand-colored with acr...

This stunning hand painted Edition is an one-off large Giclee on paper, oil hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted by ...

The Word and the Sign is an original Screen Print realized by Rafael Alberti (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) in 1...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Artist: Arthur Secunda Title: Night Bird Year: 1974 Paper Size: 26 x 23 inches Edition: Signed in pencil and marked 151/250 Arthur Secunda (b. 1927 – d. 2022) was an American painte...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Artist: Keith Haring Title: The King Size: 23 3/8 × 29 7/8 in 59.4 × 75.9 cm Medium: Lithograph Edition: of 50 Year: 1989 Notes: Hand Signed, Numbered & Dated in Pencil. Custom F...

Artist: Salvador Dali Title: Ultra Surrealist Corpuscular Galutska Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proo...

A large scale abstract interior scene with bold black, white, red, pink, green, white and orange patterns and brushstrokes, based on an abstract oil painting. Pink and purple dots, y...

Artist: Alexander Calder (after) (American, 1898-1976) Title: Skybird, Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. (50...