Lithograph Abstract Prints

Original American Airlines Hawaii Vintage Poster - Authentic 1960s Travel Memorabilia. Archival linen backed in very good condition, A-. N...

MacDonald of the Isles and Slate (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a she...

This exquisite lithograph by Andre Masson (1896–1987), titled Le Labyrinthe (The Labyrinth), from the album XXe Siecle, Nouvelle serie, XXXIe Annee No. 32, Juin 1969, originates from...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Formes (Forms), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Braziller, I...

An original signed Graham Sutherland lithograph 'Thorn Structure'. A contorted thorn structure against a strong yellow background. Graham Sutherland was a painter of imaginative la...

Impressions by Ronald Julius Christensen, American (1923–1999) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 250, AP 30 Size: 26.5 in. x 30 in. (67.31 cm x 76...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les tilleuls sous la neige (Linden Trees in the Snow), from the album Vlaminck, originates from the 1958 editi...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

JOHN S. de MARTELLY (1903 - 1979) HIEROGLYPHIC, 1954 Lithograph, signed, no. 20 and dated '54 in pencil by the artist. 12 x 16 inches, large sheet 17...

Cheung Yee 張義 (b. 1936) Born in Guangzhou, China, Cheung Yee graduated from the Fine Art Department of Taiwan Normal University in 1958, and five years later he formed the Circle Gr...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Pierre SOULAGES Lithograph n°29 Original Lithograph (printed in Mourlot workshop) Printed signature in the plate On edition paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic ...

Alexandra Nechita 2003 "Restless Paris" Print - Lithograph on Japan rice paper 27'' x 20½'' inches Edition: signed in pencil and marked 17/25 AP Alexandra Nechita began drawing at the age of two. At seven, Alexandra was painting with oils and acrylics, and her first exhibit was a one-woman (child) show held at a Los Angeles public library...

George Rickey South Bend 1907 - 2002 Saint Paul Untitled Lithograph Signed in pencil lower left Limited edition 88/150 Sheet size: approx. 37 x 27.5 cm

This exquisite lithograph after Henri Matisse (1869–1954), titled Marguerite Matisse (Marguerite Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), or...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Cocoly Agelasto (Cocoly Agelasto), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), origin...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Original linen-backed small-format Bally women's shoe posters. The modern kinetic design of the shoes is represented by lines in different colors on a purple background. The poster does have a black outline around the image. The size is of the original poster and does not include the linen backing size in the measurements. The poster is undated, but all references indicate that this poster is from 1981. Artist: Jacques Auria (1922 - 2003) The poster is in very good condition but did have touch up work during linen backing along the bottom right corner and edge. Using bright, contrasting colors (such as pink, white, and purple) creates a visually engaging composition. The flowing lines and curves suggest motion, fitting for a Bally shoe vintage poster...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Astre Patagon (The Patagonian Star), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. L'Astre Patagon embodies Miro's signature dreamlike abstraction—an interplay of cosmic forms, floating symbols, and lyrical color. This composition radiates the artist’s boundless imagination and his poetic dialogue between the material and the celestial. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, capturing Miro’s visual rhythm and surreal energy in a strikingly balanced composition. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'Astre Patagon (The Patagonian Star), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 62. Miro, Joan. Joan Miro, Lithographe / II, 1953–1963. Preface by Raymond Queneau. Maeght, 1975, illustration 265 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro L'Astre Patagon, Miro Derriere le Miroir, Miro Maeght Editeur Paris, Miro Mourlot Freres, Miro 1960...

Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...

Joan MIRO Espana, Surrealist figure, 1982 Original lithograph in colors (atelier Arte, Maeght) Printed signature in the plate On thin paper 95 x 60 cm (c. 37.4 x 23.6 in) Referenc...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Decouverte (Discovery), from the folio Derriere le miroir, No. 154, originates from the 1965 edition published b...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 2 (Series G, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes I et II (Card Players I and II), originates from the historic 1975 folio Derriere le Miroir, No. 2...

This exquisite lithograph by Cesar Baldaccini (1921–1998), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, N° 16, Mai 1961, originates from the ...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Liseuse (Reader), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), orig...

Antoni Tapies (Spain, 1923-2012) 'Cherubins (variations IV)', ca. 1970-1975 Serie: Variations sur Chaise lithograph on paper 41.4 x 29.6 in. (105 x 75 cm.) Edition of 90 Unframed ID:...

Lithograph, 1957 After Joan Miró Edition : 212/300 Publisher : Maeght (Paris) Catalog : [Maeght 1710] 51.00 cm. x 65.00 cm. 20.08 in. x 25.59 in. (paper) 40.00 cm. x 56.00 cm. 15.7...

Artist: Beatriz Milhazes Title: Pink Sunshine Year: 2021 Medium: Lithograph on Fabriano Disegno 5 paper Sheet: 18 3/4 × 23 in (47.6 × 58.42 cm) Edition: 100; signed and numbered in pencil (verso) Condition: Mint. Certificate of Authenticity included Beatriz Milhazes is a Brazilian artist whose brilliant paintings and prints draw from local tradition. Brazilian Baroque...

Lithograph, 1992 Edition : 58/80 Printer : Art Estampe (Paris) 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper) 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (image) Handsigned by...

Lithograph, 1957 Edition : 180 ex. Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : [RMM 99] 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 50.20 cm. x 31...

Lithograph and collage on paper BFK Rives, 1967 Edition : 782/999 90.00 cm. x 69.00 cm. 35.43 in. x 27.17 in. (paper) 80.00 cm. x 65.00 cm. 31.5 in. x 25.59 in. (image) Handsigne...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Coeur (The Heart), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazil...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

Lithograph, 1962 Edition : 125 ex. Publisher : André Sauret (Monte-Carlo) Printer : Mourlot (Paris) Catalog : [Vallier 188, p. 284] 33.00 cm. x 52.00 cm. 12.99 in. x 20.47 in. (pape...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...

Artist: Walasse Ting (1929-2010) Title: Grape Flavor Year: 1981 Edition: 200/200 Medium: Lithograph on Saunders paper Size: 21.75 x 29.5 inches Inscription: Signed and numbered by th...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Hemis Figure by Dan Namingha Hopi kachina katsina black and white lithograph ed unframed hand pulled at Tamarind Institute limited edition lithograph Glenn Green Galleries also p...

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

Marius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...

Eduardo Chillida (Spain, 1924-2002) Clearing (Bilbao). Soccer World Cup. Spain '82, 1982 Original poster from 1982 lithograph on paper 37.5 x 23.7 in....

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Religieuse Portugaise (The Portuguese Nun), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This serene and balanced composition captures Matisse’s mastery of line, harmony, and emotional resonance. La Religieuse Portugaise reflects the artist’s lifelong exploration of purity and rhythm through simplified form and luminous balance, revealing his belief that true beauty lies in the unity of contour, and spirit. The lithograph exemplifies Matisse’s ability to transform spiritual themes into modern expressions of grace and contemplation. Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with leading modern artists of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Religieuse Portugaise (The Portuguese Nun), 1972 Medium: Lithograph on velin d’Arches paper Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972 Notes: Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers. About the Publication: Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, stands as one of the most distinguished collaborative albums of the postwar era. Bringing together original lithographs by some of the foremost artists of the 20th century, the portfolio celebrates artistic friendship, collaboration, and the enduring spirit of creative dialogue. La Religieuse Portugaise (The Portuguese Nun) after Henri Matisse exemplifies this spirit, blending spiritual serenity with the refined formal language that made Matisse one of the most influential artists in modern art. Printed at the renowned Atelier Mourlot, the work embodies the clarity, rhythm, and elegance that characterize Matisse’s timeless aesthetic. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie's New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Religieuse Portugaise, Matisse Mourlot...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage (Landscape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

Twentieth Century Untitled Abstract Limited Edition Stone Lithograph Joan Miro Originally in a catalogue and consequently there is slight evidence of a fold in the centre. We have h...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Klaus Basset Reihenbilder Spieltafeln Offset Lithograph 1967 23.62 x 16.53 inches (60 x 42 cm) Unsigned as issued COA provided *Condition: Creasing along the edges. Folded. Otherwis...

This original lithograph in colours is hand signed in pencil by the artist “Calder” at the lower right image. It is also hand numbered in pencil from the edition of 100, at the lowe...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

JAMES CHAPIN (1887 – 1975) COMPOSITION c. 1940 Lithograph signed in pencil, Image 11 7/8 x 7 ¾ inches, sheet 13 5/8 x 10 5/8 inches. Just a hint of mat line in the margins and on the verso. Some remnants of old tape prImarily at the left & right sheet edges. Rather scarce print but possibly published by Associated American Artists. WONDERFUL PORTRAYAL OF AN UP AND COMING ARTIST...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Agustin Fernandez Midnight Blue - 1979 Print - Yarn, Lithograph on Arches archival paper Paper size 21.75'' x 29.5'' inches Edition: Signed in pencil, dated and marked 8/300 Agustín...

Antoni Tapies (Spain, 1923-2012) 'Toile pliée et chiffres', 1974 lithograph on paper 24.9 x 35.5 in. (63 x 90 cm.) Edition of 90 Unframed ID: TAP1162-026 Hand-signed by author Cat. r...

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

This exquisite lithograph by Alexander Calder (1898–1976), titled Un Patriote (A Patriot), originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Ed...