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Antoni TàpiesAntoni Tapies, Untitled, 1973 (Signed Litho, 63/150) ex. Renwick Coll., Framed1973
1973
$1,950
£1,457.68
€1,681.46
CA$2,730
A$2,884.70
CHF 1,551.41
MX$34,535.21
NOK 19,437.30
SEK 17,801.75
DKK 12,558.55
About the Item
(NOTE: I apologize for the reflections in these photos; the piece has a custom lucite frame, very solid and sealed in back, and I didn't want to take the frame apart to shoot the piece.) Antoni Tapies is considered Spain's most important painter after Picasso. His work is in the collections of the most important modern and contemporary museums around the world, as well as those of the most notable private collectors. This work is ultra-typical of his: an almost industrial look, expressionistic slashes, impassioned. Pencil-signed, lower right. Numbered 63/150 lower left. Provenance: the notable New Orleans collection of Polly and Ed Renwick. Proudly presented by Guy Lyman Fine Art, New Orleans.
- Creator:Antoni Tàpies (1923 - 2012, Spanish)
- Creation Year:1973
- Dimensions:Height: 11.8 in (29.98 cm)Width: 18.5 in (46.99 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU994312199362
Antoni Tàpies
Antoni Tàpies is considered to be Spain's most important painter after Picasso. His work is in the collections of the most important modern and contemporary museums around the world, as well as those of the most notable private collectors. Tàpies’s ultra-typical style was an almost industrial look, expressionistic slashes, thick impasto, rough and impassioned.
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Over the course of his career in painting, printmaking, and etching, Antoni Tàpies (Spanish 1923-2012) has created his own visual language of symbols and marks to help communicate the broad range of influences in his work including, most significantly, his Catalan roots, as well as his involvement with the Parisian intellectual scene of the 1950s, meeting exponents of Art informel like Jean Fautrier and Jean Dubuffet. Tàpies’s abstract paintings are made with expressive blends of impasto, gestural brush strokes, often backwards hand-written script, and common materials such as soil and marble dust.
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