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Hans Jean ArpHans Jean Arp, Constellations, from XXe siecle, 19381938
1938
$1,116
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£853.54
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€976.80
€1,22120% Off
CA$1,588.37
CA$1,985.4720% Off
A$1,719.75
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CHF 914.31
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MX$20,741.33
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NOK 11,497.96
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DKK 7,295.43
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About the Item
This exquisite woodcut by Hans Jean Arp (1886–1966), titled Constellations, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du no. 4, Noel, 1938, originates from the 1938 edition published by Gualtieri di San Lazzaro, editeur, Paris, in collaboration with Societe Internationale d'Art XXe siecle, Paris, and printed by Mourlot Freres, Paris. Constellations exemplifies Arp’s organic abstraction, transforming rhythm, chance, and natural form into visual poetry that captures the harmony between order and spontaneity.
Executed as a woodcut on velin paper, this work measures 12.5 × 9.75 inches (31.75 × 24.77 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: Hans Jean Arp (1886–1966)
Title: Constellations, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du no. 4, Noel, 1938
Medium: Woodcut on velin paper
Dimensions: 12.5 × 9.75 inches (31.75 × 24.77 cm)
Inscription: Unsigned and unnumbered, as issued
Date: 1938
Publisher: Gualtieri di San Lazzaro, editeur, Paris, in collaboration with Societe Internationale d'Art XXe siecle, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du no. 4, Noel, 1938, published by Gualtieri di San Lazzaro, editeur, Paris
About the Publication:
Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, including Mourlot, Arte, and Bellini, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age.
About the Artist:
Hans Jean Arp (1886–1966), also known as Jean Arp, was a Franco-German sculptor, painter, poet, and theorist whose lyrical abstraction and biomorphic forms profoundly shaped the evolution of modern art, bridging Dada, Surrealism, and Constructivism while laying the groundwork for later movements such as Abstract Expressionism and Minimalism. Born in Strasbourg, Arp co-founded the Dada movement in Zurich in 1916 with Hugo Ball, Tristan Tzara, Sophie Taeuber-Arp, and Marcel Duchamp, creating art that celebrated spontaneity, chance, and the organic rhythms of nature as an antidote to rationalism and war. Rejecting rigid systems, Arp embraced intuition and accident, producing poetic collages and reliefs that seemed to grow naturally, embodying his belief that “art is a fruit that grows in man, like a fruit on a plant.” In Paris, he became part of the avant-garde alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Man Ray, all of whom shared his search for a universal visual language rooted in emotion and form. His collaboration and marriage with Sophie Taeuber-Arp produced groundbreaking works uniting painting, sculpture, textiles, and architecture, anticipating the interdisciplinary ideals of the Bauhaus. During the 1920s and 1930s, Arp’s wooden reliefs and plaster sculptures evolved into pure biomorphism—undulating, organic shapes that blurred the boundary between abstraction and life itself. His philosophy of natural order influenced generations of artists, from Henry Moore and Barbara Hepworth to Ellsworth Kelly, Isamu Noguchi, and Jean (Hans) Hartung, while his belief in chance as a creative force inspired later innovators like Jackson Pollock, John Cage, and the Fluxus movement. Arp’s postwar sculptures in bronze and marble embodied serene, monumental simplicity, reflecting his faith in balance and regeneration, and in 1954 he received the Grand Prize for Sculpture at the Venice Biennale. His writings and poetry, like his sculpture, explored themes of unity and growth, expressing a cosmic harmony between humanity and nature. Represented in the world’s greatest museums—including MoMA, Tate Modern, Centre Pompidou, and the Guggenheim—Arp’s art remains a testament to the enduring power of organic abstraction. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Hans Jean Arp endures as one of modernism’s purest and most poetic voices—a sculptor of living form whose work continues to inspire artists and collectors across generations. His highest auction record was achieved by Demeter (1960), which sold for $5.825 million USD at Sotheby’s, New York, on May 15, 2018, reaffirming his status as one of the most visionary, influential, and collectible sculptors of the 20th century.
Hans Jean Arp Constellations, Arp XXe siecle, Arp 1938 woodcut, Arp Mourlot, Arp velin paper, Arp abstraction, Arp collectible print.
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