Items Similar to Georges Braque, At Varengeville, from Twelve Contemporaries, 1959 (after)

Georges Braque - Georges Braque, Black Foliage, from Carnets intimes, 1955 (after)

Georges Braque - Georges Braque, The Chariot, from Carnets intimes, 1955 (after)

Georges Braque - Georges Braque, Seascape, from Varengeville, 1968 (after)

Georges Braque - Georges Braque, The Wave, from Varengeville, 1968 (after)

Georges Braque - Georges Braque, The Bullfighter and the Bull, from Carnets intimes, 1955 (after)

Georges Braque - Georges Braque, Le Bouquet, from Carnets intimes, 1955 (after)

Want more images or videos?

Request additional images or videos from the seller

1 of 11

Georges Braque, At Varengeville, from Twelve Contemporaries, 1959 (after)
1959

$2,556

$3,19520% Off

£1,931.63

£2,414.5420% Off

€2,218.83

€2,773.5320% Off

CA$3,595.20

CA$4,49420% Off

A$3,806.38

A$4,757.9820% Off

CHF 2,059.91

CHF 2,574.8820% Off

MX$45,493.27

MX$56,866.5820% Off

NOK 25,676.46

NOK 32,095.5820% Off

SEK 23,480.22

SEK 29,350.2720% Off

DKK 16,571.78

DKK 20,714.7320% Off

About the Item

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled A Varengeville (At Varengeville), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work embodies Braque's lyrical balance of structure and harmony, distilling Cubist sensitivity into a serene, poetic landscape that reflects the quiet power of his mature vision. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Georges Braque (1882–1963) Title: A Varengeville (At Varengeville), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: December 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., stands as a masterwork of mid-century French printmaking, uniting the visions of leading modern artists through a harmonious portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a significant edition of numbered and non-commerce impressions, the publication reflects the vibrancy of postwar artistic culture and the atelier's central role in advancing modern printmaking. About the Artist: Georges Braque (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of 20th-century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezanne's theories of form and perspective. Braque's collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braque's influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christie's New York for Paysage a la Ciotat (1907). Georges Braque print, Braque A Varengeville, Douze Contemporains, Daniel Jacomet, Cubism, French modernist print, pochoir, postwar Paris printmaking, collectible Braque lithograph.

Creation Year:
1959
Dimensions:
Height: 13.25 in (33.66 cm)Width: 18.25 in (46.36 cm)
Medium:
Lithograph,Stencil
Movement Style:
Modern
After:
Georges Braque (1882 - 1963, French)
Period:
1950-1959
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465214365382

Category

1950s Abstract Abstract Prints

Materials

Lithograph

La Partie de Campagne, 1952

$5,033

The Vanguard Series Nr. XIV: A Collection of Postwar European Abstractions

Located in London, GB

"The Vanguard Series Nr. XIV: A Collection of Postwar European Abstractions", oil on board, by Duval (circa 1950s–70s). A compelling body of work emerging from the forgotten studios ...

Category