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Joan Miro, Untitled, from Derriere le Miroir, 19711971
1971
$716
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£545.06
£681.3220% Off
€623.11
€778.8920% Off
CA$1,007.42
CA$1,259.2820% Off
A$1,101.95
A$1,377.4420% Off
CHF 580.21
CHF 725.2620% Off
MX$13,156.20
MX$16,445.2520% Off
NOK 7,394.84
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SEK 6,764.52
SEK 8,455.6420% Off
DKK 4,654.02
DKK 5,817.5220% Off
About the Item
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1971 folio Derriere le Miroir, No. 193-194, octobre-novembre 1971, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1971. The composition reflects Miro’s late graphic language, where spontaneous gesture, symbolic form, and rhythmic line converge into a refined visual poetry. The imagery exemplifies his ability to balance instinct and structure, transforming abstract signs into a resonant and evocative pictorial space.
Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. The edition reflects the refined production standards of Maeght Editeur, Paris, and the technical excellence of Imprimerie Arte, Paris.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Sans titre (Untitled), from Derriere le Miroir, No. 193-194, 1971
Medium: Lithograph on velin paper
Dimensions: 15 x 11 inches (38.1 x 27.94 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1971
Publisher: Maeght Editeur, Paris
Printer: Imprimerie Arte, Paris
Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 738–740; Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 145
Condition: Well preserved, consistent with age and medium
Provenance: From the 1971 folio Derriere le Miroir, No. 193-194, published by Maeght Editeur, Paris
Notes:
Excerpted from the folio (translated from French), The cover and pages 2-3 and 30 are original lithographs by Joan Miro taken in the workshops of l'imprimerie Arte, Adrien Maeght.
About the Publication:
Derriere le Miroir (translated as Behind the Mirror) was an influential French art periodical published from 1946 to 1982 by Maeght Editeur, Paris. Conceived by Aime Maeght as a platform for collaboration between artists, poets, and critics, each issue functioned as both an exhibition catalogue and an independent work of art. Original lithographs were printed directly from the artists stones or plates, accompanied by critical and literary texts, establishing new standards for modern art publishing. Over its long history, Derriere le Miroir featured leading figures of twentieth century modernism and documented landmark exhibitions at Galerie Maeght. Printed by master ateliers such as Arte and Mourlot, the series remains one of the most important and sought after achievements in postwar European art publishing.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys, London, on June 19, 2012.
Joan Miro Sans titre, Miro Derriere le Miroir No. 193-194, Miro Maeght Editeur Paris, Miro Imprimerie Arte, Miro 1971 lithograph, Miro abstract print, Miro modernist lithograph, Miro collectible lithograph.
- Creation Year:1971
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement Style:
- After:Joan Miró (1893 - 1983, Catalan)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465215213122
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By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1971 folio Derriere le Miroir, No. 193-194, octobre-novembre 1971, published by ...
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Joan Miro, Untitled, from Derriere le miroir, 1971
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1971 folio Derriere le miroir, No. 193–194. Published by Maeght Editeur, Paris, ...
Category
1970s Surrealist Abstract Prints
Materials
Lithograph
Joan Miro, Composition on Grey Background, from Derriere le miroir, 1965
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Composition sur fond gris (Composition on Grey Background), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1965. This evocative composition demonstrates Miro’s mastery of balance and spontaneity, where abstract forms dance across a muted field of grey, creating a poetic interplay between movement, color, and space.
Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Composition sur fond gris (Composition on Grey Background), from the folio Derriere le miroir, No. 151–152
Medium: Lithograph on velin paper
Dimensions: 15 x 11 inches (38.1 x 27.94 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1965
Publisher: Maeght Editeur, Paris
Printer: Mourlot Freres, Paris
Catalogue raisonne reference:
Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 102;
Mourlot, Fernand, and Joan Miro. Miro Lithographe III: 1964–1969. Andre Sauret, Paris, 1977, nos. 428–449.
Condition: Well preserved, consistent with age and medium
Provenance: From the folio Derriere le miroir, No. 151–152, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1965
Notes:
This issue of "Behind the Mirror," for which Joan Miro executed 26 plates of original lithographs, includes a luxury edition printed on Rives velin and limited to CL examples, numbered and signed by the artist.
About the Publication:
Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012.
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Joan Miro, The Bird and its Nest, from Derriere le miroir, 1965
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