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Braque, Corbeille de fruits, Derrière le miroir (after)
1952

Name: Braque, Corbeille de fruits, Derrière le miroir (after)
Price: 587.12 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

$716

$1,29544% Off

£547.43

£990.1144% Off

€627.21

€1,134.4044% Off

CA$1,009.92

CA$1,826.6144% Off

A$1,099.55

A$1,988.7144% Off

CHF 587.12

CHF 1,061.9144% Off

MX$13,273.27

MX$24,006.8344% Off

NOK 7,381.20

NOK 13,350.0744% Off

SEK 6,865.37

SEK 12,417.1244% Off

DKK 4,684.93

DKK 8,473.4444% Off

About the Item

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris. Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication. GEORGES BRAQUE (1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.

Creation Year:

1952

Dimensions:

Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)

Medium:

Lithograph

Movement Style:

Modern

After:

Georges Braque (1882 - 1963, French)

Period:

1950-1959

Condition:

Gallery Location:

Southampton, NY

Reference Number:

Wonderful french impressionist still life of summer fruits plums and peaches with cup of tea, circa 1990. Unsigned. This is a study in classic Paul Cezanne style whom was known for his fruit still lifes showing folds of fabrics and drapes. The marble topped bureau...

Category

1990s Abstract Impressionist Still-life Paintings

Materials

Canvas, Oil

Peaches and Plums Still Life in Style of Paul Cezanne

$1,500

de Segonzac, Nature morte: Le chou, Collection Pierre Lévy (after)

By André Dunoyer de Segonzac

Located in Fairfield, CT

Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...

Category

1960s Modern Landscape Prints

Materials

Lithograph

de Segonzac, Nature morte: Le chou, Collection Pierre Lévy (after), 1967

$716 Sale Price

20% Off

Nature Morte

By (circle of) Pierre Ambrogiani

Located in Belgrade, MT

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition. Vibrant and colorful.

Category