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Joan Miró - Joan Miro, Untitled, from Derriere le miroir, 1967

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Joan Miro, Untitled, from Derriere le miroir, 1967 (after)
1967

Name: Joan Miro, Untitled, from Derriere le miroir, 1967 (after)
Price: 652.14 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

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CHF 652.14

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NOK 8,201.06

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DKK 5,203.55

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About the Item

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (The Solar Bird, the Lunar Bird, Sparks), No. 164–165. Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by limprimerie Arte, Paris, this work reflects Miros masterful fusion of spontaneity, symbolic abstraction, and celestial lyricism. In Sans titre (Untitled), Miro harnesses gesture, color, and dreamlike form to evoke an atmosphere of cosmic wonder and animated rhythm. Executed as a lithograph on velin paper, this work measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. Printed by limprimerie Arte, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: After Joan Miro (1893–1983) Title: Sans titre (Untitled), from Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (The Solar Bird, the Lunar Bird, Sparks), No. 164–165, 1967 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1967 Publisher: Maeght Editeur, Paris Printer: limprimerie Arte, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 112; Mourlot, Fernand, and Joan Miro. Miro Lithographe III: 1962–1969. Andre Sauret, Paris, 1969, nos. 507–510. Condition: Well preserved, consistent with age and medium Provenance: From the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (The Solar Bird, the Lunar Bird, Sparks), No. 164–165, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), The illustrations on pages 10, 15, 18–19–20, 26 and 27 are original lithographs taken from the workshops of ateliers de limprimerie Arte. This issue of "Behind the Mirror" includes a luxury edition printed on Lana velin and limited to CL examples numbered and signed by the artist. Andre Frenauds poem was written for the Revue XXe Siecle. About the Publication: Derriere le Miroir (translated as “Behind the Mirror”) was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, and Eduardo Chillida. Printed in the ateliers of Mourlot and Arte, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroirs enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassilly Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro lithograph, After Joan Miro, Miro Sans titre, Miro Derriere le Miroir, Miro Loiseau solaire Loiseau lunaire etin-celles, Miro Maeght Editeur Paris, Miro limprimerie Arte, Miro 1967 edition, Miro Surrealist lithograph, Miro celestial abstraction, Miro collectible graphic work.

Creation Year:
1967
Dimensions:
Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
Medium:
Lithograph
Movement Style:
Surrealist
After:
Joan Miró (1893 - 1983, Catalan)
Period:
1960-1969
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465217278772

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1970s Modern Prints and Multiples

Materials

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Joan Miro Derriere le Miroir, no. 151-152 1965- Lithograph

By Joan Miró

Located in Brooklyn, NY

This lithograph, featured in Derrière le Miroir No. 151-152, was published in 1965 by Maeght in Paris. Showcasing Miró’s bold colors and abstract forms, it exemplifies the artist's c...

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1960s Abstract Expressionist Prints and Multiples

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Joan Miro Derriere le Miroir, no. 151-152 1965- Lithograph, 1965

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Joan Miro, Untitled, from Derriere le miroir, 1967 (after)1967

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