Mary Chenoweth

Abstract Geometric Print Signed by Mary Chenoweth

20th Century

Mary Heilmann To Be Someone (hand signed and inscribed "Love from Mary Heilmann"), 2007 Hardback monograph with dust jacket (hand signed and inscribed by Mary Heilmann) Warmly signed...

KENNETH NOLAND (hand signed and warmly inscribed to artist Arthur Secunda), 1977 Hardback monograph (hand signed and warmly inscribed to renowned artist Art Secunda) Warmly signed, d...

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

Untitled - Blue Circle Amadeo Gabino, Spanish (1922–2004) Date: circa 1970 Collage Multiple Size: 23.5 in. x 23.5 in. (59.69 cm x 59.69 cm)

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Titled Carnival with bright colors and geometric shape of a circus carousel, this bears some elements of the color field blocks of Mark Rothko. New York born painter and printmaker,...

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Maya Hayuk The Likes of Us, 2017 Screenprint with spray paint in colors on Arches paper Signed, numbered 91/100, dated, and titled in pencil along lower edge. Accompanied by COA hand signed by the artist. 20 × 15 inches Unframed This work is accompanied by a Certificate of Authenticity from the artist. Excellent condition. Published by the artist; Printed by Haven Press, Brooklyn, New York More about Maya Hayuk: Maya Hayuk is a Ukrainian-American artist with an extensive background in a wide range of generative art and social practices. Hayuk weaves visual information from her immediate surroundings into elaborate, painterly abstractions, thus creating an engaging mix of referents from popular culture and advanced painting practices alike. Her large-scale, improvised murals speak to the artist’s obsession with symmetry, “perfect imperfection” and outer/ inner space. Her works look to expanding consciousness and perception to find patterns and interconnectivity. Ultimately, the traditional and the contemporary blend into new harmonic, dissonant, optimistic, experimental compositions. Hayuk considers her studio painting and mural practices as both inversely relational and symbiotic. Hayuk’s work has been the subject of one person exhibitions and commissions at venues including FRAC Museum in Dunkerque, FR (2019), The Ukrainian Museum New York (2017), The Bowery Wall, NY (2014), The Hammer Museum, LA (2013), The Museum Of Contemporary Canadian Art, Toronto, Canada (2013), Bonnefanten Museum, Maastricht, The Netherlands (2012); Socrates Sculpture Park, Queens, New York (2011); Musee E.A.V., Rio De Janiero, Brazil (2011); Matucana Artspace, Santiago, Chile (2009); Democratic National Convention, Denver, Colorado (2008); and Monster Island, Brooklyn, New York (2005-2011). Her work has been included in group exhibitions such as Streetopia, The Luggage Store, San Francisco (2012); Black Light & Outer Space, Secret Project Robot, Brooklyn, New York (2011); Rojo Nova, Museum of Image and Sound, Sao Paolo, Brazil (2010); Contemporary Art 2010, Ukrainian Institute of America, New York (2010); Sous l’es bombs, Musee International des Arts Modeste, Sete, France (2007); The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, CA (2005). In 2018, Hayuk gave a TEDx Talk from The Center of Art and Design (CAD) in Brussels, Belgium, which recounts the arc of her developing career. Maya Hayuk’s work is represented in numerous public and private collections internationally including FRAC Museum (FR), The Ukrainian Museum (US), The Millennium Iconoclast Museum of Art (Brussels, Belgium), The Embassy of the United States of America (Sanaa, Yemen), The Embassy of the United States of America Residence (Costa Rica), MOCA Jacksonville (FL), The Ullens Foundation (Brussels, Belgium), The Dean Collection (US) and Wayne Coyne...

Ron Agam’s Sefirotic Whorl is a mesmerizing three-dimensional kinetic artwork inviting the eye into a constant dance of shifting patterns and luminous color. It presents a hypnotic w...