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Alexander Calder
"Homage to Joan Prats" by Alexander Calder

1965

$24,000List Price

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Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
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1970s Abstract Geometric Abstract Prints

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Kimber Smith, Abstract Expressionist Geometric Abstraction signed/n lithograph
By Kimber Smith
Located in New York, NY
KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...
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1960s Abstract Geometric Abstract Prints

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Green - Lithograph by Lorenzo Indrimi - 1970s
By Lorenzo Indrimi
Located in Roma, IT
Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 20/150.
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Red One - Lithograph by Lorenzo Indrimi - 1970s
By Lorenzo Indrimi
Located in Roma, IT
Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100
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1970s Abstract Geometric Abstract Prints

Materials

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Purple - Lithograph by Lorenzo Indrimi - 1970s
By Lorenzo Indrimi
Located in Roma, IT
Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 87/100.
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1970s Abstract Geometric Abstract Prints

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Lithograph

Green - Lithograph by Lorenzo Indrimi - 1970s
By Lorenzo Indrimi
Located in Roma, IT
Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 40/150.
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Barcelona, Abstract Geometric Lithograph by Larry Bell
By Larry Bell
Located in Long Island City, NY
Larry Bell, American (1939 - ) - Barcelona, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 62/75, Size: 30 x 22 in. (76.2 x 55.88 cm)
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James Siena at PACE poster Hand signed by James Siena complex linear abstraction
By James Siena
Located in New York, NY
James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...
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Museum of Folkwang, Essen, Germany rare poster (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998 Offset lithograph poster (hand signed by Peter Halley) 33 × 24 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...
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Untitled (Red State I)
By Ellsworth Kelly
Located in New York, NY
Created by Ellsworth Kelly in 1988, Untitled (Red State I), is an original lithograph on Arches paper. Hand-signed in pencil, and numbered from the edition of just 18, the artwork me...
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Price Upon Request
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"Lincoln Center" by Sol Lewitt
By Sol LeWitt
Located in Hinsdale, IL
SOL LEWITT (1928 – 2007) Lincoln Center Color screenprint on Somerset Satin White,1998. Sheet size: 35 1/2x28 inches, full margins. Signed and numbered 73/108 in pencil, lower ri...
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"Dusk in August" from the Portfolio of Nine
By Louise Nevelson
Located in Hinsdale, IL
NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...
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"The Star Thief" by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
James Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...
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Joan Miro "Maravillas con Variaciones Acrosticas en el Jardin de Miro"
By Joan Miró
Located in Hinsdale, IL
JOAN MIRO (1893 – 1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro Lithograph in colors on Arches paper c. 1975 Signed in pencil by artist, lower margin Impression...
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"The New French Tools 2 - Three Saws from the Rue Cler"
By Jim Dine
Located in Hinsdale, IL
Jim Dine (b. 1935) The New French Tools 2 - Three Saws from the Rue Cler Etching, aquatint, and electric tools in colors on Arches paper, 1984 36 x 24...
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Two Pears a Lemon and an Egg by Donald Sultan
By Donald Sultan
Located in Hinsdale, IL
DONALD SULTAN (b. 1951) Two Pears a Lemon and an Egg Screenprint in colors on Arches 88 paper, 1994 Sheet Size: 22” x 23”, full margins. Impression 67...
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