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Alfred Manessier
Alfred Manessier, Untitled, from Prints from the Mourlot Press, 1964

1964

$716
$89520% Off
£547.61
£684.5220% Off
€626.69
€783.3620% Off
CA$1,019.06
CA$1,273.8320% Off
A$1,103.35
A$1,379.1920% Off
CHF 586.60
CHF 733.2520% Off
MX$13,307.16
MX$16,633.9520% Off
NOK 7,376.83
NOK 9,221.0420% Off
SEK 6,877.31
SEK 8,596.6320% Off
DKK 4,680.58
DKK 5,850.7320% Off

About the Item

This exquisite lithograph by Alfred Manessier (1911–1993), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964–1965, originates from the 1964 edition published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C., and printed by Mourlot Freres, Paris, October 27, 1964. This composition exemplifies Manessier’s luminous abstraction and spiritual depth, uniting color, rhythm, and light in a meditative harmony that transforms modern abstraction into an expression of transcendence. His approach to lithography reveals the same architectural precision and emotional radiance that defined his painting and stained-glass art. Executed as a lithograph on velin d'Arches paper, this work measures 10 x 7.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres and highlights Manessier’s contribution to postwar lyrical abstraction and spiritual modernism. Artwork Details: Artist: Alfred Manessier (1911–1993) Title: Sans titre (Untitled), from the album Prints from the Mourlot Press Medium: Lithograph on velin d'Arches paper Dimensions: 10 x 7.5 inches (25.4 x 19.05 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1964 Publisher: Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C. Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Prints from the Mourlot Press, published by Fernand Mourlot, Paris, 1964 Notes: Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Herve Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carre, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhemar, Curator of prints at the Bibliotheque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th October 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director Andre Brignole, was responsible for the typography. The edition has been limited to MM examples on Velin d'Arches and CC on Velin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot. About the Publication: Prints from the Mourlot Press, published in Paris by Fernand Mourlot in 1964 in collaboration with the Embassy of France and the Smithsonian Institution, celebrated the profound artistic partnerships that defined 20th-century printmaking. The portfolio accompanied a traveling exhibition organized by the Smithsonian’s National Collection of Fine Arts and presented at major institutions across the United States between 1964 and 1965. Containing twenty-four original lithographs by leading modern artists—including Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, Alfred Manessier, and Jean Cocteau—the publication chronicled the collaborative artistry of Mourlot Freres, whose Paris workshop elevated lithography to a fine art. Each plate demonstrated the mastery of color, composition, and craftsmanship that defined postwar printmaking, while the edition itself stood as a symbol of Franco-American cultural exchange. About the Artist: Alfred Manessier (1911–1993) was a French painter, printmaker, and stained-glass artist whose luminous abstractions and mastery of color established him as one of the most important figures of postwar European modernism. Born in Saint-Ouen, France, he studied architecture before enrolling at the Ecole des Beaux-Arts in Paris, where he absorbed the structural discipline of Paul Cezanne, the chromatic brilliance of Henri Matisse, and the spatial harmony of Georges Braque. Immersed in the Parisian avant-garde, Manessier was influenced by and exchanged ideas with modern masters such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Early in his career he experimented with Cubism and Fauvism, but a transformative spiritual experience during a retreat at the Trappist Abbey of Saint-Paul de Wisques in 1943 led him to abandon figurative art in favor of luminous abstraction, using color, rhythm, and form to convey transcendence and inner light. His paintings—mosaics of glowing hues and interwoven organic shapes—evoke the meditative cadence of nature, music, and faith, while his architectural training gave his compositions a balance between structure and emotion. As one of the foremost figures of Lyrical Abstraction, Manessier sought to restore spirituality and humanity to modern painting, creating works that critics described as “visual music.” His exploration of light extended into stained glass, where he became a pioneer of modern sacred art, designing radiant windows for churches and cathedrals across France that transformed pure abstraction into divine illumination. In 1962, he represented France at the Venice Biennale and was awarded the Grand Prize for Painting, solidifying his international reputation. His influence extended to artists such as Pierre Soulages, Hans Hartung, Jean Bazaine, Ellsworth Kelly, and Mark Rothko, who shared his belief in color as a vessel of emotion and transcendence. Today, Manessier’s paintings and stained-glass works are held in major museums including the Centre Pompidou, the Tate Modern, and MoMA, and remain prized for their harmony, spirituality, and radiant power. His highest auction record was achieved by Psaume de la lumiere (1952), which sold for 305,017 USD at Sotheby’s, Paris, on June 5, 2013, affirming Alfred Manessier’s legacy as one of the great masters of color, light, and spiritual abstraction in 20th-century art. Alfred Manessier Sans titre Untitled Prints from the Mourlot Press Fernand Mourlot Paris 1964 lithograph Lyrical Abstraction Modernism.
  • Creator:
    Alfred Manessier (1911 - 1993, French)
  • Creation Year:
    1964
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216976572

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