Archival Pigment Abstract Prints

Red Eye #4 intensifies the series’ exploration of perception and vision. Here, a dark circular void sits at the center, like a pupil pulled into infinite depth. Radiating outward ar...

In Red Eye #1, the palette is saturated with crimson and ember-like tones, evoking heat, intensity, and an almost bodily vibration. A central star shape anchors the composition, radi...

Pupil #10 blooms outward like a radiant mandala, its six-petaled form evoking both a flower in full opening and the geometric harmony of a stained-glass rose window. This work feels...

Red Eye #6 continues the inward journey of At the Center of Seeing, shifting from fiery intensity toward a more diffused, radiant glow. At its center, a soft golden orb hovers like ...

Pupil #2 suggests a rose window, a star chart, or a rotating mandala. The faint, glowing greenish points orbiting the darkened center also carry the implication of a clock face, with...

Iris Eye #12, radiates like a solar mandala: a central, golden nucleus encircled by repeating petal-like arcs that resemble both organic growth and mechanical precision. The symmetry...

Iris Eye #11, feels lighter and more architectural than some of the others in the Iris Eye series. The central pale star, with its softened hexagonal geometry, radiates outward like ...

In Pupil #5, this composition feels more iconographic and symbolic, almost altar-like. The eye has become less about perception and more about presence—an emblem or vessel holding meaning. At the center-bottom, a pale, egg-shaped form rises above a deep violet structure that resembles both a heart and a pair of unfurling scrolls. This motif carries associations of birth, fertility, and transformation, as if the pupil has turned inward to reveal a seed of becoming. Above it, faint concentric rings form a flower-like pattern, encircled by delicate white marks that suggest both orbiting satellites and the notches of a clock. Time, in this work, feels suspended, it hovers in a state of expectancy, like the pause before emergence. The muted palette—lavender, rose, smoky brown—further emphasizes the contemplative quality. Pupil #5 reads like an inner diagram of potential, a moment of quiet before transformation. In the language of the series, it occupies the space between measurement and blossoming: the seed of sight itself, holding within it both time and vision yet to unfold. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 28" x 16" with a 1" white border...

Iris Eye #13, feels like a blossoming aperture—its center a radiant star encircled by deep magenta segments that suggest both iris fibers and flower petals. The repeated arc forms b...

This black and white print by Ross Racine presents an abstract view of a suburban neighborhood. The roadways and sidewalks have been distorted and intertwined in a knot pattern that...

Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...

Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...

Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...

Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart maps, covers from Choose Your Own Adventure gamebooks, and science fiction television programs, this exhibition continues Assu’s exploration around the intersection of Indigenous Peoples and North American pop culture. In the Star Trek episode The Paradise Syndrome, Captain Kirk suffers from amnesia when he arrives on an alien planet, which is inhabited by a society of people who resemble Indigenous Peoples in North America. Kirk is found by a group of women who believe that he is a god and then take him back to their community. At the end of the episode, he is attacked when they realize he is not a god. Spock and McCoy are transported to his rescue, but in the midst of the conflict, a tribal priestess who Kirk developed a relationship with, is killed. In this exhibition, Assu presents two series of digitally altered prints inspired by fact and fiction. The first series depicts ovoids superimposed onto digital scans of paintings by Emily Carr and A.Y. Jackson, framed by gamebook covers. The prints feature alien forms descending, referencing a Star Trek: Voyager episode titled Tattoo. In this episode, Chakotay meets the Sky Spirits, aliens who visited Earth thousands of years ago. They met nomadic humans who had great respect for the land and other animals. The Sky Spirits were so impressed that they gifted the nomads with an inheritance that would allow them to thrive and protect their world. When the Sky Spirits returned thousands of years later, they found that the weapons and diseases of invaders from other lands had decimated the nomadic ‘Inheritors’. Chakotay’s tattoo was the mark of an Inheritor and signaled to the Sky Spirits that some of the Inheritors had survived. Assu’s gamebook prints expand on this fictional story, incorporating aspects of our colonial history in the Pacific Northwest. This exhibition is a playful investigation of challenging issues. By incorporating nostalgic gamebooks from the 1980s, Assu alludes to the discovery of his Kwawaka’wakw heritage, which has recently led him back to living in his ancestral land. The second series of Assu’s prints in this exhibition depict digital illustrations, inspired by Indigenous copper shield symbols, that are superimposed onto navigational marine maps...

Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

El Anatsui Variation I (B), 2014 Pigment print with hand collage and copper wire 23 x 30.2 inches (58.4 x 76.8 cm) Edition of 16

David Morris All Blues Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

David Morris Sweet Georgia Brown (Oscar Peterson) Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached v...

David Morris Chicago Song Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

David Morris A Warm Dance Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

David Morris So What Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

Subtractive Sonica Whispers