Abstract Prints

This exquisite heliogravure after Henri Matisse (1869–1954), titled Lis et glaieuls (Lilies and Gladioli), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from ...

engraved with plastic collage and polychrome stamping abstract pàinting. virtual framed Aguatinta. Arches 63x90 Ed galeria Maeght, Barceloa. Imp. J. Barbara, Barcelona Catalogue raz...

Thomas Lanigan-Schmidt Untitled, from from the Artsounds Collection, 1986 Lithograph on paper Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. 12 × 12 inches Unframed Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. This terrific offset lithograph print exemplifies the combination of religion and kitsch that Lanigan Schmidt is best known for. This print was created in the 1980s for the famous Artsounds portfolio, which featured prints by Marcel Duchamp, Jonathan Borofsky among others. Lanigan-Schmidt was a subject of a 2013 retrospective at PS1 MOMA and is on the faculty of the School of Visual Arts in New York. Provenance: Artsounds Portfolio About Thomas Lanigan-Schmidt: Thomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, MoMA, Brooklyn Museum, Ludwig Forum für Internationale Kunst, Ackland Art Museum, Columbus Museum of Art, and Wadsworth Atheneum Museum of Art, among others. He has exhibited extensively throughout the United States and Europe, including the 1980 and 1984 Venice Biennales, the 1991 Whitney Biennial, and the 1999 exhibition The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York, NY. Recent solo exhibitions include Tenemental: With Sighs Too Deep for Words, Howl! Happening, New York (2018); Thomas Lanigan-Schmidt: Mysterium Tremendum, Rockland Art Center, NY (2013); and Ecce Homo: Thomas Lanigan-Schmidt & The Art of Rebellion, Pavel Zoubok...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Joh...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

Dali Inaguracion Teatro Museo Figueras Espana Septiember 1974 is a rare plate signed vintage poster celebrating the opening of the Salvad...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

Work on paper White wooden frame with glass pane 87 x 66,5 x 3 cm

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

This abstract landscape limited edition print by Tony Iadicicco features a light grey palette. It has an abstracted landscape composition, with a stark horizon line running through t...

A member of the so-called Mission School, Barry McGee got his start as a graffiti artist in late 1980s San Francisco, where he tagged under the moniker Twi...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

ABOUT THIS PIECE: Briggs Edward Solomon's artwork is known for its balance and juxtaposition. It is a collaboration of simplistic and contemporary colors. It is subtle, yet bold. It ...

An original Mid Century woodblock print titled "Reflections and Images" by American artist Toma Yovanovich. Hand signed in pencil...

Limited edition (18 signed and numbered prints + two artist proofs) This image is from Marvin Berk’s “Geometrics One—Restructuring Klee” series. Flawless ...

Joan-Pere Viladecans (Spain, 1948) 'Entrebanc 4', 1974 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: VIL1324-004-000 Hand-signed by author

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 19...

Published by Art Unlimited in Amsterdam in 1990, this work is part of a collaborative celebration of Van Gogh's 100th anniversary, featuring original designs from several renowned ar...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

Gerhard Richter Abstrakte Bilder, 2024 Medium: Set of 4 hybrid prints on handmade paper Dimensions: 39 2/5 × 27 3/5 in 100 × 70 cm Edition of 500: Not signed, hand-numbered

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Size: 13.3 × 10.7 on 14.8 × 10.9 inches Reverse Side: Continued text about "Peintures Pour De...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

This exquisite lithograph and pochoir by Hans Jean Arp (1886–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 6 (double), Janvier 1956, originates ...

Bold modern colours synonymous with the modern art movement make up this original Mourlot printed Henri Matisse lithograph, after a gouache on paper cut-out. The cut-out is based on ...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - I Year: circa 1995 Medium: Woodblock Monoprint, Signed in Pencil Edition: 1/1 Size: 20 x 24 in. (50.8 x 60.96 cm)

Joan Miró (1893-1983) is one of the greatest artists of the 20th century. He is renowned internationally as a painter, sculptor, printmaker, and ceramicist. Miró’s works, which wer...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 10/100 Publisher : Éditions L'Oeuvre Gravé Printer : Jean Pons (Paris) Catalog : [Polieri 1751 p.610-611] 65.00 cm. x...

KAWS KAWS at Yorkshire Sculpture Park (Hand Signed), 2016 Offset lithograph poster, uniquely signed and dated by KAWS 33 × 24 inches Signed and dated on the lower front Unframed Han...

Wallscape II by Frank Schott from a series of photographic observances capturing urban textures and color palettes 48 x 60 inches / 122cm x 152cm edition of 7 signed 32 x 40 inches...

Big Dipper, 1982 Ed Ruscha Aquatint in indigo and black, on wove paper Signed, dated and inscribed 'A. P. 4' One of ten artist's proofs aside from the edition of 10 Published by C...

b. 1907, St. Petersburg, Russia – d. 1981 Bolotowsky respected the principles of the De Stijl style and was influenced by the artist, Piet Mondrian. Bolotowsky incorporated geometri...

This exquisite lithograph by Alfred Manessier (1911–1993), titled Formes et transparence (Forms and Transparency), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954...

This abstract limited edition print by Sofie Swann features a square pattern composition in a deep red color, with abstracted, thin black line drawings of roses within each square. T...

ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...

ABOUT THIS PIECE: Alberto practices high-speed photography. He has mastered the balance of pouring varnish into water and using his high-speed photography knowledge to capture the mo...

In celebration of Lincoln Center's ultimate New York festival, Summer for the City, the Brooklyn based artist Rico Gatson created a dynamic image of bold colors radiating positive energy. Gatson's concentric circle motif and projecting lines draw inspiration from the giant disco ball shining above Lincoln Center's iconic Revson Fountain, a welcoming beacon at the heart of Josie Robertson Plaza. This colorful, archival pigment print is printed on Hahnemühle paper and is signed, dated and numbered in pencil by the artist. It is in excellent condition and comes directly from Lincoln Center Editions...

Artist: Jack Youngerman (American, 1926-2020) Title: Mandala Blue Medium: Pochoir in colors with screenprint and embossing Date: 1980 Dimensions: 37" x 36" Signed, dated and numbered...

This exquisite woodcut, after Wassily Kandinsky (1866–1944), titled Motif aus Improvisation No 25 (Motif from Improvisation No 25), from the album XXe Siecle, Nouvelle serie, XXIe An...

Period mixed media print and painting by California artist Katherine Chang Liu (American, 20th-century). Signed "Fireworks Series #39" Katherine Chang Liu '87. Presented with a white...

Road Sign by Alexander Liberman, Ukranian/American (1912–1999) Date: 1969 Screenprint on Rives, signed, numbered and dated in pencil Edition: AP Size: 32.5 x 22.75 in. (82.55 x 57.79...

Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...

Le Point de Non-Retour, 1969 Signed and numbered in pencil Lithograph in colors on wove paper 20 x 28.25 inches Edition 60 of 100

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

Rare exhibition poster by Puerto Rican artist Carlos Osario. Una Gota de Sangre, 1963. Screen print on paper, 17.5 x 25 inches. Some wear and crea...

Venetian Views: Venice, Morning, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium red, phthalo green-blue shad...

Antoni Tapies (Spain, 1923-2012) 'Scotch', 1974 lithograph on paper 35.5 x 24.9 in. (90 x 63 cm.) Edition of 120 Unframed ID: TAP1162-032 Hand-signed by author Cat. Galfetti, nº 393 ...

Keith Haring New York City 1989: RARE original 1989 Keith Haring designed Sound Factory Halloween invite featuring a dazzling array of Keith Haring Skeletons: “Keith Haring & Sound...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 70/75 75.50 cm. x 65.50 cm. 29.72 in. x 25.79 in. (paper) 60.00 cm. x 42.50 cm. 23.62 in. x 16.73 in. (image) Our ...

This Limited Edition abstract print, "Lollipops #2" by Sofie Swann measures 60" x 48" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with bifold, as issued. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Publishe...

Lithograph Handsigned by the artist in pencil and numbered 43/75 74.00 cm. x 56.00 cm. 29.13 in. x 22.05 in. (paper) 58.50 cm. x 47.50 cm. 23.03 in. x 18.7 in. (image) Certificate ...

This Limited Edition abstract print, "Mighty Cupcakes," by Sofie Swann measures 30" x 30" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater fram...

Signed, titled and numbered by the artist. Edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satelli...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux sous la Lune (The Lovers under the Moon), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. no. 5193) (Tales of Boccaccio, Paintings from the Manuscript of the Dukes of Burgundy, Library of the Arsenal), Lavis de Marc Chagall, from Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, originates from the 1950 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger Freres, Maitres-Imprimeurs, Paris, 1950. This tender and poetic composition exemplifies Chagall’s lifelong fascination with love, dream, and transcendence. Les Amoureux sous la Lune radiates intimacy and serenity, its nocturnal palette and floating forms capturing the timeless romance between lovers united under the moon’s luminous gaze. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the exquisite craftsmanship of the Draeger Freres atelier, celebrated for its precision and tonal richness in printing fine artworks. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux sous la Lune (The Lovers under the Moon), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. Marc Chagall executed the cover of this work which was completed printing on April 20, 1950 on the presses of Maitres-Imprimeurs, the Draeger Freres. About the Publication: This 1950 issue of Verve, Revue Artistique et Litteraire, titled Contes de Boccace (Tales of Boccaccio), was devoted to the great Italian humanist Giovanni Boccaccio and illuminated manuscripts from the 15th century, interpreted and revived through the eyes of modern artists. Under the artistic direction of Teriade, Marc Chagall contributed a series of lyrical paintings and lavis that reimagined these Renaissance themes with his signature dreamlike color, tenderness, and spiritual symbolism. The issue juxtaposed Chagall’s contemporary vision with the rich heritage of medieval illumination, bridging centuries of artistic imagination. Printed by the master craftsmen of Draeger Freres, the publication stands as a testament to Verve’s tradition of uniting art, literature, and history in one luxurious volume that celebrates the continuity of human creativity from the Middle Ages to modernity. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les...

Artist: Alexander Calder Title: Skybird Portfolio: Flying Colors Medium: Lithograph Year: 1974 Edition: Unnumbered Framed Size: 27" x 33" Image Size: 20" x 26" Sheet Size: 20" x 26"...

"Rainbow-man," an abstracted Mexican figurative woodblock by Pedro Puerta (Mexican, 20th Century), 1974. Titled "Rainbow-Man" lower left and "from a Michoacan Pot" "Reproduced with a...

This colorful abstract lithographic poster was printed at the Atelier Mourlot on Bank Street in New York City in 1967. Calder is one of the most acclaimed and influential sculptors...