Medium Abstract Prints

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Letter I by Rafael Alberti, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin. It is an artist's proof...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed on the lower margin. Edition of III/XXX.

Vintage lithographed poster realized after Alexander Calder fot the Artist's Exhibition at Galleria Rondanini. Excellent condition.Vintage lithographed poster realized after Alexand...

This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...

Jennifer Losch Bartlett American Dance Festival 1978, 1978 Lithograph on wove paper Pencil signed and numbered 163/150 31 × 23 inches Unframed This limited edition print was designed by Jennifer Bartlett for the American Dance Festival in 1978. It is ; this is the hand signed and numbered limited edition lithograph - not to be confused with the separate poster edition which was not on the same lithographic paper. About Jennifer Bartlett: Jennifer Bartlett (b. 1941, d. 2022) was known for her room-sized installations ranging in medium, that explored her immediate environments including houses, mountains, trees, gardens, and the ocean. Inspired by Minimalism, she started working on square steel enameled plates in 1968 on which she went on to create her most notable works. Rhapsody (1975–1976), a polyptych first installed at Paula Cooper Gallery filling the entirety of the gallery, included hundreds of these painted steel plates. That work is now part of the permanent collection of the Museum of Modern Art, New York. Her work moved from Abstract Expressionism to Minimalism to Conceptualism with some works touching on all at once. Working in two dimensions and occasionally moving to three, her works often started in a controlled, mathematical abstraction and moved to more painterly realism. Bartlett’s first survey exhibition was held in 1985 and traveled to the Walker Art Center, the Brooklyn Museum, and the Museum of Art, Carnegie Institute. In 2006, her early enameled steel plate paintings were surveyed at the Addison Gallery of American Art. Klaus Ottman curated her second traveling survey exhibition in 2013­–14, Jennifer Bartlett: History of the Universe—Works 1970–2011, which traveled to the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum. In 2014, the Cleveland Museum of Art exhibited all three of her monumental plate...

Blue Square Tetsuo Araki, Japanese (1937–1984) Date: circa 1970 Etching with Aquatint, signed and numbered in pencil Edition of 69/120 Image Size: 19.5 x 15.5 inches Size: 30 x 22 in...

This abstract limited edition print by Sofie Swann features a warm neutral palette and is composed of small, organic shapes patterned together in horizontal and vertical lines. The s...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Silkscreen and relief collage Handsigned by the artist in pencil and annotated "5130" Edition : 30 ex. 74.00 cm. x 60.50 cm. 29.13 in. x 23.82 in. (paper) 74.00 cm. x 60.50 cm. 29....

Artist: Glenn Goldberg, American (1953 - ) Title: Drifter Plus #1 Year: 1989 Medium: Lithograph, signed and numbered in pencil Edition: 11/35 Size: 26 x 19.5 in. (66.04 x 49.53 cm)

Lithograph realized by Costantino Persiani in 1971. Limited Edition of 120. Excellent condition.

Peter Halley Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989 Offset lithograph poster (hand signed by Peter Halley) 28 × 26 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker. Scroll down for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...

This abstract limited edition print by Roger Mudre is inspired by his recent trip to the Northern Italian city. In it, Mudre weaves his exploration of the circle together with a geom...

Silksreen, 1970 Handsigned by the artist in pencil 80.50 cm. x 60.50 cm. 31.69 in. x 23.82 in. (paper) 52.00 cm. x 52.00 cm. 20.47 in. x 20.47 in. (image) Swiss-born multidiscipli...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Artist: Allan D’Arcangelo (1930-1998) Title: U.S. Highway #1 Year: 1978 Edition: 99/150, plus proofs Medium: Silkscreen on Arches paper Size: 26 x 30.25 inches Inscription: Signed an...

4 colour screen print on 300gsm archival paper 27 3/5 × 19 7/10 in 70 × 50 cm Artist proof 6 of 6, aside from main edition of 75 Mint The seller can only provide the specific editi...

This artwork "Sans Titre" c.1980 is an original etching on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand...

PAUL VON RINGELHEIM American Flag III, 1979 Silkscreen in Colors on wove paper Signed and numbered in graphite pencil on the lower margin front 31 × 23 inches Unframed Hand signed and numbered from the limited edition of 300. Born in Vienna Austria, but working in the US for many decades, Von Ringelheim, also known as a sculptor, brought his unique hard-edge minimalistic geometric abstraction outsider's take on the American Flag to this vintage 1970s limited edition, signed silkscreen. Unframed and in fine condition. Ringelheim was represented in the 1960s by the legendary Rose Fried Gallery...

Allan D'Arcangelo Paris Review, 1964-5 Silkscreen 32 × 26 inches Signed and numbered from the limited Edition of 150 pencil signed, numbered and dated on the front Unframed Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...

Orgues du sol - From Eaux, Pierres, Sable is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985). The artwork is the plate n. 4 from the po...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

Artist: Bruce Porter, American (1948 - ) Title: Bayard Series #3 Year: 1999 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 23.5 x 16 inches Size: 26.5 x ...

A colorful abstract silkscreen by American artist, Douglas Leichter (1946-). The print is signed and numbered in pencil. Douglas Leichter, (1946) D...

This contemporary limited edition print by Teodora Guererra features a cool blue, white, and muted green palette, with energetic strokes throughout the composition. This print pairs ...

Seven seals is an original screenprint on black paper realized by Italian artist Vincenzo Agnetti. Hand-signed on the lower right. Titled on the lower center in Italian Numbered, edition of 14/70...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Embossed collagraph by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along the bottom edge ("7/25 Kimono 11 Patricia A Pearce"). No frame. Image size: 27...

A dazzling visionary art print with psychedelic patterned imagery in metallic silver, teal, and yellow by Ian McNeil Cooke (British, b.1937). The Merm...

Nuances is a color etching and aquatint on paper, realized in 1980 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil "Piero Dorazi...

Umberto Mastroianni 1960s Original Etching Beautiful black and white lithograph by the great 20th century Italian artist Umberto Mastroianni. This work best represents the work of o...

Screen Print realized by Rafael Alberti as a creative reworking of his signature. Published in 1973. Not signed and not numbered.

Artist: Larry Rivers (1923-2002) Title: Dutch Masters Year: 1991 Medium: Lithograph and silkscreen on wove paper Edition: 23/500, plus proofs Size: 25 x 3...

This abstract landscape limited edition print by Tony Iadicicco features a blue monochromatic palette. It has an abstracted landscape composition, with several stark horizon lines an...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. of African American interest for collectors. Richard ...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. Richard Marshall Merkin (1938-2009) was an American p...

Artist: Ray Elman, American (1955 - ) Title: Making a Point Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 160 Size: 32 in. x 28 in. ...

Mary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...

Artist: Julian Stanczak (1928-2017) Title: Sequential Chroma Year: 1978 Edition: 2/175, plus proofs Medium: Silkscreen on Somerset paper Size: 30.25 x 25.75 inches Condition: Good In...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog lic...

Sam FRANCIS Abstract composition (c. 1986) Original lithograph Unsigned as issued Justified bottom right "Lithographie originale de Sam Francis - Atelier d'Art Desjobert" On l...

This 27.5" x 30.5" screen print (#3 of 10) by Serbian artist David Mladjovic depicts an abstract composition of dynamic forms with a palette of gray and pale yellow with vibrant shot...

Turquoise Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered Good co...

Bold lithograph by Patricia Pearce (American, b. 1948). Numbered ("2/25"), titled ("Kimono 10"), and signed ("Patricia Pearce") along the bottom edge. Presented in a blue-gray mat wi...

Untitled is a colored serigraph on paper, realized in the Seventies of XX century by the Italian artist, Wladimiro Tulli, published by La Nuova Foglio, a publishing house of Macerata...

Maghreb II Ruth Eckstein, German (1916–2012) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 4/60 Image Size: 21 x 26 inches Size: 21.5 x 29.5 in. (54.61 x 74.9...

Trunk 2 Ruth Eckstein, German (1916–2012) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 11/20 Size: 25.75 x 19 in. (65.41 x 48.26 cm)

James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...

Larry Rivers Offset Lithograph Poster Offset Lithograph Poster on Wove Paper Plate signed (Printed Signature) 32 × 30 inches Unframed Rare vintage 1970s Larry Rivers offset lithogr...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

This abstract landscape limited edition print by Ken Elliott features a cool blue and violet palette, capturing hills underneath thick clouds, with contrasting accents of warm yellow...

This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...

Shusaku Arakawa Historic Dwan Gallery Poster: Presence or the Third Person, 1967 Offset lithograph poster 30 x 22 inches Unframed Rarely found, coveted 19...

Crepe de Chine I is a pastel-colored screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a ...

Composition Homage to Laurin is a Digital Print and hand-retouched realized by Martine Goyens in 2023. Hand-signed on the lower right. With the certification on the rear. Good con...