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John Baldessari
Rarely seen limited edition Spanish/English protest poster, Signed by Baldessari

1984

$5,950
£4,516.36
€5,179.13
CA$8,398.39
A$9,014.89
CHF 4,799.97
MX$106,771.23
NOK 60,658.45
SEK 55,398.08
DKK 38,690.43

About the Item

John Baldessari Flowers of Life for Central America/Flores de Vida por Centro America (Hand Signed), 1984 Rare Offset Lithograph (Hand signed by Baldessari) 24 3/5 × 18 inches Boldly signed in white sharpie by Baldessari lower front The separate regular, unsigned edition was only approx. 100, though the present work was, exceptionally, uniquely hand signed by the artist Extremely rare vintage political poster - even more so when hand signed by Baldessari, with such impressive provenance - and less common than many of his limited edition signed prints! This poster was designed by John Baldessari and Norm Gollin for Artists Call Against U.S. Intervention in Central America. This poster has excellent provenance as it was de-accessioned from the Center for Study of Political Graphics in Los Angeles, California. Below is the detailed cataloguing the Center provided for the artists involved in this coalition, and the art galleries sponsoring the cause: Artists Call is a national coalition of visual, literary, and performing artists who have concern for the life, culture, and traditions of Central American and Caribbean peoples. Artists Call is opposed to the ways in which these are threatened by foreign intervention. As North Americans we recognize our responsibility to speak out against injustice and the threat of regional war, promoted by our administration, and its domestic consequences. All events planned for October 1984 are an expression of these concerns. Los Angeles artists call Against U.S. Intervention In Central America: This is an interesting piece of political and art historical ephemera from LA in the the mid 1980s -and highly collectible when hand signed by Baldessari. John Baldessari Biography: John Baldessari was born in National City, California in 1931, and has lived in Santa Monica since 1970. He received a B.A. from San Diego State College in 1953, and an M.A. in 1957, and studied at the U.C., Berkeley (1954-55); UCLA (1955); the Otis Art Institute (1957-59); and Chouinard Art Institute. In October 2004 he was elected to the American Academy of Arts and Sciences. He has also been the recipient of many awards including an Honorary Ph.D., San Diego State University, San Diego, California (June 2003); the Spectrum International Award for Photography of the Foundation of Lower Saxony (1999); the College Art Association Award (1999); the Governor's Award for Lifetime Achievement in the Visual Arts, California (1997); and the Oscar Kokoschka Prize, Austria (1996). A two-part retrospective of his work opened at the Museum Moderner Kunst Stiftung Ludwig Wien and the Kunsthaus Graz in Austria in March 2005 and traveled to the Museé d'Art Contemporain, Nimes. His solo exhibition Somewhere Between Almost Right and Not Quite (with Orange) at the Deutsche Guggenheim in Berlin opened on 28 October and ran through January 16, 2005. Recent solo exhibitions were held at Reykjavik Art Museum, Reykjavik (2001), the Sprengel Museum, Hannover, and the Staatliche Kunstammlungen Dresden (1999); the Museo d'Arte Moderna e Contemporanea di Trento e Roverto, Trento, Italy (2000-01); and at the Museum für Gegenwartskunst, Zurich and the Witte de With, Rotterdam (1998). In 1996, National City was shown at the San Diego Museum of Contemporary Art. In 1995-96 a retrospective, This Not That, was shown at Cornerhouse, Manchester, England and traveled to London, Stuttgart, Ljubljana, Oslo, and Lisbon. In 1994, The Museum of Modern Art presented Artist's Choice: John Baldessari, and in 1990-92 a retrospective survey of his work was shown at MOCA, Los Angeles, which traveled to San Francisco MOMA, the Hirshhorn Museum and Sculpture Garden, the Whitney Museum, and the Musée d'Art Contemporain, Montreal. In 1981, John Baldessari: Work 1966-1980 was shown at the New Museum, New York, and traveled to the Contemporary Arts Center, Cincinnati, the CAM, Houston, the Van Abbemuseum, Eindhoven, and the Museum Folkwang, Essen, Germany. John Baldessari's work has been included in the 47th Venice Biennial (1997); the Carnegie International (1985-86); the Whitney Biennial (1983); and Documenta 7 and 5, Kassel (1982 and 1972). -Courtesy of Marian Goodman Gallery
  • Creator:
    John Baldessari (1931, American)
  • Creation Year:
    1984
  • Dimensions:
    Height: 24.5 in (62.23 cm)Width: 18 in (45.72 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
    Very good vintage condition with no apparent issues; unframed.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213567642

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John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...
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