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Chiyu UemaeUntitled (2004)2004
2004
$2,400
£1,835.58
€2,100.64
CA$3,415.86
A$3,698.38
CHF 1,966.26
MX$44,605.01
NOK 24,726.80
SEK 23,052.42
DKK 15,689.11
About the Item
Chiyu Uemae
Untitled
2004.05.05
Screenprint on wove paper
Signed, dated, and numbered by the artist
Edition: 14/23
Image size: 21.5 x 15.5 cm
Sheet size: 36.3 x 25.8 cm
Description:
This vibrant and meditative screenprint by Chiyu Uemae features a densely textured red composition centered on a stark black ground. The surface is built up with rhythmic, organic forms that evoke both tactile materiality and quiet repetition—reflecting the artist’s labor-intensive process. Known as a founding member of the Gutai Art Association, Uemae embraced both innovation and introspection, often blurring the lines between painting, craft, and print. Here, his visual language of accumulation and minimal contrast creates a quietly powerful presence. The print is signed, dated, and numbered by the artist and belongs to a rare edition of just 23.
- Creator:Chiyu Uemae (1920 - 2018, Japanese)
- Creation Year:2004
- Dimensions:Height: 14.3 in (36.3 cm)Width: 10.16 in (25.8 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:Overall in very good condition, minor stains on both sides.
- Gallery Location:Hong Kong, HK
- Reference Number:Seller: CU-0021stDibs: LU1545216013362
Chiyu Uemae (1920 – 2018) was a Japanese abstract artist born in Kyoto. He is particularly noted for his involvement as a founding member of the influential Gutai Art Association, a radical avant-garde art collective formed in 1954 under the leadership of Jiro Yoshihara. Uemae participated in every Gutai exhibition until the group's dissolution in 1972. Uemae's artistic journey was unique; he was a self-taught artist who held various jobs, including an apprentice at a traditional dyeing factory in Kyoto, which profoundly influenced his artistic approach. His early experiences, particularly in dyeing, led to a mature style characterized by meticulous compositions often featuring fine dots, patterns, and textile elements. Unlike some of his Gutai peers known for performance-based works, Uemae focused on the materiality of art, often creating compellingly rough surface textures by combining unconventional materials like sawdust, wood chips, and debris with paint. His two-dimensional works are recognized for their pattern accumulation, achieved through painting knives or delicate stitching, and he also produced sculptures from wood or sawdust. In later years, he continued to create etchings and silkscreens. Uemae's work often combined traditional Japanese colors and sensibilities with an original abstract style. He remained active and continued producing art well into his 80s and 90s.
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