Damien Hirst

Vortex (from In a Spin, the Action of the World on Things, Volume II)

2002

Etching and aquatint, 1964 Publisher : La Rose des Vents, Paris Printer : Jean Signovert Catalog : [Schneider XXV] 37.00 cm. x 27.00 cm. 14.57 in. x 10.63 in. (paper) 32.50 cm. x 23...

Signed, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...

Monotype completed during his period as Resident Artist at the French Institute of Tangier, 2017. Signed on the reverse. A quiet, architectural, and meditative, built from restraint ...

Etching and aquatint Edition : ESSAI 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 40.00 cm. x 31.50 cm. 15.75 in. x 12.4 in. (image) Handsigned by the artist in pencil Certi...

Aquatint etching on paper, edited in 1978 Limited edition of 90, numbered 65/90
 Signed in pencil by artist in lower right corner 
Paper size: 97 x 97 cm Very good conditions The re...

Etching and aquatint on paper Edited in 1978 Limited edition of 90, numbered 65/90 Signed in pencil by artist in lower right corner 
Paper size: 97 x 97 cm Very good conditions Regu...

Signed, titled and numbered in pencil by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

An early abstract work, rich in visual texture and patterns with abstract leaves by Japanese print maker Kazuko. Etching pencil signed edition nu...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique. Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Artist: Yannick Ballif, French (1927 - ) Title: Untitled - Abstract II Year: 1973 Medium: Aquatint Etching with Carborundum, signed and dated Size: 22 x 30 inches