Lithograph Abstract Prints

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Christo at Leo Castelli Gallery New York (Hand Signed), 1966 Extremely rare Offset Lithograph Poster announcement Boldly hand signed by Christo in blue marker on the lower left front. Addressed to the influential (legendary) art critic Pierre Restany...

Covr for derrière Le Miroir is a Lithograph realized in 1963 by Joan Mirò (1893-1983). Published on "Derrière Le Miroir, no. 139-140. The description on the rear. Good conditions...

This exquisite lithograph by Raoul Ubac (1910–1985), titled Charrue (Plow), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute t...

Energía Cosmica 3 (Cosmic Energy 3) Leonardo Nierman Mexican (1932) Portfolio: Cosmic Energy Suite Date: 1980 Lithograph with embossing, signed and numbered in pencil Edition of 31/2...

Jean LURCAT (1892-1966) The Archer, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Lithograph cre...

Joan Miro Lithographie Originale V (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1977 Size: 12.5 × 9.6 inches Framed: 18.25 x 15.5 x 1 inches Catalogue Rais...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaur, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Minotaur captures Picasso’s lifelong fascination with the ancient myth of the half-man, half-bull—a symbol of passion, violence, and the dual nature of human instinct. Through bold yet economical linework, the artist transforms the mythical figure into an expression of psychological struggle and creative power, a recurring theme in his postwar works that reconciles strength with vulnerability. Executed as a lithograph and pochoir on velin paper, this work measures 12.63 x 18.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Minotaur, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 12.63 x 18.75 inches (32.1 x 47.6 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Minotaur...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...

Sean Scully Estampes, France (Hand Signed), 2006 Offset Lithograph poster Boldly signed in black marker on the front by Sean Scully for the present owner Unframed This is a wonderful piece for true Scully fans. It's a rare 2006 poster from the European exhibition entitled "Sean Scully Estampes" (Sean Scully Prints...

This exquisite collotype after Alfonso Ossorio (1916–1990), titled Peinture initiatique V (Initiatory Painting V), from the album Peintures initiatiques d'Alfonso Ossorio (Initiatory...

Artist: Alexander Calder (1898-1976) Title: Friendship, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...

Joan Miró La Mélodie Acide - 14 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Rippling, limited edition lithograph, Japanese, black, white, red, signed,number

Lithograph on butcher paper. Signed lower middle of plate in blue pen. One of 21 signed, unnumbered lithographs, this impression is in gray/blue ink. In ...

Domenick Capobianco (American, b. 1928), Lithograph and Silkscreen in Colors, comprising: "Wall - 2. Version", artist proof, signed in pencil lower right, inscribed "A.P." lower left...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie N, var. 5 (Series N, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Sean Scully: Material World (Hand signed and dated by Sean Scully), 2022 Hardback monograph on Munken Lynx, 150 gsm paper (hand signed by Sean Scully) Boldly signed and dated by Sean Scully in black marker on the first front end page 11 1/2 × 9 3/4 × 3/4 inches Unframed This lavish hardback monograph [book] with no dust jacket, as issued, was published in conjunction with the exhibition "Sean Scully Material World" at the Thorvaldsens Museum, Copenhagen, from September 2, 2022 to March 5, 2023. It was, exceptionally, hand signed by Sean Scully for us at a special event at Rizzoli books in Manhattan, where he was in conversation with curator and book contributor Raphy Sarkissian...

NEW DECO by the woman artist Robin Morris, is an original handmade limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. NEW ...

This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.194...

Landscape is an original lithograph realized by Claude Clero (attributed). Good condition. Proof artist, hand signed with pencil by the artist.

Original lithograph in colours on Arches watermarked paper, with full margins, framed Central panel from the triptych of the same title Signed by the artist in pencil, lower right on...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, New ...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Village de la Sarthe (Village in Sarthe), from the album Vlaminck, originates from the 1958 edition published ...

Keith Haring Coloring Book (Artist Book of 20 Bound Offset Lithographs), 1985, 1986 Artist Book of 20 staple bound Offset Lithographs Plate signed on cover page; with publisher and a...

Letter J, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

This exquisite lithograph by Paul Wunderlich (1927–2010), titled Frau mit Lorbeer (Woman with Laurel), from the album XXe Siecle, Nouvelle serie, XXXIXe Annee, No. 48, originates fro...

Walasse Ting 丁雄泉 Untitled, (Limited Edition, hand signed Carnegie Museum Trustee Edition), 1972 Abstract Expressionist Lithograph. Hand signed and numbered. Hand signed and numbered...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled L'église de Bougival (The Church of Bougival), from the album Vlaminck, originates from the 1958 edition publi...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Cartones (Cardboards), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), originates from...

Butterfly Maiden, by Dan Namingha limited edition lithograph Hopi kachina pink limited edition color lithograph unframed

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

A funky urban image from 1971 depicting some of the nuances of New York seedy underbelly. This original lithograph is number 73 of and edition of 75 from the 1971 'Fun City' suite. Originally there were 12 different artworks in this series by Richard Lindner of which this is the title piece. Signed in pencil 'R Lindner...

This exquisite heliogravure after Henri Matisse (1869–1954), titled L'Enterrement de Pierrot (The Burial of Pierrot), from Henri Matisse, Jazz, originates from the 1983 second editio...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La meule (The Haystack), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, ...

Invasion de l'espace  is a color lithograph by the American artist and exponent of Dadaism and Surrealism Man Ray  (Philadelphia, 1890 - Paris, 1976). The workr was edited by the Fr...

Original artwork realized by Jacques Hérold in 1974. Colored lithograph. Not signed, as issued. Printed by Mourlot , France. Excellent condition.  This lithograph was realized  b...

Piero Dorazio Morning Circles (Cercles Du Matin) Color Lithograph Year: 1992 Size: 19.68 x 27.56 in (50 x 70 cm) Signed, dated and numbered by hand Edition: 90 Publisher: Erker Pres...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph, doublefold Year: 1965 Size: 14.5x21.25in Edition: 1,500 Portfolio: DLM 151-152 Publi...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Colette (Mrs. Colette), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

Lithograph, 1986 Handsigned by the artist in pencil and numbered 40/150 Publisher : Maurice Garnier (Paris) Catalog : [Sorlier 493, page 210] 58.00 cm. x 76.00 cm. 22.83 in. x 29.92...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau noir et l’Oiseau blanc (The Black Bird and the White Bird), originates from the 1964 folio Derriere le Mir...

Title: Double Flags Year: 1979-80 Medium: Lithograph exhibition poster on wove paper Edition: 5,000 Size: 46 x 30 inches Condition: Excellent Notes: Co-published by the artist, and G...

Concetto Spaziale is a contemporary artwork realized by Lucio Fontana. Aquatint etching on Fabriano paper. Edition of IV/XXV.  The complete edition includes also 75 specimen number...

Alexandra Nechita 2003 "Show me that you care " Print - Lithograph on Japan rice paper 28¼'' x 20½'' inches Edition: signed in pencil and marked 19/25 AP Alexandra Nechita began drawing at the age of two. At seven, Alexandra was painting with oils and acrylics, and her first exhibit was a one-woman (child) show held at a Los Angeles public library...

Artist: Walasse Ting (1929-2010) Title: Orange, Trip Year: 1974 Edition: EA;300 Medium: Lithograph on wove paper Size: 23.5 x 33.5 inches Inscription: Signed and numbered by the arti...

100.7 x 46.3 cms (40 x 18 1/4 ins) Edition of 90

Lithograph, 1972 Handsigned by the artist in pencil and numbered 74/150 Publisher : André Sauret (Monte-Carlo) Printer : Mourlot (Paris) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 200, 1972. Published by Aim...

John Chamberlain (Hand Signed), 1988 Offset Lithograph Poster (Hand Signed by John Chamberlain) 30 × 20 inches Boldly signed on the recto in white grease marker by the artist in his ...

Lithograph, 1980 Handsigned by the artist in pencil and numbered 12/100 Publisher : Jacques Putman, Paris Printer : Pierre Badey, Paris Catalog : [Mason Putman 371, p. 33] 80.00 cm. ...

Gerhard Richter Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994 Offset lithograph (Hand Signed) Hand signed in black marker...

Sonia DELAUNAY (after) Tribute to Sonia Delaunay, 1975 Stone lithograph (printed in Arts-Litho workshop) Printed signature in the plate On wove paper 65 x 50 cm (c. 26 x 20 inch) ...

Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

71 x 71 cms (28 x 28 ins) Edition of 50