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Andre Derain, Landscape of the Blue Tree, Twelve Contemporaries, 1959 (after)1959
1959
$2,556
$3,19520% Off
£1,940.14
£2,425.1720% Off
€2,224.85
€2,781.0620% Off
CA$3,607.78
CA$4,509.7220% Off
A$3,872.61
A$4,840.7720% Off
CHF 2,061.97
CHF 2,577.4620% Off
MX$45,866.76
MX$57,333.4620% Off
NOK 26,057.65
NOK 32,572.0620% Off
SEK 23,797.90
SEK 29,747.3720% Off
DKK 16,620.63
DKK 20,775.7820% Off
About the Item
This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Paysage de l'Arbre Bleu (Landscape of the Blue Tree), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work reflects Derain's luminous sense of color, structural clarity, and bold expressiveness, capturing the spirit of modern French landscape painting.
Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris.
Artwork Details:
Artist: After Andre Derain (1880–1954)
Title: Paysage de l'Arbre Bleu (Landscape of the Blue Tree), from the album Douze Contemporains (Twelve Contemporaries)
Medium: Lithograph and pochoir on velin paper
Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm)
Inscription: Unsigned and unnumbered, as issued
Date: December 1959
Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston
Printer: Atelier Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959
Notes:
Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris.
About the Publication:
Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., stands as a masterwork of mid-century French printmaking, uniting the visions of leading modern artists through a harmonious portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a significant edition of numbered and non-commerce impressions, the publication reflects the vibrancy of postwar artistic culture and the atelier's central role in advancing modern printmaking.
About the Artist:
Andre Derain (1880–1954) was a French painter, printmaker, sculptor, and one of the founding fathers of Fauvism whose radical use of pure color and simplified form redefined modern art in the early 20th century. Born in Chatou, near Paris, Derain initially studied engineering before turning to painting, where his collaboration with Henri Matisse and Maurice de Vlaminck ignited a revolution in color and expression. His early landscapes of Collioure and London burst with vibrancy and emotional energy, marking a decisive break from Impressionism and establishing him as a leading innovator of the avant-garde. Drawing inspiration from Paul Cezanne's structure, Paul Gauguin's color harmonies, and the optical theories of Georges Seurat, Derain developed a style that balanced intensity and order, bridging Fauvism and the emerging currents of Cubism. Throughout his career, he moved among the great creative minds of modernism, including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, sharing with them a commitment to experimentation and form. Derain's later work evolved toward classical composition and sculptural clarity, influencing generations of artists who sought to reconcile tradition with modern innovation—from early abstractionists to postwar colorists and Neo-Expressionists. Today, his paintings remain cornerstones of museum and private collections worldwide for their brilliance, historical significance, and enduring beauty. The artist's highest auction record was achieved by Arbres a Collioure (1905), which sold for 16,281,250 GBP (approximately 24 million USD) at Sotheby's, London, on June 22, 2010.
Andre Derain print, Derain Paysage de l'Arbre Bleu, Douze Contemporains, Daniel Jacomet, French modernist print, pochoir, postwar Paris printmaking, Derain collectible lithograph.
- Creation Year:1959
- Dimensions:Height: 13.25 in (33.66 cm)Width: 18.25 in (46.36 cm)
- Medium:
- Movement Style:
- After:André Derain (1880-1954, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465214365292
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