Framed Abstract Prints

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Watercolor on paper 32 x 25 inches framed

8 color screen print on Mohawk Supreme 130lb paper. Hand signed lower right by Sean Gannon. Hand numbered 22/50 lower left. Sheet size: 22 x 32.9 inches. Frame size: 23.5 x 34 in...

Artist: Yaacov Agam Title: Circles in Yellow Medium: Screenprint in colors Year: 1980 Edition: 154/200 Sheet Size: 30" x 28 1/2" Image Size: 35 1/4" x 33 3/4" Signed: Hand signed an...

This abstract lithograph after Wassily Kandinsky( Russian 1866 -1944) is a striking homage to the pioneering master of abstract art. Rendered with vivid dynamism, the composition em...

BERNARD LORJOU – "PIROUETTE AU GALOP" ⚜ Woodcut ⚜ Hand Signed Lower Left ⚜ Numbered H.C. from the Edition of 80 ⚜ Conservation Frame ENERGY AND DRAMA FROM “LE CIRQUE” Created in 197...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...

Artist: Josef Albers, German (1888 - 1976) Title: Variant, Portfolio 2, Folio 9 , Image 1 from the portfolio Formulation: Articulation Year: 1972 Edition size: 1000 Medium: Screenpri...

Serigraph in colors on paper. Hand signed lower right by Victor Vasarely. Hand numbered 194/200 lower left. Sheet Size: 32.5 x 32.5 inches. Image size: 29.5 x 29.5 inches. Frame...

An abstract Expressionist piece titled "Metamorphosis of Zan Biell" Numbered "20/20", and signed by artist Keisuke Serizawa. Woodcut on Rice Paper. Designer, painter, illustrator, d...

Zao Wou-Ki (1920 - 2013) Hommage a Nobutaka Shikanai - 1991, (Agerup 354) Color lithograph on BFK Rives watermarked paper, full margins 24 x 18 1/4 inches Signed and titled in the sheet Published by Fuji Television Gallery, Tokyo Zao (Zhao) Wou Ki combines Oriental landscape abstraction with French influence. He was born in Beijing on February 13, 1921, and from the age of ten, Zao drew and painted with great freedom. He learned from his grandfather that calligraphy is an art when it transmits an emotion to the person looking at it. At age fourteen he enrolled at the School of Fine Arts in Hangzhou, where he remained for six years. He studied and then taught at the Hongchow National Academy of Fine Arts. In 1942, he organized an exhibition of works by his teacher, Wu Dayu, along with some of his own. In 1948, he moved to Paris where he has lived and worked ever since, although he has exhibited in New York City. He attended the Académie de la Grande Chaumière and lived at Rue du Moulin Vert nearby Alberto Giacometti's studio. Making the acquaintance of Hans Hartung, Nicolas de Staël, Pierre Soulages, Viera da Silva...

Sam Francis Blue-Violet (Lembark, L, 32), exhibited at Stanford University Art Museum, 1963 Color lithograph on Rives BFK paper with deckled edges Lithograph in blue-violet on Rives ...

Skater in Motion II, 1938 Original linocut on paper Artist's initial's inscribed in block From the portfolio, Verve, by Teriade 35.5 x 26 cm - sheet 40.6 x 31.2 cm - framed Unknown e...

Johnny Friedlaender (Polish/French, 1912-1992), "Signe Des Temps" [Sign of the Times], Etching and Aquatint in Colors on Paper, circa 1972, numbered edition "40/95" lower left, signe...

Coloured etching on paper, edited in 1976. Limited edition of 100 copies, numbered as 52/100 in lower left corner. Signed in pencil by artist in lower right corner. Paper size: 50 x...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

Artist: Joan MIro Title: United Nations Peacekeeping Operations Medium: Lithograph in colors Date: 1980 Edition: 683/1500 Framed Size: 18 3/4" x 16 1/4" Sheet Size: 11" x 8 1/2" Ima...

Titled "Architecture", this framed piece of abstract art, signed by Eva Kolosvary in 1973, evokes a distant memory of brutalist architecture, a leftover ghost from Soviet Rule. Both ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Artist: Roberto Matta Title: L'eau est Mana Year: 1974 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 200 Size: 21.5 x 30 inches (54.61 x 76.2 cm) Frame...

JAMES ROSENQUIST (B. 1933) Sunglass Lens-Landing Net-Triangle Original etching, 1974 Catalog #80 Sheet size: 19 1/2” x 35 1/4” Edition number 11 of 80 Signed, numbered, and date...

Swing III (Big Drop) by Herbert Oehm, 1972 Additional information: Medium: screenprint 72 x 72 cm 28 3/8 x 28 3/8 in signed and numbered in pencil Herbert Oehm is a German Postwar ...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Lithograph III...

Pierre Soulages Eau Forte XVIII, 1962 Edition number: 69/100 Etching and aquatint in colors, signed in pencil by the artist. 1 Plate on Velin d'Arches paper Printed by Lacouriere, Pa...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Unique mid century modern abstract limited edition serigraph titled "Poor Butterfly" by Madrid-based artist Mil Lubroth (American, 1925-2004). Lubroth uses a layering technique to build the fragmented form of the butterfly in neutral earth-tones, black and grey. Her serigraph “Poor Butterfly” was exhibited at the Brooklyn Museum’s 13th Biennial National Print Exhibition in 1962. Signed "Mil Lubroth" lower right. Numbered 30/50 lower left and titled center. Displayed in a grey mat and metal frame with plexiglass. Image window: 19"H x 26"W. Paper size: 23.5"H x 32"W. Madrid artist...

Artist: Alexander Calder Title: Plate 6 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" I...

Screenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...

Artist: Henri Matisse (after) Title: Souvenirs d'Oceanie Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14"...

Artist: Salvador Dali Title: The Cavaliers of King Arthur Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: ...

Gabriel Orozco (Mexican, b. 1962) Untitled, 2017 Medium: Silkscreen on glassine Dimensions: 57.5 × 31.8 cm (22 3/5 × 12 1/2 in) Edition of 80 + 10AP: Hand-signed and numbered, verso ...

Blue Image by Victor Pasmore, 1986 Additional information: Medium: screenprint on Fabriano paper 49 x 48.5 cm 19 1/4 x 19 1/8 in signed, dated and numbered 68/90 in pencil Victor P...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artis...

Art, a tangible manifestation of the imaginary and the sensitive, is translated through works capable of captivating and communicating beyond words. Friedlaender's lithographs, loade...

Worldscape Domenick Turturro, American (1936–2002) Date: 1978 Screenprint, signed and numbered in pencil Edition of AP 18/30 Image Size: 30 inch diameter Size: 3...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

Lithograph on Suzuki paper. Signed, dated and numbered 38/47 in pencil by de Kooning. Printed by Hollanders Workshop, New York. Published by Knoedler, New York.

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Artist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 3/4" x 17 3/4" Sheet Size: 15" x 11" Signe...

Joan Miró (1893-1983) is one of the greatest artists of the 20th century. He is renowned internationally as a painter, sculptor, printmaker, and ceramicist. Miró’s works, which wer...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), this pie...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Artist: Keith Haring Title: United Nations International Youth Year Medium: Lithograph in colors Date: 1985 Edition: 91/1000 Sheet Size: 11" x 8 1/2" Image Size: 11" x 8 1/2" Frame S...

Letter From Vienna Artist signed, dated, paper sheet 30x22.5 Krystyna Smiechowska was born in 1935 Krakow -2014 Paris France. Printmaker Krystyna Smiechowska draws her inspiration f...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 200...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

"Mirrored Stripes" Embossed Lithograph By R. Carter. Signed By Artist. Numbered 27/500. Measures 27.5 x 18.5 in. In Good Condition.

Artist: Robert Indiana Title: Parrot Portfolio: 1997 The American Dream Medium: Original serigraph Year: 1997 Edition: 76/395 Frame Size...

Artist: Robert Motherwell Title: Tricolor (from XXe Siecle) Medium: Lithograph Date: 1973 Edition: Unnumbered Frame Size: 18 1/2" x 16 1/2" Sheet Size: 12 1/2" x 10 1/2" Signature: U...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

This artwork titled "Spring Rain" 1981, Is a colors lithograph on Fabriano paper by noted Brazilian/Japanese artist Manabu Mabe, 1924-1997. It is hand signed, titled in Japanese and ...

This limited edition print by Ned Martin is a contemporary abstract portrait. Part of his Spirits Through Time series, it features a woman in profile - her face and hair are rendered...

Victor Vasarely "Vonal", 1971 from Portfolio de 8 sérigraphies en couleurs. Ed. Griffon Serigraph 11 x 11 in with frame: 21 x 21 in The other pieces from this edition are available ...

Aquatint and etching on paper. Hand signed lower right by Roberto Matta. Hand numbered 90/100 lower left. Image size: 14.1 x 18.6 inches. Sheet size: 26 x 19.6 inches. Frame siz...

Hand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...

Artist/Designer; Manufacturer: KAWS aka Brian Donnelly (American, b. 1974) Marking(s); notes: signed; 11/250; 2020 Materials: screenprint on Saunders Waterford 425gm HP hi-white Dime...

Universe IV (Blue) by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in